Mount Mary University Digital Collections

Browse Items (65 total)

  • Black smooth leather oxford shoes; stitching across top of shoes; 1.5 inch chunky stacked heel. A. Right shoe. B. Left shoe. Worn with habit (2008.01.01.a-h).

    Worn by Sister M. Jovanna.
  • A. Black wool twill worsted nun's habit; jewel neckline; shoulder yoke; large sleeves with turned-back cuffs; 2 black safety pin closure; 8 tucks into shoulder yoke; unfitted waist; ankle length. B. Black herringbone weave, possibly nylon, cinture belt; hook and eye closures in front under flap. C. Black cotton slip; scoop neckline; sleeveless; princess seams; right inseam pocket; knee length. D. White plain weave cotton forehead cover; rectangle; two pairs of ties on short ends. E. White starched cotton wimple; two connected rectangles; two ties; tied at top of head and pinned in back, making two horizontal pleats at neck across shoulders; should have vertical fold lines in front when worn. F. Black worsted wool veil; white starched linen underveil glued to front underside; connects with snaps at back underside; veil pinned at center front forehead to forehead cover. G. Nine straight pins with black or white heads; used to pin veil to forehead cover. H. White polyester knitted skullcap; worn under veil.

    This style of habit was worn by Sister M. Jovanna and all School Sisters of Notre Dame before 1964.
  • Pale pink tulle and silk taffeta prom gown; pink tulle pink taffeta; pale pink feathers around bust; rhinestone straps; tulle decorated with embroidered pale pink flowers and rhinestones; fitted torso; flared skirt; covered buttons and loops in back; ankle length.

    Made by the aunt of the donor, Gaetanina Balistreri, for Balistreri to wear to the 1943 Mount Mary College Junior Prom. The gown was originally made strapless, but Mount Mary College required straps, so rhinestone straps were added.
  • Ivory crepe gown; jewel neckline; long set-in sleeves; seam across chest; U-shaped pieces at neck and hem of skirt front; back zipper closure; lined in white acetate; couture techniques.

    Made by an unknown student in Sister Aloyse Hessburg's class.
  • Black and white image of Mount Mary students waving from Caroline Hall sun deck, circa 1950-1959.
  • A. Blue taffeta blouse; standing collar; modified princess seams; long set-in sleeves; back closure of many covered buttons and fagoted strip; thigh length. B. Blue, orange, and mustard yellow plaid dupioni pants; wide leg; faced waistband; hand-picked zipper. Couture techniques.

    Made by Mount Mary Fashion student Mary Zibung for the 1974 Student Designer Fashion Show, "In the Mood". Made for model, Tamara.
  • Peacock blue plush knit pile evening ensemble. A. Gown; V-neckline; long bishop sleeves; empire waistline; center front zipper closure; light blue silk crepe bodice, gathers into shoulder yoke; Peacock blue knit pile A-line skirt; floor length. B. Bolero jacket; jewel neckline; long bishop sleeves; center front hook and eye closure; lined in light blue silk crepe.

    Note from Sister Aloyse Hessburg: "Blue knit pile fabric by Borg Textile Group, a Wisconsin industry. They challenged the senior class in 1970 to create garments 'for a winter evening' using their fabric. Christee selected this fabric (at that time the most flexible of their line) and used the silk fabric bodice and lining of silk crepe. The fur closure hooks were the only available on short notice. (Industry would have had time to get correct size and color.) In a way - industry and Mount Mary College were promoting the possibility fo using Borg Textiles to the Wisconsin public."
  • Peacock blue plush knit pile evening ensemble. A. Gown; V-neckline; long bishop sleeves; empire waistline; center front zipper closure; light blue silk crepe bodice, gathers into shoulder yoke; Peacock blue knit pile A-line skirt; floor length.

    Worn with jacket (Object ID #2010.11.01.b) to form two piece ensemble.

