Browse Items (2752 total)
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Stole
B. Red silk taffeta evening shawl with silk-screened palmetto frond design; 58 inches long; oval shape; lined in black satin; buttonhole, missing button.
Goes with dress (Object ID #2003.03.11.a) and coat (Object ID #2003.03.11.c) to form three piece set.
Worn by donor Aileen Ryan. The fabric was designed by Sister Remy Revor based on a historic Milwaukee design. The ensemble was created on designer Rosalie Macrini's receipt of an award from Mount Mary College in the mid-1960s.
This ensemble was the first official donation to Mount Mary's Historic Costume Collection (now the Fashion Archive). -
Detail of interior bodice
A. Red silk taffeta evening gown with silk-screened palmetto frond design; motifs outlined in black beads on bodice; large circles on stem separated by 4 leaves on front skirt; square neckline; short sleeves; empire waistline; A-line skirt has inverted box pleat at center front, 2 pleats at back; black satin ribbon attached at waistline; center back zipper closure; internal corset; lined in red rayon. Worn with stole (2003.03.11.b) and coat (2003.03.11.c) to form a three piece ensemble.
Worn by donor Aileen Ryan. The fabric was designed by Sister Remy Revor based on a historic Milwaukee design. The ensemble was created on designer Rosalie Macrini's receipt of an award from Mount Mary College in the mid-1960s.
This ensemble was the first official donation to Mount Mary's Historic Costume Collection (now the Fashion Archive). -
Two piece ensemble
A. Red silk taffeta evening gown with silk-screened palmetto frond design; motifs outlined in black beads on bodice; large circles on stem separated by 4 leaves on front skirt; square neckline; short sleeves; empire waistline; A-line skirt has inverted box pleat at center front, 2 pleats at back; black satin ribbon attached at waistline; center back zipper closure; internal corset; lined in red rayon. C. Black silk evening coat; brown fur cuffs; red silk taffeta lining is made of the dress fabric; no closures; label: "Rosalie Macrini"; mid-calf length.
Goes with stole (Object ID #2003.03.11.b) to form three piece set.
Worn by donor Aileen Ryan. The fabric was designed by Sister Remy Revor based on a historic Milwaukee design. The ensemble was created on designer Rosalie Macrini's receipt of an award from Mount Mary College in the mid-1960s.
This ensemble was the first official donation to Mount Mary's Historic Costume Collection (now the Fashion Archive). -
Dress
A. Red silk taffeta evening gown with silk-screened palmetto frond design; motifs outlined in black beads on bodice; large circles on stem separated by 4 leaves on front skirt; square neckline; short sleeves; empire waistline; A-line skirt has inverted box pleat at center front, 2 pleats at back; black satin ribbon attached at waistline; center back zipper closure; internal corset; lined in red rayon.
Goes with stole (Object ID #2003.03.11.b) and coat (Object ID #2003.03.11.c) to form three piece set.
Worn by donor Aileen Ryan. The fabric was designed by Sister Remy Revor based on a historic Milwaukee design. The ensemble was created on designer Rosalie Macrini's receipt of an award from Mount Mary College in the mid-1960s.
This ensemble was the first official donation to Mount Mary's Historic Costume Collection (now the Fashion Archive). -
Detail of back double zipper closure and tag
Black synthetic faille cocktail dress; black and gold lace rolled collar; princess line tunic; lace pleated skirt; long sleeves with lace cuff; center back zipper. Label: "Bob Mackie".
Worn by Jane Bradley Pettit.Tags black, Bob Mackie, cocktail dress, dress, evening gown, faille, gold, Jane Bradley Pettit, lace, synthetic -
Detail of underdress and inside seams
Black synthetic faille cocktail dress; black and gold lace rolled collar; princess line tunic; lace pleated skirt; long sleeves with lace cuff; center back zipper. Label: "Bob Mackie".
Worn by Jane Bradley Pettit.Tags black, Bob Mackie, cocktail dress, dress, evening gown, faille, gold, Jane Bradley Pettit, lace, synthetic -
Cocktail dress
Black synthetic faille cocktail dress; black and gold lace rolled collar; princess line tunic; lace pleated skirt; long sleeves with lace cuff; center back zipper. Label: "Bob Mackie".
Worn by Jane Bradley Pettit.Tags 1990s, 2000s, black, Bob Mackie, cocktail dress, dress, evening gown, faille, gold, Jane Bradley Pettit, lace, synthetic -
Cocktail dress
Light blue synthetic faille (triacetate and polyester blend) cocktail dress; scarf neck ties in back; straight, long sleeves have 5 rows of white beads; center back zipper; knee length. Label: "Bob Mackie".
Worn by Jane Bradley Pettit.Tags 1990s, 2000s, beads, blue, Bob Mackie, cocktail dress, dress, faille, Jane Bradley Pettit, polyester, synthetic, triacetate, white -
Dress
Beige polyester jersey dress; scoop neckline; long dolman sleeves; missing belt; spots on skirt.
