Mount Mary University Digital Collections

Browse Items (1978 total)

  • This recording was made at Mount Mary University.

    Description from creator (who wished to remain anonymous): "I'm always walking around on campus and notice the statue just standing there, menacingly. If you are another incoming student who thinks they're just being dramatic, trust that you are not alone."
  • This recording was made at Mount Mary University.

    Description from creator (who wished to remain anonymous): "My story retells the story of the 'the Judgement of Paris' and connects to an inspirational talk about embracing one's own beauty."
  • The Playbill cover for Idiot's Delight with (pictured) Lynn Fontanne and Alfred Lunt.
  • This recording was made as part of the spring 2024 Introduction to New Media Writing course at Mount Mary University.

    Description from creator (who wished to remain anonymous): "My story describes how I first played a sport and then ended up getting injured in the first game."
  • Cashmere striped dress in various shades of red; horizontal stripes are red, tomato red, and fuschia. Ostrich feathers are knitted in at the hem. Slip shape, sleeveless, deep v-neckline, A-line skirt, knee length.

    Worn with matching cardigan (Object ID #2013.04.09.B).
  • Cashmere striped cardigan sweater in various shades of red; horizontal stripes are red, tomato red, and fuschia; Ostrich feathers are knitted in at the shoulders; center front opening with hook closures; Long sleeves; Thigh length.

    Worn with dress (Object ID #2013.04.09.A).
  • Cashmere striped cardigan sweater in various shades of red; horizontal stripes are red, tomato red, and fuschia; Ostrich feathers are knitted in at the shoulders; center front opening with hook closures; Long sleeves; Thigh length.

    Worn with dress (Object ID #2013.04.09.A).
  • Cream herringbone wool ensemble. A. Jacket; v-neckline, long two-piece set-in sleeves with wool fringe inserted into the outside seam at the cuff, many waist darts creating nipped-in waist, high hip length, single welt pockets, four snaps closure on the princess seam line, built-in fringed shawl is thrown over the left shoulder, large silver tone metal "Sheriff" badge in star shape attached to jacket, lined in white acetate taffeta. B. Skirt; straight waistband, wrap-around style overlaps in front, midcalf length, lined in white acetate taffeta.
  • Dark red and black wool gabardine ensemble. A. Jacket; high standing collar, extended armscye, long black knit wool sleeves, center front closure of many snaps covered by faux buttons, many seams create a nipped waistline and wide hips, flaps for faux pockets on hips, sewn-on belt buckles in front, back is black knit wool with a dark red gabardine swag extending from the shoulders to the waist, black velvet rose in the swag, lined in red acetate taffeta. B. Straight skirt; princess seaming in front, black knit wool center back, knee length, Zipper closure on the side back princess seam, lined in red acetate taffeta. Ensemble is named "Red Hot."

    This item is from Fall/Winter 1995-1996.
  • Black wool skirt suit. A. Jacket; decorated with an under placket of fuchsia sequins in flame pattern around the neckline and front opening (some sequins missing). Collarless, snap and hook closures, purple sequin separate flower on the left chest, modified princess seams to create a small waist, pockets on hips set into the seams. B. Black wool straight skirt; straight waistband, center back zipper, front and left side hem has flame shape cut-outs of fuschia sequins (some sequins missing), knee length. From Thierry Mugler's Fall/Winter 1989-1990 collection.
  • This brochure provides information about an exhibit, Threads of Flax and Gold, presented by Milwaukee Public Museum and Shop International. The School of Fashion Design at Mount Mary College provided models for the exhibit.

    The date range given (1966-1990) is approximate.
  • Beige georgette ensemble of a dress, jacket, and belt. A. Dress has halter neckline that closes at nape with two hook and clip closures, sleeveless, natural waistline, bodice closes at lower center back with five hook and clip closures. Skirt gathered at waist, floor length with extra panel that wraps over back closure and is secured with six snaps. B. Jacket with high neckline with buttonhole and clip closure at nape, bracelet length modified Angel sleeves that start at elbow. Rest of jacket has no seams and sits like a shawl. Large slit in center front. Back is bare. C. Belt has six hook and eye closures at back, sits at natural waist, brown decorative arrow detail at center front.

    Possibly worn by Valentina.
  • Taupe silk tulle ensemble. A. Dirndl underdress with spaghetti straps, bodice of crepe backed satin with the crepe side showing. Skirt is gathered tulle over taffeta lining, midcalf length. B. Tulle overdress; surplice wrap front with hook and eye closure, long straight sleeves, gathered skirt is mid-calf length. C. Rectangular shaped tulle cape slips over the head with tails hanging down the back. Worn by Valentina.
  • Warp print white taffeta gown with pattern of bouquets of light blue roses with green leaves, rosebuds scattered about. A. Halter top bodice; jewel neckline with center front slit, low back with a long center back zipper. Lined in slubby silk plain weave. B. Long skirt; gathered into straight waistband, side inseam pockets, ankle length, unlined, hand finished. C. Stole; rectangular. Possibly this material was pleated and attached to the back of the halter top to form a bustle. Worn by Valentina.
  • A. Navy linen box jacket; patch pockets at hips; convertible collar. B. Navy linen skirt; dirndl style; mock wrap. C. Navy and white striped cotton blouse; flip ties at neck; short sleeves. Missing a button.
  • Three piece ensemble. A. Red sheer cotton batiste blouse; printed in a border print of red, white, blue, gold, and beige florals on a red or black background; square neckline; front snap closure; long cuffed sleeves; gathered at waist with a peplum. B. Red linen flared skirt; seams at center front and center back. C. Red linen tie belt.
  • Brown jersey ensemble. A. Blouse; collar draped with ties at shoulder; kimono sleeve cut all in one with rest of blouse. B. Skirt; A-line; knee-length. C. Tie belt.
  • A. Gray wool double cloth coat; Princess style; notched collar of ivory double cloth; one button center front closure; seams worked so that thin strip of ivory shows through; straight sleeves; flared skirt; knee length. B. Ivory wool jersey overblouse; bias cut; cowl neckline, high; five silver button/bound buttonhole center back closure. C. Gray wool double cloth A-line skirt; grosgrain waistband.
  • Black heavy wool crepe ensemble, decorated with rhinestone circle cutouts surrounded by diaper pattern; A. Skirt; A-line; no waistband; center back zipper closure; knee length. B. Vest; deep "U" neckline; buttoned front. C. Black wool shaped shawl; rhinestone cut-outs. From the personal wardrobe of Pauline Trigere.
  • Printed cotton piqué ensemble; A. Jacket; fabric is large-scale floral bouquets of red and yellow flowers with green sprays on a black ground; abstract watercolor effect; motif woven on a waffle ground; sleeves of jacket have design of red and yellow dots; high points at neckline front; six covered buttons and loops over the waist; fitted at the front and back waist with three darts on each side; 3/4 length leg-o-mutton sleeves; lined in black china silk. B. Skirt; design of red and yellow dots; straight skirt; straight waistband; knee length; lined. C. Hair comb; deep pink ostrich feather and orange fabric flower attached to plastic comb.
Output Formats

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