Mount Mary University Digital Collections

Browse Items (54 total)

  • Ivory silk crepe day dress; coat style; wide Peter Pan collar; bodice diagonally pleated back and front; long set-in pleated sleeves with cuffs; 6 silver button closure down front; pleated skirt; attached self-fabric braided belt; knee length.
  • Ivory faille wedding gown; neck yoke buttoned with covered ball and loops at front; no waist definition; large sleeves with wide cuffs with covered ball and loops; trained; couture techniques.
  • Ivory faille wedding gown; neck yoke buttoned with covered ball and loops at front; no waist definition; large sleeves with wide cuffs with covered ball and loops; trained; couture techniques.
  • Ivory faille wedding gown; neck yoke buttoned with covered ball and loops at front; no waist definition; large sleeves with wide cuffs with covered ball and loops; trained; couture techniques.
  • Ivory faille wedding gown; neck yoke buttoned with covered ball and loops at front; no waist definition; large sleeves with wide cuffs with covered ball and loops; trained; couture techniques.
  • Ivory striped wool plain weave short coat; stripes are brown and dark yellow; jewel neck; center front opening with 3 large bone buttons and bound buttonholes; three-quarter length set-in padded sleeves; side seams open from waist; attached self-fabric belt that ties in back; lined in ivory silk crepe. Worn with Dress, Object ID #2004.03.395.A, to form ensemble.
  • Ivory wool theater coat; shawl collar; two large button and loop closures at center front; long sleeves, gathered at shoulders; lace and soutache trim at sleeve hems; soutache trim on collar and along princess seams at front and back; satin lining; mid-calf length. Part of a theater suit with dress (Object ID #2022.05.01.a).

    This suit is an exact reproduction of a 1908 theater suit in the collection of the Wisconsin State Historical Society. The donor made this replica as her senior project in Fashion Design at Mount Mary College in 1974.
  • Ivory wool dress; sweetheart neckline; ivory tulle illusion panel with lace detailing covers bosom to standing collar; similar illusion panel at back; center back hook and eye closures; short wool sleeves, gathered at shoulders; long tulle undersleeves with lace detailing; full length skirt; soutache braid trim all over bodice and down center front and back of skirt; slightly trained; cotton lining. Part of a theater suit with coat (Object ID #2022.05.01.b).

    This suit is an exact reproduction of a 1908 theater suit in the collection of the Wisconsin State Historical Society. The donor made this replica as her senior project in Fashion Design at Mount Mary College in 1974.
  • C. Ivory organza blouse; worn backwards to fill in "V" of overdress; ruffled neckline and sleeve cuffs; snap and hook and eye closures.

    Worn with overdress (Object ID #1983.193.a) and underdress (Object ID #1983.193.b) to form three piece ensemble. Ensemble was worn with cape (Object ID #1983.212).

    Worn by Lynn Fontanne. Made by Lynn Fontanne using a Jacques Griffe Vogue pattern, which she reworked to give the overdress a deep V back. The ensemble was originally worn with a white ruffled dickey. Donor was the niece of Lynn Fontanne and Alfred Lunt.
  • B. Black brushed silk underdress; back is brushed silk, front is taffeta; sleeveless taffeta bodice. C. Ivory organza blouse; worn backwards to fill in "V" of overdress; ruffled neckline and sleeve cuffs; snap and hook and eye closures.

    Worn with overdress (Object ID #1983.193.a) to form three piece ensemble. Ensemble was worn with cape (Object ID #1983.212).

    Worn by Lynn Fontanne. Made by Lynn Fontanne using a Jacques Griffe Vogue pattern, which she reworked to give the overdress a deep V back. The ensemble was originally worn with a white ruffled dickey. Donor was the niece of Lynn Fontanne and Alfred Lunt.
  • A. Black brushed silk overdress; 3/4 length sleeves; ivory organza cuffs; empire bodice; open at back with deep V; black satin bow with streamers; uneven hemline; small hole in front skirt. B. Black brushed silk underdress; back is brushed silk, front is taffeta; sleeveless taffeta bodice. C. Ivory organza blouse; worn backwards to fill in "V" of overdress; ruffled neckline and sleeve cuffs; snap and hook and eye closures. Ensemble was worn with cape (Object ID #1983.212).

    Worn by Lynn Fontanne. Made by Lynn Fontanne using a Jacques Griffe Vogue pattern, which she reworked to give the overdress a deep V back. The ensemble was originally worn with a white ruffled dickey. Donor was the niece of Lynn Fontanne and Alfred Lunt
  • Ivory floral print silk dress; print is sprays of pink cut panne velvet flowers; open notched collar; 3/4 length cuffed sleeves; cummerbund waistline; very full skirt with tiny pleats at waistline. This item was created by Norman Norell for Traina-Norell fashion house.
  • Ivory organza cape; 5 tiered; short; Peter Pan collar; 5 black jet faceted button and hand-worked buttonhole double-breasted center front closure.

    In this image, the cape is styled over a black silk crinkle chiffon evening dress, Object ID #1997.416. This item was created by Norman Norell for Traina-Norell fashion house.
  • B. Ivory batiste tailored blouse; double Pan collar with bias binding; balloon sleeves, very full with 5 pearl button/hand-worked buttonhole closures at cuffs.

    Worn with jumper (Object ID #1997.438.a) and belt (Object ID #1997.438.c) to form three piece ensemble. This item was created by Norman Norell for Traina-Norell fashion house.
  • A. Gray wool flannel A-line jumper; jewel neckline; 4 covered button/bound buttonhole closures at each shoulder seam; sleeveless; cut on bias; straight skirt; mid-calf length. B. Ivory batiste tailored blouse; double Pan collar with bias binding; balloon sleeves, very full with 5 pearl button/hand-worked buttonhole closures at cuffs. C. Gray wool flannel tie belt; 1.5 inches wide. This item was created by Norman Norell for Traina-Norell fashion house.
  • A. Ivory silk crepe tailored blouse; shirt collar; 4 button (missing)/hand-worked buttonhole center front closure; vertical tucks; straight sleeves with French cuffs. B. Black silk crepe skirt; knife pleats; 2 inch wide waistband; full length; silk crepe lining. C. Black satin-covered belt; 3 inches wide. D. Black satin neck bow.
  • Ivory silk shantung and wool underdress; camisole silk bodice attached to wool skirt; skirt is knife-pleated; knee length.

    Worn with overblouse (Object ID #1993.09.a) to form two piece ensemble.
  • A. Ivory silk shantung overblouse; bateau neckline; ball and loop button closure over each shoulder; sleeveless; 2 single welt pockets; hip length. B. Ivory silk shantung and wool underdress; camisole silk bodice attached to wool skirt; skirt is knife-pleated; knee length.
  • Ivory silk and black matelasse underdress; ivory silk bodice, camisole style, which suspends black matelasse skirt; straight skirt; knee length.

    Worn with jacket (Object ID #1995.135.b) to form two piece ensemble.
  • A. Ivory silk and black matelasse underdress; ivory silk bodice, camisole style, which suspends black matelasse skirt; straight skirt; knee length. B. Black matelasse boxy jacket; chelsea collar, double-breasted; 8 domed black lacquer buttons/bound buttonhole closure at center front; 2 single welt pockets set into princess seaming; straight sleeves.
Output Formats

atom, dc-rdf, dcmes-xml, json, omeka-xml, rss2