Worn by Lynn Fontanne. Purchased at the auction of Lynn Fontanne's estate using funds from Mount Mary alumnae. -
Detail of snaps
Quilted gold, silver, and black metallic lamé coat; bound jewel neckline; snap front closure; princess seaming; long sleeves with bound cuffs; full length; lined in black satin.
This piece was attributed to Ann Lowe by the donor at the time of donation. There are no labels or markings. It is beautifully constructed, but other than the high quality and donor attribution, there is no other way to verify if this coat was in fact designed by Lowe. -
Evening coat
Quilted gold, silver, and black metallic lamé coat; bound jewel neckline; snap front closure; princess seaming; long sleeves with bound cuffs; full length; lined in black satin.
This piece was attributed to Ann Lowe by the donor at the time of donation. There are no labels or markings. It is beautifully constructed, but other than the high quality and donor attribution, there is no other way to verify if this coat was in fact designed by Lowe. -
Detail of lace at inside hem
Brown plain weave silk brocade evening gown; made from a sari; gold and peacock blue supplemental weft of mango shoots (paisleys); one-shoulder; side zipper closure; seam at natural waistline; straight skirt, slit up front; border of paisleys down front and around hem; ankle length.
Possibly an Ann Lowe gown based on the distinctive lace trim construction on the interior hem, a signature finishing technique frequently used by Lowe. -
Evening gown
Brown plain weave silk brocade evening gown; made from a sari; gold and peacock blue supplemental weft of mango shoots (paisleys); one-shoulder; side zipper closure; seam at natural waistline; straight skirt, slit up front; border of paisleys down front and around hem; ankle length.
Possibly an Ann Lowe gown based on the distinctive lace trim construction on the interior hem, a signature finishing technique frequently used by Lowe. -
Detail of blue ribbons on crinoline
Off-white cotton wedding dress with cotton lace trim; natural waistline; bateau neckline; short sleeves; pin tucking on sleeves, bust, and long vertical panels on skirt; very full skirt with deep pleats; linen bows down center back are attached over center back zipper with snaps; heavily embellished with cotton lace appliqué along neckline, at empire waist, around natural waistline, and down vertical panels on skirt; interior tulle crinoline. No label.
Worn by donor Constance Busch (neé Coburn) for her first marriage to Gordon Stuart on June 11, 1960. -
Detail of interior of bust
Off-white cotton wedding dress with cotton lace trim; natural waistline; bateau neckline; short sleeves; pin tucking on sleeves, bust, and long vertical panels on skirt; very full skirt with deep pleats; linen bows down center back are attached over center back zipper with snaps; heavily embellished with cotton lace appliqué along neckline, at empire waist, around natural waistline, and down vertical panels on skirt; interior tulle crinoline. No label.
Worn by donor Constance Busch (neé Coburn) for her first marriage to Gordon Stuart on June 11, 1960. -
Detail of back closure
Off-white cotton wedding dress with cotton lace trim; natural waistline; bateau neckline; short sleeves; pin tucking on sleeves, bust, and long vertical panels on skirt; very full skirt with deep pleats; linen bows down center back are attached over center back zipper with snaps; heavily embellished with cotton lace appliqué along neckline, at empire waist, around natural waistline, and down vertical panels on skirt; interior tulle crinoline. No label.
Worn by donor Constance Busch (neé Coburn) for her first marriage to Gordon Stuart on June 11, 1960. -
Wedding dress
Off-white cotton wedding dress with cotton lace trim; natural waistline; bateau neckline; short sleeves; pin tucking on sleeves, bust, and long vertical panels on skirt; very full skirt with deep pleats; linen bows down center back are attached over center back zipper with snaps; heavily embellished with cotton lace appliqué along neckline, at empire waist, around natural waistline, and down vertical panels on skirt; interior tulle crinoline. No label.
Worn by donor Constance Busch (neé Coburn) for her first marriage to Gordon Stuart on June 11, 1960. -
Detail of interior of bust showing store label
Pink silk brocade evening gown; gold brocade edge; made from a sari; sleeveless; strap over left shoulder; bow at waist; brocade strip drown center front skirt; center back zipper closure; floating panel separate from skirt at back. Label: "Saks Fifth Avenue Original, made for the Adam Room"
Worn by the donor, Elizabeth "Bettie" Ogden. -
Detail of back closure
Pink silk brocade evening gown; gold brocade edge; made from a sari; sleeveless; strap over left shoulder; bow at waist; brocade strip drown center front skirt; center back zipper closure; floating panel separate from skirt at back. Label: "Saks Fifth Avenue Original, made for the Adam Room"
Worn by the donor, Elizabeth "Bettie" Ogden. -
Evening gown
Pink silk brocade evening gown; gold brocade edge; made from a sari; sleeveless; strap over left shoulder; bow at waist; brocade strip drown center front skirt; center back zipper closure; floating panel separate from skirt at back. Label: "Saks Fifth Avenue Original, made for the Adam Room"
Worn by the donor, Elizabeth "Bettie" Ogden.