Mount Mary University Digital Collections

Browse Items (1978 total)

  • Heavy beige lace over white satin back crepe and white chiffon evening gown; strapless; wide band of lined white-beige mutation mink around top; long, straight, very slim skirt; concealed center back zipper with hook, eye, and snap closure; attached off-white boned inner bodice. Made exclusively for L. S. Ayres & Co., Indianapolis.
  • Teal silk crepe evening gown; V-neckline, dipping down to deep "V" in back; sleeveless; draped around neck and raised waist which becomes a sash at back and loops up front to form an overskirt; A-line skirt underneath; rhinestone pin at center front breast.
  • Pale blue jersey evening gown; decolette neckline; kimono sleeve gathered at top and bottom; gathered yoke at empire waist; gathered sash at deep V-neckline that hangs vertically; deep V-neckline in back; center back zipper.
  • Black silk brocade cocktail dress; stemmed rose and leaf motif; Bateau neckline dipping to low "V" in back; 17" long concealed center back zipper, hand-overcast; dolman sleeves with deep gussets; princess style; dropped waistline; self-draping on hip gathered into arch at center front; large self-bow at center back with long pointed and lined streamers; center back slit for ease in walking.
  • Off-white floral silk shantung day dress; pattern is varying shades of yellow, gold, and brown chrysanthemums and gray leaves; beige Peter Pan collar; tie at neck; short kimono sleeves with cuffs; seam at waistline connects bodice and skirt; skirt has tuck on front princess line to imitate pockets; front zipper closure covered with placket; knee length; unlined.
  • Blue and white tiny checked wool suit. A. Jacket; long; fitted silhouette; cut-out and bias-banded shawl collar; matching flaps in yoke area; set-in long sleeves, narrow turned-back cuffs; shaped panels; seven small self-covered buttons and bound buttonholes; matched cut-out shaping with banding on lower edge; straight across back hem length. B. Straight skirt; bias-bound slashed side pockets; stitched-down tucks and darts; left side zipper.
  • Beige silk chiffon evening gown; large keyhole opening at front; hand-rolled edges; one covered button closure at neck; opening reveals lace bodice; long slender souffle sleeves, edged in lace; hook and eye at wrist; intricate drapery twisted in center front, continuing in short cascade over left side; crepe floor length skirt.
  • Coral pink silk chiffon over silk crepe evening gown; strapless; chiffon at bodice pleated diagonally; high waist at front, curving below waist at back; slight train; floating floor length scarf panel attached vertically along center back. Exclusively for Bullocks Wilshire.
  • A. Gold lamé gown; wide round neckline, bound in wide bias-cut banding; sleeveless; bust darts; raised waistline; attached self-fabric belt dips down in back; long center concealed zipper; paneled bias-cut long skirt; underlined bodice; attached slip with lingerie straps in soft beige crepe. B. Long gold lamé shawl; long hand-knotted beige silk fringe bound in gold metallic thread.
  • Gold lamé gown; wide round neckline, bound in wide bias-cut banding; sleeveless; bust darts; raised waistline; attached self-fabric belt dips down in back; long center concealed zipper; paneled bias-cut long skirt; underlined bodice; attached slip with lingerie straps in soft beige crepe. Worn with matching shawl (Object ID #2004.03.28.B).
  • Yellow and white floral silk chiffon dinner dress; "U" neckline in front, plunges deeper in back; hanging sleeves in back that become bell sleeves at shoulder; attached straight beige slip underneath, attached at waist; sleeveless slip with lingerie straps; concealed back zipper, hook and eyes, and snap closures; flared skirt; knee length.
  • Red wool herringbone suit. A. Jacket; fitted; unusual collar; button and flap hip detail. B. Skirt; six-gore skirt with button trim.
  • Red silk lamé evening gown with gold and silver flecks; straight silhouette; square neckline; elbow-length sleeves; shoulder pads; left side zipper; ankle length; dress has stripe effect through the manipulation of the fabric, stripes appear vertical on bodice and horizontal on skirt.
  • Navy blue leather purse; rectangular; shaped flap opening; heavy gold metal chain handle threaded through leather loops at purse top; fully detailed interior; 6 inches by 8 inches.

    Belonged to Florence Eiseman.
  • Navy blue leather purse; rectangular shape; 1/2 inch wide shoulder strap connected by gold rings and D-rings; gold zipper closure; side pocket on outside of purse, also with gold zipper closure; piping along front and back; red lining; no inside pockets; 8 inches wide by 5 inches high.

    Belonged to Peg Bradley.
  • Black patent leather purse; rectangular boxy shape; wooden bamboo type handle connected by gold D-rings to 1/2 inch patent leather straps; gold turn closure at bottom of straps; top-stitching; navy blue interior; two pockets inside spanning the length of handbag; 8.5 inches wide by 6 inches high.

    Belonged to Peg Bradley.
  • Navy blue leather purse; belt-like handle with gold buckle closure; strap across opening with large gold clasp closure; navy top-stitching; brown leather interior; inside pocket with zipper closure; 13 inches wide by 8 inches high.

    Belonged to Peg Bradley.
  • Glass bead and crystal cuff links; beads held together with gold wire; one side is single large glass pearl; other side is made of one large glass oblong pearl and two brass oblong beads; brass beads have faceted crystal beads on each end.

    Worn by Peg Bradley.
  • Lemon yellow silk satin scarf; gray blue print of checkered squares with multiple designs; 32 inches x 36 inches; hemmed with blindhem stitching.

    Worn by Peg Bradley.
  • Letter from Hildegarde to Sister Aloyse Hessburg, April 26, 1982, in which Hildegarde discusses the upcoming fundraiser at Mount Mary College at which she will be performing.
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