Mount Mary University Digital Collections

Browse Items (1978 total)

  • Peach silk chiffon ensemble. A. Tunic; plain jewel neckline, points at front and back; deep dolman sleeves; bias cut; all-over pattern in silver and gold glitter. No label. B. Scarf. Performance ensemble worn by Hildegarde.

    In this image, the tunic ensemble is styled over a peach silk chiffon underdress (Object ID #1982.74.B).
  • Sage green crepe A-line evening gown; center front seam; long set-in sleeves trimmed in matching fox fur; attached scarf at neckline, acting as draped collar at front and flowing down back of dress; hand-picked zipper closure; fully lined; small yoke at upper back; ten inch flounce at hemline; full length.
  • Group photo of the Charles Robb and Lynda Bird Johnson wedding party at the White House, December 9, 1967. President Lyndon Johnson is standing fourth from left. His daughter Lynda Bird Johnson is in the middle, wearing a dress designed by Geoffrey Beene. Mrs. Frances Howard Robb (wife of James Robb, mother of Charles Robb) is third from right, wearing a yellow dress designed and created by Sister Aloyse Hessburg of Mount Mary.
  • Pale pink silk chiffon tunic; plain jewel neckline, points at front and back; deep dolman sleeves; bias cut; all-over pattern in silver and gold glitter. No label. Performance tunic worn by Hildegarde.

    In this image, the tunic is styled over a peach silk chiffon underdress (Object ID #1982.74.B).
  • Sister Aloyse Hessburg, Bonnie Cashin, and Mount Mary College fashion students in Cashin's New York fashion design studio.
  • White linen muslin handkerchief with Hildegarde's signature embroidered in pink thread; eleven inches square. Owned by Hildegarde.
  • Black chiffon and lace handkerchief; center is chiffon (12 inch square); 6.5 inch lace borders; 25 inch square. Probably used by Hildegarde in performance.
  • Black straw hat; wide brim; edged in black silk velvet with black silk velvet around crown, ending in a bow and streamers in back; crown has a punched-in effect. Worn by Hildegarde.

    Label: Lord & Taylor.
  • Off-white silk crepe and lace handkerchief; twenty-four inches square with 4.5 inch wide lace border. Owned by Hildegarde.
  • Image of garments from the Mount Mary Fashion Archive on display on campus.
  • Black and white image of Sister Aloyse Hessburg and students in a fashion department classroom at Mount Mary College.
  • Ivory crepe gown; jewel neckline; long set-in sleeves; seam across chest; U-shaped pieces at neck and hem of skirt front; back zipper closure; lined in white acetate; couture techniques.

    Made by an unknown student in Sister Aloyse Hessburg's class.
  • Pale pink tulle and silk taffeta prom gown; pink tulle pink taffeta; pale pink feathers around bust; rhinestone straps; tulle decorated with embroidered pale pink flowers and rhinestones; fitted torso; flared skirt; covered buttons and loops in back; ankle length.

    Made by the aunt of the donor, Gaetanina Balistreri, for Balistreri to wear to the 1943 Mount Mary College Junior Prom. The gown was originally made strapless, but Mount Mary College required straps, so rhinestone straps were added.
  • Medium pink silk cloqué evening cape; quilted fabric; all-over swirling pattern; lined in pink silk taffeta; openings for arms; dips in slight "V" at center back; small train; soiled at back hem; fading throughout. Designer unknown.
  • A. Black wool twill worsted nun's habit; jewel neckline; shoulder yoke; large sleeves with turned-back cuffs; 2 black safety pin closure; 8 tucks into shoulder yoke; unfitted waist; ankle length. B. Black herringbone weave, possibly nylon, cinture belt; hook and eye closures in front under flap. C. Black cotton slip; scoop neckline; sleeveless; princess seams; right inseam pocket; knee length. D. White plain weave cotton forehead cover; rectangle; two pairs of ties on short ends. E. White starched cotton wimple; two connected rectangles; two ties; tied at top of head and pinned in back, making two horizontal pleats at neck across shoulders; should have vertical fold lines in front when worn. F. Black worsted wool veil; white starched linen underveil glued to front underside; connects with snaps at back underside; veil pinned at center front forehead to forehead cover. G. Nine straight pins with black or white heads; used to pin veil to forehead cover. H. White polyester knitted skullcap; worn under veil.

    This style of habit was worn by Sister M. Jovanna and all School Sisters of Notre Dame before 1964.
  • Black smooth leather oxford shoes; stitching across top of shoes; 1.5 inch chunky stacked heel. A. Right shoe. B. Left shoe. Worn with habit (2008.01.01.a-h).

    Worn by Sister M. Jovanna.
  • Caption from yearbook: "'2001. Flippy, feminine and fun,' says designer Barb Newby of her short, sheer brocade dress."
  • Red silk chiffon floral striped dress; Peter Pan collar; placket front; long sleeves with covered buttons over snaps; yoke; small tear on lower left sleeve. Label: Jane and Jane, London.

    Worn by Lynn Fontanne. Purchased at the auction of Lynn Fontanne's estate using funds from Mount Mary alumnae.
  • Off-white silk chiffon over silk evening gown with blue rose print; V-neckline in front, square neckline in back; square set-in sleeves. Worn with evening coat (Object ID #1983.239).

    Worn by Lynn Fontanne to receive a special Tony Award for Lifetime Achievement in 1970, although the gown was created much earlier. This gown was possibly made by Valentina, but has been significantly altered. Purchased at the auction of Lynn Fontanne's estate using funds from Mount Mary alumnae.
Output Formats

atom, dc-rdf, dcmes-xml, json, omeka-xml, rss2