Mount Mary University Digital Collections

Browse Items (451 total)

  • Navy blue and off-white wool knit dress; diamond pattern; navy blue crocheting at neckline; long sleeves.
  • A. Red abstract floral print silk damask crepe dress; chemise style; high neckline; 9 gold button center front closure; polka dot band down center front, at neckline, on sleeve hems, and on 4 faux welt pockets; front and back yoke; tiered skirt; knee length. B. Black and white polka dot silk damask crepe scarf; narrow. C. Gold metal chain belt.
  • Taupe wool/rayon knit ensemble. A. Sheath dress; black knit geometric design; mandarin collar; 3 black knit I-cord frog closures at center front neckline; cap sleeves; peg skirt; maxi length.

    Worn with jacket (Object ID #1997.325.b) to form two piece ensemble.
  • Taupe wool/rayon knit ensemble. A. Sheath dress; black knit geometric design; mandarin collar; 3 black knit I-cord frog closures at center front neckline; cap sleeves; peg skirt; maxi length. B. Jacket; cardigan style; V-shaped neckline; 2 black knit I-cord frog closures at center front waistline; straight sleeves with black patterned cuffs; black patterned neck edge and hemline. From Adolfo's Fall 1975 Ready-to-Wear collection.
  • Magenta silk crepe draped cocktail dress; scoop neckline; sleeveless; asymmetrically draped across bodice and skirt; released pleats on the left side front skirt; knee length; lined in magenta taffeta; center back zipper closure.
  • Taupe silk taffeta evening gown; strapless; side zipper closure; bodice has three-part waist yoke; piece covering bust has much asymmetrical horizontal pleating; skirt draped to right princess seam; flared skirt; three inverted pleats at back waist; unlined; ankle length.
  • White chiffon evening gown; ballerina bodice; spaghetti straps; net draped across front; natural waistline; 3 tier tulle handkerchief hem; acetate lining; some interior boning. Possibly a debutante gown.
  • Black shirred silk taffeta evening gown; princess styling; low scoop neckline; short raglan sleeves; side zipper closure; pellon-lined skirt.
  • Beige floral lace and pale blue silk organza late day dress; organza is pleated; square neckline front and back; sleeveless; seam at natural waistline; left side zipper closure; full flared skirt; beige lace is appliquéd to outline squares of organza; knee length.
  • Light green printed silk summer dinner dress; Asian circus themed print in green, mauve, and periwinkle with black outlining and pastel yellow; V-neckline in front and back; taut bodice; skinny long sleeves without cuffs, snaps at bottom; shoulders are cut out in two places each with 3 faux ties; waist darts; full 4 gore skirt; side opening; short length.
  • A. Brown silk taffeta dress; V-neckline; small rolled collar; long sleeves; shirred rounded panels at midriff to hipline; very full gathered skirt drops from panels. Worn with petticoat (Object ID #1985.31.b).

    Worn by the donor's mother, Estelle Collins Naughton, as a "Mother of the Bride" dress at the donor's wedding on November 27, 1954.
  • A. Brown silk taffeta dress; V-neckline; small rolled collar; long sleeves; shirred rounded panels at midriff to hipline; very full gathered skirt drops from panels. B. Brown tulle tiered petticoat.

    Worn by the donor's mother, Estelle Collins Naughton, as a "Mother of the Bride" dress at the donor's wedding on November 27, 1954.
  • Bright pink and white cabbage rose print cotton sateen dress; fit and flare; natural waistline; scoop neckline front and back; bell skirt, darted at waistline; knee length; draped front bodice ending with oval self-covered buckle; crinoline under skirt; lined bodice; piping around neckline and armscye; sleeveless.
  • Blue taffeta fit and flare cocktail dress; scoop neckline; sleeveless; princess seaming through bodice; natural waistline in front, dropping to hip level at center back; flared skirt; flat horizontal pleating forms bustle effect at center back; flat bow at center back; midi-ballerina, tea length.
  • Off-white cotton wedding dress with cotton lace trim; natural waistline; bateau neckline; short sleeves; pin tucking on sleeves, bust, and long vertical panels on skirt; very full skirt with deep pleats; linen bows down center back are attached over center back zipper with snaps; heavily embellished with cotton lace appliqué along neckline, at empire waist, around natural waistline, and down vertical panels on skirt; interior tulle crinoline. No label.

    Worn by donor Constance Busch (neé Coburn) for her first marriage to Gordon Stuart on June 11, 1960.
  • Black silk jersey evening gown with graphic print in blue, yellow, and olive green; fit and flare; natural waistline; standing collar; bishop sleeves with cuffs; gathered skirt; full evening length. Label: "Ronald Amey".

    Worn by the donor, Beatrice Haggerty.
  • Butter yellow rayon evening gown; scoop neckline; two bust darts; sleeveless; sewn-in elastic at empire waistline; fabric above and below waistline gathers slightly; large self-fabric covered buttons down entire center front; pair of snaps on both inner shoulder straps, just below shoulder seam; ankle length; label: "Burke-Amey, New York".

    This item was created by Ronald Amey for Burke-Amey.
  • Gray jersey A-line dress; turtleneck collar in forest green; forest green zig-zag set-in pieces on bodice; long sleeves with forest green cuffs. Label: "Ronald Amey".
  • Orange wool knit fit and flare dress; white knit yoke with geometric, abstract top-stitching in orange; long straight sleeves; gathered, knee length skirt; attached belt with abstract inserts and top-stitching. Label: "Ronald Amey".

    Worn by the donor, Beatrice Haggerty.
  • Multicolored printed evening gown; Peter Max type print with trees, flowers, and hexagons in shade of blue, green, pink, and magenta; light blue and lime green wool double knit bodice with insets and piecing; standing collar; natural waistline; long set-in bishop sleeves with wool cuffs; large clear buttons at cuffs; center back zipper closure; gathered full silk chiffon skirt; ankle length. Label: "Ronald Amey".

    Worn by the donor, Beatrice Haggerty.
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