Mount Mary University Digital Collections

Browse Items (2067 total)

  • Navy blue, white, red, and yellow houndstooth wool twill coat; roll collar; double-breasted with 12 navy plastic button closure; one-piece long sleeves; princess line; slash double welt pockets at hips; knee length.
  • Gray brushed wool tunic coat; bias cut; collarless; plain neckline; 3/4 length kimono sleeves; seven silver shank buttons/slanted bound buttonhole closure; narrow double welt slanted pockets; black lining.
  • Black ribbed cotton piqué coat; very full, long kimono sleeves; inset pockets; tan silk faille tuxedo collar and cuffs.
  • Chocolate brown double knit wool coat; short rolled collar; vertical single welt pockets with 1.5 inch welts at waist; circular buttons with rolled fabric button loops; back yoke at shoulders; center back seam; 3/4 length raglan sleeves with white contrasting cuffs; cuffs are 2.25 inches wide; white knit inside.

    Worn by Peg Bradley.
  • Navy blue canvas trench coat; A-line; roll collar; epaulets at shoulders; raglan sleeves; 6 plastic buttons down center front; large pockets set in at side seams; attached self-fabric belt with tan leather covered rectangular buckle; not lined; knee length.

    Worn by Peg Bradley.
  • Cream textured wool peacoat; navy blue convertible collar; darts at waist and shoulders; double-breasted front with double welt button holes and gold circular buttons; double breast panel faced with navy blue wool; angled single welt pockets at hips with 1 inch wide welts; two-piece set-in sleeves; knee length; lined in navy blue silk tissue tafetta.

    Worn by Peg Bradley.
  • Navy blue wool peacoat; notched collar; double-breasted; 2 vertical single welt pockets at each front princess seam; 8 circular gold buttons down front; double welt button holes; 3/4 length set-in sleeves with 2 buttons on outer sleeve.

    Worn by Peg Bradley.
  • Off-white wool twill coat; fabric has vertical rows of floating threads, giving a textured surface; wide roll collar; center front opening with one pewter button at neck; 3/4 length kimono sleeves; large patch pockets; lined in wool flannel; knee length.

    Worn by Peg Bradley.
  • Ivory wool theater coat; shawl collar; two large button and loop closures at center front; long sleeves, gathered at shoulders; lace and soutache trim at sleeve hems; soutache trim on collar and along princess seams at front and back; satin lining; mid-calf length. Part of a theater suit with dress (Object ID #2022.05.01.a).

    This suit is an exact reproduction of a 1908 theater suit in the collection of the Wisconsin State Historical Society. The donor made this replica as her senior project in Fashion Design at Mount Mary College in 1974.
  • Purple velvet evening coat with machine-embroidered pink roses and metallic green leaves; small embroidered green leaves scattered throughout. A-line; winged collar; three fabric covered buttons and bound buttonhole center front closure; swing shape; drop shoulder sleeves with two diagonal darts at wrist; inseam pockets; midcalf length; lined in brownish red satin. Worn by Valentina. Possibly not designed by Valentina due to different construction techniques, but instead a costume built by Kerenskaya.
  • Green silk shantung A-line coat; shawl collar, small; one covered button and bound buttonhole closure; upper yoke, top of sleeve, and coat cut in one; roll-up sleeve with roll up cuff; 2 double inverted back pleats released at shoulder blade; poor boy length sleeves; lined with changeant green/brown silk taffeta; midcalf length. Worn by Valentina. Possibly not designed by Valentina due to the construction techniques used.
  • A. Multicolored silk taffeta coat; screen-printed in geometric motifs with large areas of light blue; large green diamond shape at front waist; on chest is floral motif in dark blue within pink purple octagon; jewel neckline; center front opening; long set-in sleeves; below knee length; lined in yellow taffeta. B. Self-fabric belt; 2 hook and bar closures.

    Worn by donor, Janet Falk.
  • A. Taupe wool flannel coat; fabric might be camel hair; wrap-around styling; double layers of wool; band collar; kimono sleeves with shirring along top of shoulders. B. Self-fabric tie belt.
  • Gold double cloth evening coat; large swirl design in fabric; jewel neckline; modified princess line; long straight set-in sleeves; buttons down front under placket; lined in gold satin; above the knee length.
  • Black cobra skin coat; notched collar; single-breasted; waistline seaming of skins; knit wool vertical inserts between cobra skins.

    Worn by Florence Eiseman.
  • Black velvet coat; turned-down collar bound with silk ottoman; five button front closure also bound with silk ottoman; jeweled jet buttons; single welt pockets; lined in ivory silk.

    Worn by Florence Eiseman.
  • Blue wool flannel coat; standing collar; long sleeves with square armscyes; hidden front buttons; no lining; mid-calf length.

    Worn by Florence Eiseman.
  • Gray double-breasted coat; large notched collar; princess seaming; single welt pockets at hip; black inverted pleat.

    Worn by Florence Eiseman.
  • Dark blue double cloth coat; mandarin collar; no front closure; princess seaming; mock pocket flaps at shoulder; vertical welt pocket at hip; 2-piece sleeves; worked entirely as doublecloth.

    Worn by Florence Eiseman.
  • Tan wool double cloth coat; notched collar; long raglan sleeves with turned-back cuffs; double-breasted, 4 square yellow metal buttons with reptile skin detail, one button is missing reptile skin; slash pockets with flaps; seam from under arm to front pocket; A-line silhouette; lined in white wool flannel; knee length; two stains on lower right collar.

    Worn by Florence Eiseman. Possibly by Pauline Trigère.
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