Mount Mary University Digital Collections

Browse Items (210 total)

  • A. Black wool twill worsted nun's habit; jewel neckline; shoulder yoke; large sleeves with turned-back cuffs; 2 black safety pin closure; 8 tucks into shoulder yoke; unfitted waist; ankle length. B. Black herringbone weave, possibly nylon, cinture belt; hook and eye closures in front under flap. C. Black cotton slip; scoop neckline; sleeveless; princess seams; right inseam pocket; knee length. D. White plain weave cotton forehead cover; rectangle; two pairs of ties on short ends. E. White starched cotton wimple; two connected rectangles; two ties; tied at top of head and pinned in back, making two horizontal pleats at neck across shoulders; should have vertical fold lines in front when worn. F. Black worsted wool veil; white starched linen underveil glued to front underside; connects with snaps at back underside; veil pinned at center front forehead to forehead cover. G. Nine straight pins with black or white heads; used to pin veil to forehead cover. H. White polyester knitted skullcap; worn under veil.

    This style of habit was worn by Sister M. Jovanna and all School Sisters of Notre Dame before 1964.
  • 2012.07.01a_detail.jpg

    Mustard yellow, gray, and white abstract warp print silk taffeta ensemble. A. Cocktail dress; halter neckline; standing collar; sleeveless with cut-back armhole; fitted bodice with bust and waist darts; covered button closure at back neck; back of bodice is cut-out to 2 inches above waistline seam; flared skirt; short length; couture techniques.

    Worn with belt (Object ID #2012.07.01.b).

    Created by the designer, Karen Claffey, during her junior year at Mount Mary College in 1969.
  • Mustard yellow, gray, and white abstract warp print silk taffeta ensemble. A. Cocktail dress; halter neckline; standing collar; sleeveless with cut-back armhole; fitted bodice with bust and waist darts; covered button closure at back neck; back of bodice is cut-out to 2 inches above waistline seam; flared skirt; short length; couture techniques. B. Belt; wide with large bow; 4 hook and eye closures.

    Created by the designer, Karen Claffey, during her junior year at Mount Mary College in 1969.
  • 1996.61.jpg

    Red silk moire grosgrain ribbon belt; 3 inches wide; fastens at center front with snaps and hook and eyes; flat bow, streamers, and large black silk cabbage rose flower at center front.

    Donor Rosemary Wachowiak was Frank Olive's sister.
  • 1999-45AB_1.jpg

    A. Dark green leather skirt; gathered; elastic waistband; two large top-stitched patch pockets, shaped flaps and brass turn-screw closures; above the knee length. B. Dark green leather belt; two inches wide; four brass turn-screw adjustable closures.
  • A. Dark green leather skirt; gathered; elastic waistband; two large top-stitched patch pockets, shaped flaps and brass turn-screw closures; above the knee length. B. Dark green leather belt; two inches wide; four brass turn-screw adjustable closures.
  • Dark brown leather coat; brown and white raccoon fur at neck and hem; turn screw front closure; long raglan sleeves; parabola pockets; lined with acrylic plush; narrow tie belt.
  • Black canvas coat; raglan sleeves; hood, edged in faux fur; turn-screw closure; unique pocket with change purse stitched as part of patch pocket; faux fur cuffs; entire coat lined in faux fur; drawstring belt.
  • A. Tan suede day coat; no collar; beige leather neck yoke; patch pockets, facings, and cuffs are beige leather; three toggle closures at center front; knee length; lined in tan acetate crepe. B. Tan leather tie belt; one half inch wide.
  • A. Purple wool jersey day dress; turtleneck collar, edged in purple suede; long sleeves; above the knee length; unfitted except for bust darts; pearl snaps across shoulders; large pockets in side seams. B. Purple suede tie belt.
  • A. Pale pink, blue, and tan striped jersey dress; elasticized waist; shirred front and sleeves. B. Pink jersey head wrap with pink suede ties. C. Tan leather belt.
  • Navy blue honeycomb wool tweed suit; white, beige, and red specks inside holes. A. Jacket; cardigan neckline; two pockets; fringe bottom of jacket; 3/4 length sleeves; brown suede trim; unlined. B. Matching skirt. C. Beige suede tie belt.
  • A. Green, bronze, and black plaid silk satin evening gown; tight-fitting bodice of green and black plaid; off-the-shoulder sleeves attached to bodice with fabric strips, stitched at upper arm, then released into fullness and stitched again at sleeve hems; voluminous skirt; pleated 1.5 inches from waistline, released into deep pleat effect; back zipper closure. Label: "Bruyere Paris Place Vendome". B. Black patent leather belt; four inches wide. Performance gown worn by Hildegarde.
  • A. Bronze hammered satin evening gown, trimmed in burgundy silk at neckline and armscyes; plunging neckline front and back; sleeveless; bias cut; mermaid silhouette; ankle length; unlined. B. Burgundy and bronze hammered satin belt; ties at side. Worn by Hildegarde.
  • A. Mauve silk charmeuse evening gown; trimmed in burgundy silk velvet at neckline and armscyes; plunging neckline at front and back; sleeveless; bias cut; mermaid silhouette; unlined; ankle length. B. Burgundy velvet belt; lined with mauve silk charmeuse; ties at side.

    According to Sister Aloyse Hessburg, this gown is a copy of the bronze gown by Chauvel (2012.01.51.AB). This gown is attributed to "Cafe de Paris in London by Ilene Adair."
  • B. White floral silk screened day dress; pattern is squares with wide range of colored stemmed flowers; rounded neckline in front; sleeveless; twenty and one-half inch long hand-overcast center back concealed zipper; straight silhouette; double inverted pleats on either side from waistline; plain white silk panel down center front and back. C. Narrow green silk belt; backed in leather; leather is brittle and has broken into three pieces; buckle with matching keepers. Exclusively for Bullocks Wilshire. Worn with coat (Object ID #2004.03.48.A) to form three piece ensemble.
  • Pink floral silk satin brocade dinner dress; print of large dark pink and gray peonies with sprays of grasses; deep V-neckline outlined with small self-covered buttons and fabric loops down front; long dolman sleeves with gussets; high waist; tie belt; princess style; bias-cut full skirt; mid-calf length.
  • Metallic gold lamé brocade cocktail dress; print of pink peonies, pale blue flowers, and gold leaves; scoop neckline; sleeveless; attached self-belt at waist; slim straight skirt with tucks and draping over hipline; bodice underlined with pink silk slip; knee length.
  • Long off-white silk organdy evening gown with floral embroidery in shades of yellow-gold, bronze, and off-white; fitted strapless bodice with boned inner constructed bodice; empire style folded yellow-gold silk taffeta attached belt, ending in long and wide shaped floats at top of center back zipper; floats can be worn as train or tied as sash; shorter straight front, longer and fuller back; two attached slips are hand-overcast.
  • A. Off-white silk broadcloth dress with narrow khaki stripe; V-neckline; two-piece kimono sleeves; fitted waistline with tucks; deep patch pocket on right hand side; stripes used horizontally for a wide band down center back and down front to conceal zipper; slim straight silhouette; mid-calf length. B. Khaki silk broadcloth belt.
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