Mount Mary University Digital Collections

Browse Items (142 total)

  • Red silk charmeuse sheath evening gown; embellished in geometric woven designs in white and dark red and black and white bugle beads, Appliques of red and black velvet, jewel neckline, sleeveless, darts at waist, slight train at center back, center back zipper, ankle length, lined. From the Bill Blass Fall Ready-to-Wear line (for the fashion house Bill Blass Limited), designed by Swedish designer Lars Nilsson. This gown was the finale outfit of the runway show.

    This item is from Fall/Winter 2003-2004.
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  • One shoulder purple velvet and taffeta gown; shoulder strap on left, built-in corset of black mesh, taffeta over-drape covering the bust and creating a large skirt to the right side, taffeta drape lined in clear polyester mesh to stiffen, left side zipper, bow on shoulder and on right side of skirt at the hip, ankle length. Line across the skirt where it probably draped across a hanger.
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  • Pale gray silk satin and wool jersey hostess gown; roll collar; bodice and long sleeves of heathered wool jersey; rolled back satin cuffs; floor length silk satin skirt gathered at natural waist; center back zipper closure; belt loops at side seams, but belt is missing.

    Worn by Audrey Ross. She was part of the Ross family who owned J. H. Collectibles.
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  • Black and white publicity photograph of Hildegarde wearing evening gown by Chauvel. Gown (Object ID #2012.01.51.AB) is part of the Mount Mary University Fashion Archive collection.
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  • Peacock blue plush knit pile evening ensemble. A. Gown; V-neckline; long bishop sleeves; empire waistline; center front zipper closure; light blue silk crepe bodice, gathers into shoulder yoke; Peacock blue knit pile A-line skirt; floor length.

    Worn with jacket (Object ID #2010.11.01.b) to form two piece ensemble.

    Note from Sister Aloyse Hessburg: "Blue knit pile fabric by Borg Textile Group, a Wisconsin industry. They challenged the senior class in 1970 to create garments 'for a winter evening' using their fabric. Christee selected this fabric (at that time the most flexible of their line) and used the silk fabric bodice and lining of silk crepe. The fur closure hooks were the only available on short notice. (Industry would have had time to get correct size and color.) In a way - industry and Mount Mary College were promoting the possibility of using Borg Textiles to the Wisconsin public."
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  • Black cloqué evening ensemble. A. Gown viewed from the front; fabric puckered in flower clusters; low square neckline in back; panel attached with four rhinestone buttons. B. Black cloqué capelet; fabric puckered in flower clusters. Performance ensemble worn by Hildegarde.
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  • Black cloqué evening ensemble. A. Gown viewed from back; fabric puckered in flower clusters; low square neckline in back; panel attached with four rhinestone buttons. B. Black cloqué capelet; fabric puckered in flower clusters. Performance ensemble worn by Hildegarde.
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  • Black cotton jersey evening gown; high jewel neckline, long sleeves, one fastener at top of back, back tapers open and bare down to hips, beige triangular chiffon inserts over the back hips, ankle length.

    This item is from Fall/Winter 1989-1990.
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  • A. Green and black silk satin evening gown; empire waistline; green silk satin bodice and half inch straps; button/loop with zipper closure at left side; black Peg skirt with right side seam slit; full length.

    Worn with jacket (Object ID #1997.287.B) to form two piece ensemble.
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  • Black floral silk matelasse ensemble. Fabric is black ground with pink roses and green stems in a warp print. A. Evening gown; strapless; interior bodice built over a strapless, longline bra; asymmetrical front; straight skirt; ankle length; multiple pleats at kick vent. B. Wrap; rectangular; lined with wool crepe.
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  • A. Gold lamé evening gown; rose motifs outlined in pearls, bugle beads and diamontes; sleeveless; slight scoop front neckline, dipping to lower scoop in back; long panel attached at back shoulders. B. Royal blue velvet stole; 18 x 118 inches. Gown and stole form performance ensemble worn by Hildegarde.
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  • A. Gold lamé gown; wide round neckline, bound in wide bias-cut banding; sleeveless; bust darts; raised waistline; attached self-fabric belt dips down in back; long center concealed zipper; paneled bias-cut long skirt; underlined bodice; attached slip with lingerie straps in soft beige crepe. B. Long gold lamé shawl; long hand-knotted beige silk fringe bound in gold metallic thread.
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  • Gold metallic knit ensemble. A. Evening gown; A-line; jewel neckline; sleeveless; four 1.5 inch covered buttons accented with gold and silver studs/buttonholes at asymmetrical side back closure; A-line skirt; full evening length. B. Shawl; triangular.
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  • Dark red four ply silk crepe evening gown; columnar silhouette; bateau neckline; thin straps; knot bow at back; bias cut in back; two bound buttonholes worked on the grain; floor length. Bill Blass for Maurice Rentner.

    The lower part of the gown has water stains on it.
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  • A. Brown and taupe panné velvet fit and flare evening gown; natural waistline; standing collar; straight sleeves; gathered skirt with satin and velvet band at bottom. B. Brown and taupe panné velvet belt; 4 inches wide.

    Worn by donor, Beatrice Haggerty.
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  • Black and ivory plisse evening gown; fit and flare; v-shaped neckline; bishop sleeves, cut on the bias, elastic cuff; natural waistline; center back zipper closure; bodice cut on the bias; gathered skirt; full length; missing belt. Bill Blass for Maurice Rentner.
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  • Navy blue jersey and satin evening gown; fit and flare; mock turtleneck; long straight sleeves; jersey bodice; satin stripe skirt overprinted with roses; center back zipper closure; wrap-around skirt; accordion pleated ruffle down left side front opening and on bottom; navy blue satin attached ribbon belt with fabric rose at left side front; full length.
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  • Black double crepe evening gown; slip style; A-line silhouette; front facing turned back to become lower part of notched collar; black satin straps; edges of front are black satin; six black buttons down front with long opening; backed in black silk chiffon; ankle length.

    Worn by donor, Janet Falk.
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  • White fully beaded evening gown; silver shoulder yoke; sleeveless; lined in ivory silk satin.
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  • Navy blue silk charmeuse evening gown; high banded neckline, fits tight to throat; sleeveless; low-cut armscyes front and back; empire waistline; 1 inch band and tie at waist, trimmed with silver ring; floor length. Originally worn with a matching scarf which is missing.
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