Browse Items (2118 total)
-
Letter from Harper Lee to Sister John Francis Schuh February 1965, page 1
In May 1964, Mount Mary College awarded an Honorary Degree to Nelle Harper Lee, Pulitzer Prize winning author of To Kill A Mockingbird. In accepting the honor Ms. Lee traveled to Mount Mary and took part in commencement ceremonies, which resulted in a friendship between her and Sister John Francis Schuh, President of Mount Mary. -
Letter from Harper Lee to Sister John Francis Schuh February 1965, page 2
In May 1964, Mount Mary College awarded an Honorary Degree to Nelle Harper Lee, Pulitzer Prize winning author of To Kill A Mockingbird. In accepting the honor Ms. Lee traveled to Mount Mary and took part in commencement ceremonies, which resulted in a friendship between her and Sister John Francis Schuh, President of Mount Mary. -
Letter from Harper Lee to Sister John Francis Schuh June 26, 1964
Harper Lee wrote to Sister John Francis Schuh about one month after commencement and discusses her experience at Mount Mary.
In May 1964, Mount Mary College awarded an Honorary Degree to Nelle Harper Lee, Pulitzer Prize winning author of To Kill A Mockingbird. In accepting the honor Ms. Lee traveled to Mount Mary and took part in commencement ceremonies, which resulted in a friendship between her and Sister John Francis Schuh, President of Mount Mary. -
Letter from Harper Lee to Sister John Francis Schuh May 20, 1965
In May 1964, Mount Mary College awarded an Honorary Degree to Nelle Harper Lee, Pulitzer Prize winning author of To Kill A Mockingbird. In accepting the honor Ms. Lee traveled to Mount Mary and took part in commencement ceremonies, which resulted in a friendship between her and Sister John Francis Schuh, President of Mount Mary. -
Letter from Avon Lees Jr. to Sister Mary Nora Barber, April 23, 1974
Letter from Avon Lees Jr., president and director of the Tobe-Coburn School for Fashion Careers in New York City, to Sister Mary Nora Barber, president of Mount Mary College. The letter concerns the awarding of a full-tuition Fashion Fellowship at the Tobe-Coburn School for Fashion Careers to Mary Ellen Wiczynski, who was graduating from Mount Mary College that spring. -
Purse
Black satin handbag; two fabric straps; interior metal frame, making three pockets; frame has silver metal lion which extends to outside of bag; satin is frayed at top. 7 inches wide by 5.5 inches tall.
Belonged to Florence Eiseman. -
Evening gown
A. Black lace gown; camisole bodice; fitted skirt; bands of pleated chiffon trimmed with 1/2 inch pink grosgrain ribbons running from side bodice down back across hem and up other side. B. Black slip, likely of silk or rayon; white straps have been sewn on at a later date mimicking the straps of the evening gown.
Honeymoon dress of Julilly House Kohler. -
Evening gown
Gold lamé evening gown; long, slim silhouette; bias cut; backless; halter; V-neckline; self-fabric sash hooks around waist; train. Garment is in poor condition. Hildegarde's first Paris gown. -
Dress
Tan and white geometric abstract printed silk twill dress; standing collar; halter neckline; empire waistline; flared skirt; ball buttons and loops at center front.
Made by Mount Mary Fashion student Sharon Lipinski. -
Dress
Gray wool flannel dress; jewel neckline; sleeveless; seam going down center front, forms into box pleat; 2 princess seams that come down into waist and form box pleats, one princess seam starts at shoulder and other starts at middle of front armhole; 3 horizontal seams; one goes through center front seam and is located right under bust, extending from center seam to first princess seams on each side; other horizontal seams are side seams that extend .5 inch from armpits and go to first princess seam closest to side of garment; center back zipper closure that forms into box pleat; 2 back princess seams on either side of zipper, these also form box pleats; knee length. The donor, Sharon Lipinski, constructed this dress in Sister Aloyse Hessburg's Couture class. -
Evening gown
Navy silk chiffon evening gown; large red flowers, tie-dye or batiked fabric; very full sleeves; straight skirt; attached scarf at neckline that flows down back; underdress of navy crepe with beige yoke. Worn by Hildegarde. -
Cocktail dress
Pink silk crepe cocktail dress; jewel neckline; princess seams; long set-in sleeves with zippers at wrists; 7 inch wide band of pink ostrich feathers at hem; knee length; several small wine-colored stains on right chest.
Worn by Peg Bradley. -
Ball gown
Mint green worsted ball gown; empire bodice; off the shoulder straps made of silk rose buds and tiny leaves; swirl of three dimensional rosebuds and leaves running vertically down center front, around left side of waistline to back, and down center back; flat bow at center front and center back, set on vertically; skirt has wrap-look front and wrap back; floor length; small white lace butterflies applied to petticoat. Label: "Saks Fifth Avenue Original, made for the Adam Room". Possibly a debutante gown. -
Detail of back closure
Mint green worsted ball gown; empire bodice; off the shoulder straps made of silk rose buds and tiny leaves; swirl of three dimensional rosebuds and leaves running vertically down center front, around left side of waistline to back, and down center back; flat bow at center front and center back, set on vertically; skirt has wrap-look front and wrap back; floor length; small white lace butterflies applied to petticoat. Label: "Saks Fifth Avenue Original, made for the Adam Room". Possibly a debutante gown. -
Detail of interior of bust showing store label
Mint green worsted ball gown; empire bodice; off the shoulder straps made of silk rose buds and tiny leaves; swirl of three dimensional rosebuds and leaves running vertically down center front, around left side of waistline to back, and down center back; flat bow at center front and center back, set on vertically; skirt has wrap-look front and wrap back; floor length; small white lace butterflies applied to petticoat. Label: "Saks Fifth Avenue Original, made for the Adam Room". Possibly a debutante gown. -
Detail of lace on inside seams
Mint green worsted ball gown; empire bodice; off the shoulder straps made of silk rose buds and tiny leaves; swirl of three dimensional rosebuds and leaves running vertically down center front, around left side of waistline to back, and down center back; flat bow at center front and center back, set on vertically; skirt has wrap-look front and wrap back; floor length; small white lace butterflies applied to petticoat. Label: "Saks Fifth Avenue Original, made for the Adam Room". Possibly a debutante gown. -
Detail of lace appliqués on petticoat
Mint green worsted ball gown; empire bodice; off the shoulder straps made of silk rose buds and tiny leaves; swirl of three dimensional rosebuds and leaves running vertically down center front, around left side of waistline to back, and down center back; flat bow at center front and center back, set on vertically; skirt has wrap-look front and wrap back; floor length; small white lace butterflies applied to petticoat. Label: "Saks Fifth Avenue Original, made for the Adam Room". Possibly a debutante gown. -
Evening gown
Pink silk brocade evening gown; gold brocade edge; made from a sari; sleeveless; strap over left shoulder; bow at waist; brocade strip drown center front skirt; center back zipper closure; floating panel separate from skirt at back. Label: "Saks Fifth Avenue Original, made for the Adam Room"
Likely worn by the donor, Elizabeth "Bettie" Ogden. -
Detail of back closure
Pink silk brocade evening gown; gold brocade edge; made from a sari; sleeveless; strap over left shoulder; bow at waist; brocade strip drown center front skirt; center back zipper closure; floating panel separate from skirt at back. Label: "Saks Fifth Avenue Original, made for the Adam Room"
Likely worn by the donor, Elizabeth "Bettie" Ogden.