Mount Mary University Digital Collections

Browse Items (252 total)

  • Black plain weave dress; unusual neckline with deep center front slit; bust darts; big shoulder pads; tucks at the sleeve cap; 3/4 length sleeves with two black buttons on the cuff; waistline has V extensions from bodice; four-piece flared skirt; knee length; center back zipper; lined in black china silk.
  • Black wool crepe dress; princess silhouette; jewel neckline; double neck ruffles of silk taffeta set into curved front opening; invisible zipper; straight sleeve with zipper at wrist; three-quarter length sleeves; lined in silk.
  • Black crepe dress; V-neckline; four gore A-line body; slim, long sleeves with zipper at wrist. Originally worn with a patent leather belt.
  • Three piece ensemble. A. Red sheer cotton batiste blouse; printed in a border print of red, white, blue, gold, and beige florals on a red or black background; square neckline; front snap closure; long cuffed sleeves; gathered at waist with a peplum. B. Red linen flared skirt; seams at center front and center back. C. Red linen tie belt.
  • A. Black crepe shift dress; mock turtle collar with taupe and dark brown braid trim; straight sleeve with three rows of braids and zippers at the wrist; knee length; back button closure with wooden buttons; three rows of braid down center front; lined in black silk. B. Black crepe belt with taupe and dark brown braid trim; velcro closure.
  • A. Black floral silk chiffon chemise dress; fabric is satin striped with spray of blue, yellow, and purple flowers at center front and on sleeves; similiar motifs sprinkled throughout dress; jewel neckline with binding; bishop sleeve; underlined in nude silk chiffon; midcalf length. B. Beige silk charmeuse slip.
  • A. Black print challis trumpet dress; Black ground with multicolored stylized leaves; jewel neckline; straight sleeves with zippers at wrists; large shoulder pads; darted bodice with asymmetrical dropped waistline; flared skirt; bias with triple tuck at left side hip; knee length; lined with china silk. B. Matching scarf. Could also be worn as a belt.
  • A. Black abstract print challis dress; Black ground printed with large scale blue abstract design and smaller companion print; Princess seam; jewel neckline; bishop sleeve with cuff in companion print; inverted pleats originating from shoulder-mounted princess seams; knee length. B. Black ultrasuede tie belt with bias strip of dress fabric.
  • Black and cream silk satin dress; curved V-neckline; side front is white, giving illusion of a body form; set-in shoulder sleeves, 3/4 length, four piece leg-o-mutton; center back zipper; lined in white china silk; knee length.
  • Green and black print damask shift dress; green ground with black vertical linear design; small cowl collar; straight sleeves with elastic at wrist; straight skirt with side seams that wrap toward the back; knee length.
  • Multicolored stylized herringbone print challis dress; pattern in shades of teal, hunter green, cranberry, brown, and black; tent shape; mandarin collar; unusual shaped yoke at front and back; center front invisible zipper closure; bishop sleeves with cuff; flared skirt; knee length.
  • White silk jacquard dotted ensemble; white ground with splotchy turquoise print. A. Shift dress; jewel neckline; very full bishop sleeves with 3 button cuff; straight skirt; knee length. B. Rectangular scarf
  • White striped jacquard dress and accessories. A. Shift dress; White ground with royal blue vertical lines; jewel neckline; bishop sleeves with unusual cap mounting, 2 button cuff; straight skirt; knee length; china silk lining. B. Belt; 2 inches wide; hook closure. C. Scarf; rectangular.
  • A. Brown wool tweed wrap-around full skirt; pleated, hem decorated with printed satin band 5 inches wide with brown satin ribbon above and black grosgrain ribbon below, above knee length. B. Brown wool tweed jacket; wide portrait collar covered with brown embroidery throughout, knotted fringe on edge of collar, long set-in sleeves with embroidery at wrist, fitted through waist, hip length, one button closure, lined in orange taffeta. Part of ensemble with blouse (Object ID #2013.04.17.C).

    Zandra Rhodes II is the clothing line, by designer Zandra Lindsey Rhodes.

    This item is from Fall/Winter 1990-1991.
  • Cashmere striped dress in various shades of red; horizontal stripes are red, tomato red, and fuschia. Ostrich feathers are knitted in at the hem. Slip shape, sleeveless, deep v-neckline, A-line skirt, knee length.

    Worn with matching cardigan (Object ID #2013.04.09.B).
  • One shoulder purple velvet and taffeta gown; shoulder strap on left, built-in corset of black mesh, taffeta over-drape covering the bust and creating a large skirt to the right side, taffeta drape lined in clear polyester mesh to stiffen, left side zipper, bow on shoulder and on right side of skirt at the hip, ankle length. Line across the skirt where it probably draped across a hanger.
  • A. Gold silk blouse; horizontal rows of decorations of gold and silver embroidery, gold sequins, and gold beads. Wide scoop neckline, short cap sleeves, cropped top ends just below the bust, strands of gold beaded fringe at hem, back gold button closures, large single rhinestone, and loops. B. Sheer red printed silk chiffon bandeau bra; large floral design in yellow, green, blue, and white. Edged with red satin ribbon, unlined. C. Red chiffon miniskirt; fabric shot with gold threads printed in large floral motifs, no waistband, center back invisible zipper closure, lined in white taffeta.

    This item is from Spring/Summer 1998.
  • Brown lace blouse; over-stitched gray ribbon, standing collar, short set-in sleeves, button and loop closures at the back neck. Part of ensemble with skirt (Object ID #2013.04.17.A) and jacket (Object ID #2013.04.17.B).

    Zandra Rhodes II is the clothing line, by designer Zandra Lindsey Rhodes.

    This item is from Fall/Winter 1990-1991.
  • Evening suit ensemble. A. Pale orange silk/rayon burnout velvet tunic; lavender and metallic gold velvet flowers and leaves pattern, lower section is lavender and gold lace, sleeveless, deep v-neckline, one button closure at the waistline, knee length. B. Lavender and gold lace jacket; surplice front, low v-neckline, long set-in sleeves, loops for buttons, lined in beige tulle. C. Lavender and gold lace skirt; straight silhouette, straight waistband with invisible zipper, lined in beige tulle.
  • Dark red and black wool gabardine ensemble. A. Jacket; high standing collar, extended armscye, long black knit wool sleeves, center front closure of many snaps covered by faux buttons, many seams create a nipped waistline and wide hips, flaps for faux pockets on hips, sewn-on belt buckles in front, back is black knit wool with a dark red gabardine swag extending from the shoulders to the waist, black velvet rose in the swag, lined in red acetate taffeta. B. Straight skirt; princess seaming in front, black knit wool center back, knee length, Zipper closure on the side back princess seam, lined in red acetate taffeta. Ensemble is named "Red Hot."

    This item is from Fall/Winter 1995-1996.
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