Mount Mary University Digital Collections

Browse Items (1977 total)

  • Ivory crepe gown; jewel neckline; long set-in sleeves; seam across chest; U-shaped pieces at neck and hem of skirt front; back zipper closure; lined in white acetate; couture techniques.

    Made by an unknown student in Sister Aloyse Hessburg's class.
  • White polyester crepe evening gown; jewel neckline; short kimono cap sleeves; draped in front to center of midriff; scalloped oval appliqué in center of midriff; center of appliqué decorated with clear and silver bugle beads and large rhinestone pin; waistline rises in front, falls in back; darting at back bodice; hand-picked zipper; straight skirt; slit at back hem; ankle length; lined in white polyester. Zipper teeth have given out.

    Made by Sister Aloyse Hessburg for her Master's project at Drexel University in 1965.
  • Pale yellow silk taffeta evening dress; A-line; empire waistline, band at empire line with bow in back; square neckline; puffed cap sleeves; beaded bodice; 4 unpressed pleats in front, center back unpressed pleat, 4 tucks opening into unpressed pleats in back; full length. This item was created by Norman Norell for Traina-Norell fashion house.
  • A. Blush pink floral print silk shantung evening dress; black Alencon lace bodice and sleeves; natural waistline; scoop neckline; 3/4 length straight sleeves; gathered skirt; full evening length; skirt printed with roses; red silk satin cummerbund with bow in back; small covered buttons down back; underlined with silk organza. B. Blush pink silk slip; strapless. This item was created by Norman Norell for Traina-Norell fashion house.
  • Navy blue silk chiffon evening gown; peignoir style; natural waistline with multiple rows of horizontal tucks; halter neckline; jersey bodice; circular skirt, 11 chiffon half-circle panels; full evening length; silk crepe lining. This item was created by Norman Norell for Traina-Norell fashion house.
  • Bright red orange interlock jersey evening gown; A-line; bateau neckline in front with very deep scoop neckline in back; sleeves have square armscye; wrist length; long skirt; attached 2 inch wide self-fabric tie belt; lined in china silk.
  • A. Light pink silk chiffon evening gown; fit and flare; natural waistline; two belt loops; halter neckline with attached bias scarf; sleeveless; very full gathered skirt; full evening length. B. Light pink silk underdress; fit and flare skirt; strapless; camisole bodice; full evening length. This evening gown could be styled many ways. This item was created by Norman Norell for Traina-Norell fashion house.
  • A. Light pink chiffon dress; surplice bodice; beaded fringe from sleeves, hipline, and hemline; gathered skirt; pale green satin cummerbund. B. Pink silk underdress; spaghetti straps; mid-calf length.

    Worn by donor, Mrs. Joseph Bonness, Sr., to 1953 convention in Washington, D.C. when husband was named President of Road Builders of America. This item was created by Norman Norell for Traina-Norell fashion house.
  • Pink sequined evening gown; empire style; standing collar; short sleeves; full evening length; attached wide pink satin belt under bust; "Mermaid", completely hand-sequined.
  • Gold sequined silk jersey evening gown; sheath silhouette; high neckline; long straight sleeves with zippers at wrists; straight skirt; full evening length. Small hole under left armpit; "Mermaid" gown.
  • A. Black and gold jersey sequined evening gown; fitted bodice covered in gold sequins; standing collar; long sleeves; zipper closure at back; long gathered skirt; sequins at hemline; variation of a "Mermaid" gown. B. Black satin belt.
  • Off-white silk chiffon over silk evening gown with blue rose print; V-neckline in front, square neckline in back; square set-in sleeves. Worn with evening coat (Object ID #1983.239).

    Worn by Lynn Fontanne to receive a special Tony Award for Lifetime Achievement in 1970, although the gown was created much earlier. This gown was possibly made by Valentina, but has been significantly altered. Purchased at the auction of Lynn Fontanne's estate using funds from Mount Mary alumnae.
  • Black matte jersey evening gown; high front neckline; floating panels from neckline.

    Worn by Lynn Fontanne. Purchased at the auction of Lynn Fontanne's estate using funds from Mount Mary alumnae.
  • A. Gold silk chiffon evening gown; strapless; draped bodice; full skirt; floor length. B. Gold silk chiffon belt; hook and eye closure.

    Worn by Lynn Fontanne. This is likely the gown Lynn wore with a mink collar on the November 19, 1951 cover of Life Magazine. Lynn likely also wore this dress when she was presented to Queen Elizabeth II in 1953. Purchased at the auction of Lynn Fontanne's estate using funds from Mount Mary alumnae.
  • A. Blue silk evening gown with black silk chiffon overlay; deep rounded yoke piece; ivory chiffon banded in orange; 3/4 length sleeves with orange bands; full skirt with train. B. Blue silk tie belt with black chiffon overlay.

    Worn by Lynn Fontanne. Purchased at the auction of Lynn Fontanne's estate using funds from Mount Mary alumnae.
  • Black silk faille evening gown; portrait roll collar; short kimono sleeves; stitched puckered faille bodice; plain faille full circle skirt; ankle length. Worn with matching belt. Belt is disintegrating.
  • Gray jersey evening gown; front yoke is V-shaped; high neckline; A-line bias-cut skirt; tiny cap sleeves; back yoke dips to waist in back; hand-picked zipper in back; unlined; ankle length.

    This gown was used by Sister Aloyse Hessburg and Charles Kleibacker for their couture class.
  • Reproduction of Valentina white evening gown worn by Lynn Fontanne (Object ID #1983.185); white chiffon; low V-neckline; full, long bishop sleeves; attached waist ties wrap around the midriff; very large gored skirt; ankle length; lined.

    This was made for an exhibition. The maker Pam Rehberg was a professor of theatrical costume at the University of Wisconsin-Milwaukee.
  • Dark blue silk charmeuse evening gown; unfinished; deep V-neckline at front; shoulder yoke to V over bust; long set-in sleeves; flare skirt with center front seam; center back zipper closure; bias loops at center back tie; ankle length; basting still in place.

    This evening gown was used by Sister Aloyse Hessburg and Charles Kleibacker for their couture class.
  • Black 4-ply silk crepe and chiffon evening gown; deep V-neckline in front; sleeveless; A-line silhouette in crepe; black silk chiffon capelet extends from front neckline to back, hanging freely to knees in back; shoulders lined in beige soufflé; center back zipper closure; ankle length.

    This gown was used by Sister Aloyse Hessburg and Charles Kleibacker for their couture class.
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