Mount Mary University Digital Collections

Browse Items (186 total)

  • A. Mauve silk charmeuse evening gown; trimmed in burgundy silk velvet at neckline and armscyes; plunging neckline at front and back; sleeveless; bias cut; mermaid silhouette; unlined; ankle length. B. Burgundy velvet belt; lined with mauve silk charmeuse; ties at side.

    According to Sister Aloyse Hessburg, this gown is a copy of the bronze gown by Chauvel (2012.01.51.AB). This gown is attributed to "Cafe de Paris in London by Ilene Adair."
  • Multicolored printed evening gown; Peter Max type print with trees, flowers, and hexagons in shade of blue, green, pink, and magenta; light blue and lime green wool double knit bodice with insets and piecing; standing collar; natural waistline; long set-in bishop sleeves with wool cuffs; large clear buttons at cuffs; center back zipper closure; gathered full silk chiffon skirt; ankle length. Label: "Ronald Amey".

    Worn by the donor, Beatrice Haggerty.
  • Butter yellow rayon evening gown; scoop neckline; two bust darts; sleeveless; sewn-in elastic at empire waistline; fabric above and below waistline gathers slightly; large self-fabric covered buttons down entire center front; pair of snaps on both inner shoulder straps, just below shoulder seam; ankle length; label: "Burke-Amey, New York".

    This item was created by Ronald Amey for Burke-Amey.
  • Black silk jersey evening gown with graphic print in blue, yellow, and olive green; fit and flare; natural waistline; standing collar; bishop sleeves with cuffs; gathered skirt; full evening length. Label: "Ronald Amey".

    Worn by the donor, Beatrice Haggerty.
  • Dark brown silk charmeuse evening gown; scoop neckline; puffed sleeves; pink sequined bodice; peg style skirt; slit from calf to floor at center front; attached cummerbund with separate closures.

    Worn by Julilly House Kohler.
  • Magenta rayon matte jersey evening ensemble. A. Gown; low neckline and back; spaghetti straps; two layers of shorter jersey on the right side with undulating hemline; asymmetric cut. B. Cloak; high neckline; open-style 3/4 length sleeves that widen, then are tacked up; shorter in front to waistline; cascades down to hemline; slight train. Worn by Hildegarde.
  • Black cotton jersey evening gown; high jewel neckline, long sleeves, one fastener at top of back, back tapers open and bare down to hips, beige triangular chiffon inserts over the back hips, ankle length.

    This item is from Fall/Winter 1989-1990.
  • Black silk jersey evening gown; bust of black floral lace over olive green silk satin; dress wraps and fastens with olive green silk satin ties at chest; black silk jersey column skirt from under breasts to ankles.
  • Black wool crepe evening gown; strapless; column silhouette; center back zipper closure; interior corset of black taffeta; skirt has flared piece inserted at sides below knee.
  • Black wool crepe evening gown; strapless; column silhouette; center back zipper closure; interior corset of black taffeta; skirt has flared piece inserted at sides below knee.
  • Black silk jersey evening gown; scoop neckline; long one-piece sleeves; center back zipper closure; black pleated china silk skirt; skirt wraps and ties at waist.
  • Navy blue jersey and satin evening gown; fit and flare; mock turtleneck; long straight sleeves; jersey bodice; satin stripe skirt overprinted with roses; center back zipper closure; wrap-around skirt; accordion pleated ruffle down left side front opening and on bottom; navy blue satin attached ribbon belt with fabric rose at left side front; full length.
  • Black and ivory plisse evening gown; fit and flare; v-shaped neckline; bishop sleeves, cut on the bias, elastic cuff; natural waistline; center back zipper closure; bodice cut on the bias; gathered skirt; full length; missing belt. Bill Blass for Maurice Rentner.
  • A. Brown and taupe panné velvet fit and flare evening gown; natural waistline; standing collar; straight sleeves; gathered skirt with satin and velvet band at bottom. B. Brown and taupe panné velvet belt; 4 inches wide.

    Worn by donor, Beatrice Haggerty.
  • A. Black polyester evening dress; camisole bodice with spaghetti straps; natural waistline; accordion pleated skirt; floor length. B. Copper and black metallic floral print chiffon evening blouse; blouson; knit neckline, cuffs, and waistband.
  • A. Black polyester evening dress; camisole bodice with spaghetti straps; natural waistline; accordion pleated skirt; floor length.

    Worn with blouse (Object ID #1988.157.b) to form two piece ensemble.
  • Dark red four ply silk crepe evening gown; columnar silhouette; bateau neckline; thin straps; knot bow at back; bias cut in back; two bound buttonholes worked on the grain; floor length. Bill Blass for Maurice Rentner.

    The lower part of the gown has water stains on it.
  • Pale gray silk satin and wool jersey hostess gown; roll collar; bodice and long sleeves of heathered wool jersey; rolled back satin cuffs; floor length silk satin skirt gathered at natural waist; center back zipper closure; belt loops at side seams, but belt is missing.

    Worn by Audrey Ross. She was part of the Ross family who owned J. H. Collectibles.
  • Black silk crepe evening gown; strapless; six white narrow vertical strips applied evenly along gown with white bows at top; strips run down dress below knee, flaring out with six godets; black sequin beading runs completely around white strips; corselet bodice understructure, back hook closures; center back zipper with hook and eye closures. Worn by Hildegarde for the first time in Milwaukee in 1948.
  • A. Green, bronze, and black plaid silk satin evening gown; tight-fitting bodice of green and black plaid; off-the-shoulder sleeves attached to bodice with fabric strips, stitched at upper arm, then released into fullness and stitched again at sleeve hems; voluminous skirt; pleated 1.5 inches from waistline, released into deep pleat effect; back zipper closure. Label: "Bruyere Paris Place Vendome". B. Black patent leather belt; four inches wide. Performance gown worn by Hildegarde.
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