Mount Mary University Digital Collections

Browse Items (438 total)

  • Black ostrich feather hat; feathers attached to black muslin which is then sewn onto beige organza skull cap. Chignon influence, meant to be worn on back of head to look like hair.
  • Black and light brown leopard print faux fur wrap; shawl collar; circular shape with slits for arms; sleeveless; front opening with no closure; lined in self-fabric; knee length.
  • Black lace-like cocktail dress; modern version of lace in irregular geometrics in both cotton-like fiber and shiny synthetic; motifs are diamond within square, cirle within square, and square within square; lined in beige silk shantung; U-shaped low neckline; small cap kimono sleeves; fitted bodice with high waistline at front; flared skirt on bias in front, A-line skirt on grain in back; has center back long zipper; natural waistline at back; knee length.
  • Black cotton piqué evening with black seed beading at hips; bias cut; one shoulder strap; side zipper closure; sleeveless; very fitted through hip, diagonal beaded hip panel; diagonal seams; full flared skirt; skirt has black organza petticoat and brown taffeta lining; mid-calf length.

    This dress was made when Charles Kleibacker was designing for Nettie Rosenstein, but was never put into production. Charles said Nettie told him that this would be too difficult to fit for ready-to-wear.
  • Black silk taffeta shrug; in shape of tube; one end gathered with ruffle, other end is a slit; darts at neck; self-lined.

    This shrug was used by Sister Aloyse Hessburg and Charles Kleibacker for their couture class.
  • Black and white houndstooth twill blouse; large scale print; roll collar on stand; long bishop sleeves with one button cuffs; back shoulder yoke; front opening with covered buttons; hip length.

    This blouse was used by Sister Aloyse Hessburg and Charles Kleibacker for their couture class.
  • Black and white houndstooth twill blouse; large scale print; roll collar on stand; long bishop sleeves with one button cuffs; back shoulder yoke; front opening with covered buttons; hip length.

    This blouse was used by Sister Aloyse Hessburg and Charles Kleibacker for their couture class.
  • Black and white twill cape; high funnel neck; black shoulder yoke forms squared-off "V" to bust; eight covered ball button and loop closure; circular shape to knees; area in back has white ground with black squares, remainder of garment is black with line across front; unlined except at shoulders. Probably worn with dress (Object ID #2004.03.664).

    This cape was used by Sister Aloyse Hessburg and Charles Kleibacker for their couture class.
  • Black and white twill dress; white ground with bold graphic print of black squares and large areas of solid black; U-shaped neckline; sleeveless; ball buttons and loops at shoulders; knee length; ties pinned on at waist side seams. Probably worn with cape (Object ID #2004.03.665).

    This dress was used by Sister Aloyse Hessburg and Charles Kleibacker for their couture class.
  • B. Black taffeta blouse; sleeveless. C. Black taffeta skirt; straight; ankle length; red lining. Worn with cape (Object ID #2004.03.106.A) and sash (Object ID #2004.03.106.D) to form four piece evening ensemble. Worn by Hildegarde.
  • Black leather satchel; double luggage handles; exterior change purse; industrial zipper top.
  • Black patent leather purse; rectangular boxy shape; wooden bamboo type handle connected by gold D-rings to 1/2 inch patent leather straps; gold turn closure at bottom of straps; top-stitching; navy blue interior; two pockets inside spanning the length of handbag; 8.5 inches wide by 6 inches high.

    Belonged to Peg Bradley.
  • Wide orange and narrow black striped silk twill scarf; 36 inches square.

    Worn by Peg Bradley.
  • White silk scarf; black silk patch with "Peg" in white, pin design sewn onto patch to create effect of pinning black patch in place; 21 inches x 50 inches.

    Worn by Peg Bradley.

    Scarf is too long to fit in one image.
  • Pink and black silk satin scarf; black and white triangle pattern at center; 30 inches x 30 inches; frayed edges. Made in Paris.

    Worn by Peg Bradley.
  • Black wool knit sweater; ribbed knit of knit 2, purl 2; crew neckline; long sleeves; hip length; "AC" logo embroidered in white on center front chest.

    Worn by Peg Bradley.
  • Black and white wool dress; black wool body with white silk insets at collar and cuffs; white notched collar sewn under black V-neckline; "V" is heavily embellished with gold beading, chain, and rhinestones; back shoulder darts; waistline seam falls at natural waist; center back zipper closure; black belt at waist with hook closures in back, attached to gold V at buckle; belt buckle is heavily embellished with gold beading, chain, and clear rinestones as well as tiny pearls; set-in sleeves ending 3.5 inches above wrists, heavily embellished with gold beading, chain, and rinestones; 3.5 inch white silk cuffs that open to outside are attached to black portion of sleeves from the inside; gathered skirt has inseam pockets on both side seams at hips; fully lined.

    Worn by Peg Bradley.
  • Black silk shantung ensemble. A. Jacket; roll collar; 4 domed fabric button opening at center front; 7/8 length set-in sleeves; polished silk black bow ribbon tie at neck; contour darts to hem at front and back; hip length; lined in bright fuschia china silk. B. A-line skirt; no waistband; front has 3 seams, back has 2 seams; zipper set into seam on back left side; lined in black china silk. "F" embroidered in white at inside front waist; knee length.

    Worn by Peg Bradley.
  • Black silk damask dirndl skirt with self-patterned Liberty floral design; wide pointed waistband; left side zipper closure with single hook and eye; calf length.
  • Black wool jersey blouse; shaped as fitted mini dress; square neckline; spaghetti straps with looped ends attach at front neckline with gold metal shank buttons; left side zipper closure.
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