Mount Mary University Digital Collections

Browse Items (381 total)

  • Black satin beret; grosgrain pom-pom at top.

    Worn by Florence Eiseman.
  • Black net beret over black velvet outer frame; flat bow at center back.

    Worn by Florence Eiseman.
  • Black beaded evening purse; completely beaded; gold embossed frame with rhinestone and gold leaf clasp; 6 inches by 8 inches. Label: "Moralite/Paris." The purse contains a separate 3 inch coin purse.

    Belonged to Florence Eiseman.
  • Black suede purse; front flap with gold dome leaf closure; handle piped in smooth leather; fully detailed leather interior; 9 inches by 6 inches. Label: "Le Goût du Jour."

    Belonged to Florence Eiseman.
  • Black 4 ply crepe cocktail dress; A line; V-neckline with partial collar; sleeveless; attached narrow self-fabric tie belt.

    Worn by Florence Eiseman.
  • A. Black crepe cocktail dress; scalloped front yoke of black Chantilly lace; jewel neckline bound with bias crepe; bow at neckline and at yoke ending; long tight sleeves with lace tape, carrying through yoke design; full accordian pleated skirt falling from natural waistline; slim underlining. Worn with black crepe scarf (Object ID #1987.103.b).

    Worn by Florence Eiseman.
  • A. Black crepe cocktail dress; scalloped front yoke of black Chantilly lace; jewel neckline bound with bias crepe; bow at neckline and at yoke ending; long tight sleeves with lace tape, carrying through yoke design; full accordian pleated skirt falling from natural waistline; slim underlining. B. Black crepe scarf.

    Worn by Florence Eiseman.
  • Black cobra skin coat; notched collar; single-breasted; waistline seaming of skins; knit wool vertical inserts between cobra skins.

    Worn by Florence Eiseman.
  • Black cocktail dress; silk jersey bodice; funnel neckline; gusset; tight sleeves with gathering at wrists; very full scalloped Chantilly lace skirt over taffeta lining.

    Worn by Florence Eiseman to receive the Neiman Marcus Award in 1955.
  • White silk scarf; black silk patch with "Peg" in white, pin design sewn onto patch to create effect of pinning black patch in place; 21 inches x 50 inches.

    Worn by Peg Bradley.

    Scarf is too long to fit in one image.
  • Black silk shantung ensemble. A. Jacket; roll collar; 4 domed fabric button opening at center front; 7/8 length set-in sleeves; polished silk black bow ribbon tie at neck; contour darts to hem at front and back; hip length; lined in bright fuschia china silk. B. A-line skirt; no waistband; front has 3 seams, back has 2 seams; zipper set into seam on back left side; lined in black china silk. "F" embroidered in white at inside front waist; knee length.

    Worn by Peg Bradley.
  • A. Blue silk evening gown with black silk chiffon overlay; deep rounded yoke piece; ivory chiffon banded in orange; 3/4 length sleeves with orange bands; full skirt with train. B. Blue silk tie belt with black chiffon overlay.

    Worn by Lynn Fontanne. Purchased at the auction of Lynn Fontanne's estate using funds from Mount Mary alumnae.
  • Black jet necklace; double strand of thick bead fringe.

    Worn by Lynn Fontanne. Purchased at the auction of Lynn Fontanne's estate using funds from Mount Mary alumnae.
  • Black silk satin envelope clutch purse.

    Belonged to Lynn Fontanne. Donor was the niece of Lynn Fontanne and Alfred Lunt.
  • Black suede pumps; silver buckle.

    Worn by Lynn Fontanne. Donor was the niece of Lynn Fontanne and Alfred Lunt.
  • Black matte jersey evening gown; high front neckline; floating panels from neckline.

    Worn by Lynn Fontanne. Purchased at the auction of Lynn Fontanne's estate using funds from Mount Mary alumnae.
  • Black smooth leather oxford shoes; stitching across top of shoes; 1.5 inch chunky stacked heel. A. Right shoe. B. Left shoe. Worn with habit (2008.01.01.a-h).

    Worn by Sister M. Jovanna.
  • A. Black wool twill worsted nun's habit; jewel neckline; shoulder yoke; large sleeves with turned-back cuffs; 2 black safety pin closure; 8 tucks into shoulder yoke; unfitted waist; ankle length. B. Black herringbone weave, possibly nylon, cinture belt; hook and eye closures in front under flap. C. Black cotton slip; scoop neckline; sleeveless; princess seams; right inseam pocket; knee length. D. White plain weave cotton forehead cover; rectangle; two pairs of ties on short ends. E. White starched cotton wimple; two connected rectangles; two ties; tied at top of head and pinned in back, making two horizontal pleats at neck across shoulders; should have vertical fold lines in front when worn. F. Black worsted wool veil; white starched linen underveil glued to front underside; connects with snaps at back underside; veil pinned at center front forehead to forehead cover. G. Nine straight pins with black or white heads; used to pin veil to forehead cover. H. White polyester knitted skullcap; worn under veil.

    This style of habit was worn by Sister M. Jovanna and all School Sisters of Notre Dame before 1964.
  • Black straw hat; wide brim; edged in black silk velvet with black silk velvet around crown, ending in a bow and streamers in back; crown has a punched-in effect. Worn by Hildegarde.

    Label: Lord & Taylor.
  • Black chiffon and lace handkerchief; center is chiffon (12 inch square); 6.5 inch lace borders; 25 inch square. Probably used by Hildegarde in performance.
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