    Note from Sister Aloyse Hessburg: "Blue knit pile fabric by Borg Textile Group, a Wisconsin industry. They challenged the senior class in 1970 to create garments 'for a winter evening' using their fabric. Christee selected this fabric (at that time the most flexible of their line) and used the silk fabric bodice and lining of silk crepe. The fur closure hooks were the only available on short notice. (Industry would have had time to get correct size and color.) In a way - industry and Mount Mary College were promoting the possibility of using Borg Textiles to the Wisconsin public."
  • A. Black silk shantung dress; wrap front; sleeveless; flared skirt. B. Black and white print silk scarf.

    Made by Mount Mary Fashion student Christee Wartman in 1970.
  • White polyester crepe evening gown; jewel neckline; short kimono cap sleeves; draped in front to center of midriff; scalloped oval appliqué in center of midriff; center of appliqué decorated with clear and silver bugle beads and large rhinestone pin; waistline rises in front, falls in back; darting at back bodice; hand-picked zipper; straight skirt; slit at back hem; ankle length; lined in white polyester. Zipper teeth have given out.

    Made by Sister Aloyse Hessburg for her Master's project at Drexel University in 1965.
  • White polyester crepe evening gown; jewel neckline; short kimono cap sleeves; draped in front to center of midriff; scalloped oval appliqué in center of midriff; center of appliqué decorated with clear and silver bugle beads and large rhinestone pin; waistline rises in front, falls in back; darting at back bodice; hand-picked zipper; straight skirt; slit at back hem; ankle length; lined in white polyester. Zipper teeth have given out.

    Made by Sister Aloyse Hessburg for her Master's project at Drexel University in 1965.
  • Wedding program regarding the wedding of Charles Spittal Robb to Lynda Bird Johnson at the White House, 12/09/1967.

    Off-white fabric infused paper with wood grain texture cover. Silver print of White House with trees and date on front. 13 pages of text, bound with an 1/8" salmon cord with tassel. [4 7/8" x 6 3/4"]

    Click on the attached pdf document ("1967.03.a_text.pdf," below the images on the right) for a transcription of the text inside the booklet.
  • Small green tulle bag of rice; tied with green velvet ribbon. From the wedding of Charles Spittal Robb and Lynda Bird Johnson at the White House 12/09/1967.
  • Gold ring hat; small, flat green grosgrain bow at center front. Worn with dress (Object ID #1967.01). Worn by donor, Mrs. Frances Howard Robb, at the wedding of her son Charles Spittal Robb to Lynda Bird Johnson, the daughter of President Lyndon B. Johnson and Lady Bird Johnson, at the White House, December 9, 1967. Designed by Sister Aloyse Hessburg.
  • Gold silk and faille taffeta dress; A-line construction; asymmetrical closure with hip zipper and four bound buttonholes; small stand-up collar; 3/4 length sleeves; fully lined.

    Worn with matching hat (Object ID #1967.02). Worn by donor, Mrs. Frances Howard Robb, at the wedding of her son Charles Spittal Robb to Lynda Bird Johnson, the daughter of President Lyndon B. Johnson and Lady Bird Johnson, at the White House, December 9, 1967.

    Designed by Sister Aloyse Hessburg, SSND. The buttons were designed and made by Sister Rosemarita Huebner, SSND.
  • Detail to show buttons on dress. The buttons were designed and made by Sister Rosemarita Huebner, SSND.

    Click image three times to zoom fully.
  • Detail to show inside of dress.

    Click image three times to zoom fully.
  • Detail to show pocket on dress.

    Click image three times to zoom fully.
  • Detail to show shoulder of dress.

    Click image three times to zoom fully.
  • Pink cotton jersey evening dress; V-neckline; sleeveless; knot at center front hip; knee length.

    Made by Mount Mary Fashion student Laura Schultz in 1985. This is a copy of a 1920s white evening dress by Vionnet in the collection.
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