Browse Items (1986 total)
-
Invoice from A. Werner
An invoice from A. Werner - Silversmiths and Electro Platers listing items purchased by Sister Aloyse Hessburg for the mother-of-the-groom dress she designed and created for Mrs. Frances Howard Robb, for the wedding of her son Charles Robb to Lynda Bird Johnson, daughter of President Lyndon B. Johnson, at the White House on December 9, 1967.
This invoice refers to the 4 buttons for the dress that Sister Rosemarita Huebner created. The invoice is dated 11/24 (1967) and according to Sister Aloyse's notes, the buttons were ready by 11/28. -
Evening gown
A. Mauve silk charmeuse evening gown; trimmed in burgundy silk velvet at neckline and armscyes; plunging neckline at front and back; sleeveless; bias cut; mermaid silhouette; unlined; ankle length. B. Burgundy velvet belt; lined with mauve silk charmeuse; ties at side.
According to Sister Aloyse Hessburg, this gown is a copy of the bronze gown by Chauvel (2012.01.51.AB). This gown is attributed to "Cafe de Paris in London by Ilene Adair." -
Shoes
Burgundy cotton twill and suede pumps; cotton twill upper and suede toe; asymmetrical; decorated with black patent leather strap and strips of white and burgundy fabric ribbon; 2.5 inch black patent Spanish heel.
Worn by Julilly House Kohler. -
Three piece ensemble
A. Navy blue, red, and white wool/rayon knit cardigan sweater; diamond and stripe pattern; gold lion head buttons. B. Navy blue wool/rayon knit skirt; elastic waistband; knit-in godets.
The third piece of this ensemble is a pair of pants (Object ID #1988.143.c) that can be worn with the sweater; the three pieces are not intended to be worn simultaneously.
Worn by Florence Eiseman. -
Pants
C. Navy blue wool/rayon knit pants; elastic waistband; knit-in creases.
These pants are worn with a sweater (Object ID #1988.143.a). The third piece of this ensemble is a skirt (Object ID #1988.143.b) that can also be worn with the sweater; the three pieces are not intended to be worn simultaneously.
Worn by Florence Eiseman. -
Koos van den Akker coat
A. Bright yellow-orange mohair coat; asymmetrical roll collar, trapeze silhouette, two large plastic buttons on each shoulder, long set-in sleeves, midcalf length, unlined. B. Matching mohair capelet; decorated with appliqués in blue, purple, and green mohair and blue printed cotton. Edged in yellow leather, buttons on the right shoulder over the coat.
This item is from Spring/Summer 1980. -
Koos van den Akker coat without cape
Detail of 2013.04.14.A without cape. Focused on collar/neck area.
A. Bright yellow-orange mohair coat; asymmetrical roll collar, trapeze silhouette, two large plastic buttons on each shoulder, long set-in sleeves, midcalf length, unlined. Worn with matching mohair capelet (Object ID #2013.04.14.B).
This item is from Spring/Summer 1980. -
Picture hat
Brown organza picture hat; constructed of strips of organza sewn together; rounded crown; hat band of organza strips; large brown silk flower at back. Likely designed by Gabriel Amar under the Frank Olive label. -
Coat
Cream textured wool peacoat; navy blue convertible collar; darts at waist and shoulders; double-breasted front with double welt button holes and gold circular buttons; double breast panel faced with navy blue wool; angled single welt pockets at hips with 1 inch wide welts; two-piece set-in sleeves; knee length; lined in navy blue silk tissue tafetta.
Worn by Peg Bradley. -
Two piece ensemble
Dark gray heathered herringbone wool suit. A. Jacket; roll collar; front and back princess seams; 3/4 length two-piece set-in sleeves; three circular button closures at center front; fully lined. Dark gray heathered herringbone wool suit jacket; roll collar; front and back princess seams; 3/4 length two-piece set-in sleeves; three circular button closures at center front; fully lined. B. Skirt; natural waistline; princess seams; zipper closure at back left princess seam; single welt pockets at hips, button detail on each welt; fully lined; knee length.
Worn by Peg Bradley. -
Coat
Navy blue wool peacoat; notched collar; double-breasted; 2 vertical single welt pockets at each front princess seam; 8 circular gold buttons down front; double welt button holes; 3/4 length set-in sleeves with 2 buttons on outer sleeve.
Worn by Peg Bradley. -
Two piece ensemble
A. Brown basketweave wool suit jacket; fitted; flip tie collar; two button closure; long sleeves; flap pockets at hip. B. Brown basketweave wool suit skirt; dirndl type; large inverted pleat at center front, overlaps pockets beneath.
Worn by Lynn Fontanne. The donor was Lynn Fontanne's niece. -
Coat
Black cashmere coat; rounded collar and lapels; double-breasted; princess shaping; six buttons and three bound buttonholes; inset pockets.
Worn by Lynn Fontanne. Donor was the niece of Lynn Fontanne and Alfred Lunt. -
Turban
Gray silk chiffon turban; draped with 3 foot long streamers.
Worn by Lynn Fontanne. Purchased at the auction of Lynn Fontanne's estate using funds from Mount Mary alumnae. -
Barkin, Herman, Solocheck and Paulsen, Incorporated press release, August 13, 1975
A press release from Barkin, Herman, Solocheck and Paulsen, Incorporated, a public relations firm in Milwaukee, Wisconsin, for release August 13, 1975. The press release contains information about Sister Aloyse Hessburg of Mount Mary College (Milwaukee, Wisconsin) being chosen to receive the 1975 Gimbels Fashion Forum Award. It also contains information about Sister Aloyse's background, the fashion program's history and composition, graduates from the program, and Gimbels Fashion Forum.
To see the entire press release, click on the pdf file beneath the image (Gimbels 1975 Award Press Release.pdf). -
Evening gown
Dark brown silk charmeuse evening gown; scoop neckline; puffed sleeves; pink sequined bodice; peg style skirt; slit from calf to floor at center front; attached cummerbund with separate closures.
Worn by Julilly House Kohler.Tags brown, charmeuse, evening gown, Julilly House Kohler, Kohler, pink, Rose Barrack, sequins, silk -
Two piece evening ensemble
Magenta rayon matte jersey evening ensemble. A. Gown; low neckline and back; spaghetti straps; two layers of shorter jersey on the right side with undulating hemline; asymmetric cut. B. Cloak; high neckline; open-style 3/4 length sleeves that widen, then are tacked up; shorter in front to waistline; cascades down to hemline; slight train. Worn by Hildegarde. -
Evening gown
Magenta rayon matte jersey evening gown; low neckline and back; spaghetti straps; two layers of shorter jersey on the right side with undulating hemline; asymmetric cut. Worn with evening coat (Object ID #2002.84.16.B) to form two piece evening ensemble. Worn by Hildegarde. -
Geoffrey Beene evening gown
Black cotton jersey evening gown; high jewel neckline, long sleeves, one fastener at top of back, back tapers open and bare down to hips, beige triangular chiffon inserts over the back hips, ankle length.
This item is from Fall/Winter 1989-1990.