Mount Mary University Digital Collections

Browse Items (1978 total)

  • Magenta rayon crepe fit and flare gown; Bateau neckline; diagonal flange across bodice front; two-tone combination gives geometric appearance; drop shoulder sleeves, diagonal tucks at elbow; diagonal flange across wrists; normal waist; full length flare skirt with triangular inset.
  • Dark turquoise wool knit gown; suede upper torso; long set-in sleeves; jewel neckline with silver buttons and loops on each shoulder; suede area is lined; wool A-line silhouette to ankle; self-fabric ties at side seams.
  • Magenta wool crepe cocktail gown; bateau neckline at front; 45 covered buttons with loops running diagonally from right front shoulder to hip line; sleeveless; back has asymmetrical neckline and back detail; ankle length; white stains near hem.

    Made by donor, Pam Sandoval, Mount Mary Fashion student Class of 1976.
  • Pale pink tulle and silk taffeta prom gown; pink tulle pink taffeta; pale pink feathers around bust; rhinestone straps; tulle decorated with embroidered pale pink flowers and rhinestones; fitted torso; flared skirt; covered buttons and loops in back; ankle length.

    Made by the aunt of the donor, Gaetanina Balistreri, for Balistreri to wear to the 1943 Mount Mary College Junior Prom. The gown was originally made strapless, but Mount Mary College required straps, so rhinestone straps were added.
  • Navy blue and pink paisley silk chiffon gown; made of sari fabric; bodice constructed in criss-cross style; raglan sleeves flow from front and back panels that are attached at neck edge; back tie belt.

    Designed and sewn by Lynn Fontanne in 1965 using fabric from an Indian sari purchased at a London antique store. Worn by Lynn during an interview on PBS in 1980, and in the photograph linked below, "Lynn Fontanne with Cole Leslie and Alfred Lunt." Donor was the niece of Lynn Fontanne and Alfred Lunt.
  • Bright pink silk charmeuse gown; ruffle at neck; round front shoulder yoke; long sleeves; unlined; ankle length. Possibly a nightgown.

    This gown was used by Sister Aloyse Hessburg and Charles Kleibacker for their couture class.
  • A. Red chiffon gown with black polka dots; gathered scoop neckline; no waist shaping; long sleeves; ankle length; dress is lined, sleeves are sheer; zipper closure in back lining; snaps at back in chiffon; dress is smocked onto binding at neckline. Missing belt.
  • Black cloqué evening ensemble. A. Gown viewed from back; fabric puckered in flower clusters; low square neckline in back; panel attached with four rhinestone buttons. B. Black cloqué capelet; fabric puckered in flower clusters. Performance ensemble worn by Hildegarde.
  • Black cloqué evening ensemble. A. Gown viewed from the front; fabric puckered in flower clusters; low square neckline in back; panel attached with four rhinestone buttons. B. Black cloqué capelet; fabric puckered in flower clusters. Performance ensemble worn by Hildegarde.
  • Peacock blue plush knit pile evening ensemble. A. Gown; V-neckline; long bishop sleeves; empire waistline; center front zipper closure; light blue silk crepe bodice, gathers into shoulder yoke; Peacock blue knit pile A-line skirt; floor length.

    Worn with jacket (Object ID #2010.11.01.b) to form two piece ensemble.

    Note from Sister Aloyse Hessburg: "Blue knit pile fabric by Borg Textile Group, a Wisconsin industry. They challenged the senior class in 1970 to create garments 'for a winter evening' using their fabric. Christee selected this fabric (at that time the most flexible of their line) and used the silk fabric bodice and lining of silk crepe. The fur closure hooks were the only available on short notice. (Industry would have had time to get correct size and color.) In a way - industry and Mount Mary College were promoting the possibility of using Borg Textiles to the Wisconsin public."
  • A. Blue, purple, and pink floral print silk chiffon evening gown; bow tie neckline; short loose kimono sleeves; fitted waist; A-line skirt; long; center front placket on bodice with covered buttons.

    Worn with jacket (Object ID #1986.152.b) to form two piece ensemble.

    Worn by Julilly House Kohler.
  • Harper Lee (front row, second from left) stands next to Dr. Edward Teller outdoors on the Mount Mary campus before proceeding into the Mount Mary Theater for commencement ceremonies.

    In May 1964, Mount Mary College awarded an Honorary Degree to Nelle Harper Lee, Pulitzer Prize winning author of To Kill A Mockingbird. In accepting the honor Ms. Lee traveled to Mount Mary and took part in commencement ceremonies, which resulted in a friendship between her and Sister John Francis Schuh, President of Mount Mary.
  • This photo had no information on the back. It was probably taken in the student dining hall.

    This image is part of a collection of snapshots likely taken by Virginia Moore or her friends with a personal camera during Virginia's time as a student at Mount Mary College in Milwaukee, Wisconsin (1953-1957). The snapshots were printed on Kodak Velox paper. The captions are primarily based upon information found on the back of the original photos, most likely written by Virginia. Some images had no information at all and individuals or events are identified based on other captions and information available in the Mount Mary archives. Captions in quotes are verbatim from the original images.
  • Large group of Mount Mary students, most likely taken in a Caroline Hall dorm room. Sitting in the back row, third from the right, is the future School Sisters of Notre Dame (SSND) Sister Ellen Lorenz, Class of 1958 and Mount Mary President 1979-1986.

    This image is part of a collection of snapshots likely taken by Virginia Moore or her friends with a personal camera during Virginia's time as a student at Mount Mary College in Milwaukee, Wisconsin (1953-1957). The snapshots were printed on Kodak Velox paper. The captions are primarily based upon information found on the back of the original photos, most likely written by Virginia. Some images had no information at all and individuals or events are identified based on other captions and information available in the Mount Mary archives. Captions in quotes are verbatim from the original images.
  • Black synthetic horsehair braid hair ornament; in spiral form; comb inside; no label.
  • B. Pink silk taffeta half-slip; white grosgrain ribbon waistband; center back zipper closure; knee length.

    Worn with dress (Object ID #1990.251.a), stole (Object ID #1990.251.c), and belt (Object ID #1990.251.d) to form four piece ensemble.
  • Light blue slubbed cotton halter top; two French darts; hook and eye closure with crocheted button and loop closure at waistline; button and loop closure at neckline; white cotton inner lining.

    This item is a copy of a Claire McCardell item.
  • White linen muslin handkerchief with Hildegarde's signature embroidered in pink thread; eleven inches square. Owned by Hildegarde.
  • Black chiffon and lace handkerchief; center is chiffon (12 inch square); 6.5 inch lace borders; 25 inch square. Probably used by Hildegarde in performance.
  • Off-white silk crepe and lace handkerchief; twenty-four inches square with 4.5 inch wide lace border. Owned by Hildegarde.
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