Mount Mary University Digital Collections

Browse Items (53 total)

  • Blue floral warp print taffeta shawl; rectangular; pointed ends; self-lined; 82 inches long.
  • White and blue printed silk crepe evening gown; large stylized chrysanthemum print; slim silhouette; cap sleeves; broad shoulders; cut-out section in bodice, held together by beige marquisette; draped skirt with slit; silk at shoulders has been repaired and lined. Custom made for Hildegarde and used as a performance gown in the Persian Room of the Plaza Hotel, New York City.
  • Navy silk chiffon evening gown; large red flowers, tie-dye or batiked fabric; very full sleeves; straight skirt; attached scarf at neckline that flows down back; underdress of navy crepe with beige yoke. Worn by Hildegarde.
  • A. Blue floral print cotton dress; fabric pattern of abstracted white and yellow flowers and a floating man playing a green violin; jewel neckline; short kimono sleeves; fitted bodice; side zipper closure; full skirt has been shortened, hem is now released; it is likely the dress was originally mid-calf length and has been shortened to knee length. B. Blue floral print cotton belt; fabric pattern of abstracted white and yellow flowers; 5/8 inches wide; covered buckle.

    Fabric designed by Marc Chagall. Worn as a "going away" dress on May 5, 1956 for wedding at St. Sebastian's church.
  • Black silk damask dirndl skirt with self-patterned Liberty floral design; wide pointed waistband; left side zipper closure with single hook and eye; calf length.
  • A. Black floral brocade cocktail jacket with flowers in pink, purple, and maroon and metallic gold leaves; standing collar; zipper front closure; long set-in sleeves; bodice very fitted at waist; lined in black silk; just below waist length. B. Maroon silk taffeta cocktail bubble skirt; three rows of ruffles at hem; contour waistband; side zipper closure; above the knee length.

    Worn by donor, Janet Falk.
  • A. Blush pink floral print silk shantung evening dress; black Alencon lace bodice and sleeves; natural waistline; scoop neckline; 3/4 length straight sleeves; gathered skirt; full evening length; skirt printed with roses; red silk satin cummerbund with bow in back; small covered buttons down back; underlined with silk organza. B. Blush pink silk slip; strapless. This item was created by Norman Norell for Traina-Norell fashion house.
  • White and pink floral print silk tissue taffeta cocktail dress; shirtwaist style; natural waistline; short sleeves composed of diagonal tucks at corner of one-piece gussets; pink roses are hand-appliqued on bodice to match print; full skirt, many knife pleats into waist seam; mid-calf length; attached interior crinoline. Two belt loops with no belt. This item was created by Norman Norell for Traina-Norell fashion house.
  • Ivory floral print silk dress; print is sprays of pink cut panne velvet flowers; open notched collar; 3/4 length cuffed sleeves; cummerbund waistline; very full skirt with tiny pleats at waistline. This item was created by Norman Norell for Traina-Norell fashion house.
  • Dark green tulle hat; silk net veiling pulled over frame; pink rose buds, roses, and green leaves on the high rise front. Worn by Hildegarde.
  • Ivory satin evening gown; design of cut velvet flowers; sleeveless; mandarin collar. Performance evening gown worn by Hildegarde.
  • Gold lamé evening gown; rose motifs outlined in pearls, bugle beads and diamontes; sleeveless; slight scoop front neckline, dipping to lower scoop in back; long panel attached at back shoulders. Worn with blue stole (Object ID #1981.111.B) to form two piece ensemble. Worn by Hildegarde.
  • A. Gold lamé evening gown; rose motifs outlined in pearls, bugle beads and diamontes; sleeveless; slight scoop front neckline, dipping to lower scoop in back; long panel attached at back shoulders. B. Royal blue velvet stole; 18 x 118 inches. Gown and stole form performance ensemble worn by Hildegarde.
  • White floral silk chiffon evening ensemble; yellow, lavender, and pink flowers with green leaves. A. Gown; slip style; low V-neckline; beige spaghetti straps; two layers printed silk chiffon and three layers plain white silk chiffon; floor length. B. Poncho; seams at center front and back; open at sides; self-covered button closure at neck. C. Scarf; pieced to form shoulder yoke with flounce. Custom made for Hildegarde as a performance gown.
  • Slip style; low V-neckline; beige spaghetti straps; two layers printed silk chiffon and three layers plain white silk chiffon; floor length. Worn with poncho (Object ID #2002.84.08.B) and scarf (Object ID #2002.84.08.C) to form three piece ensemble. Custom made for Hildegarde as a performance gown.
  • Floral crepe A-line dress; funnel at neck; long sleeves; fabric is bright floral print of turquoise, red, royal blue, and brown on black ground; back of skirt is softly gathered at waistline.
  • A. Black floral silk chiffon chemise dress; fabric is satin striped with spray of blue, yellow, and purple flowers at center front and on sleeves; similiar motifs sprinkled throughout dress; jewel neckline with binding; bishop sleeve; underlined in nude silk chiffon; midcalf length. B. Beige silk charmeuse slip.
  • Black floral silk matelasse shoes by Delman; fabric is black ground with pink roses and green stems in a warp print; pointed toe, 2.5 inch pike heel. C. Right shoe. D. Left shoe.
  • Black floral print challis dress; Black ground with large, sketchy orchid print; T-shape trapeze dress; cowl neckline with fabric flower at left shoulder; dolman sleeves with zippers at wrists; flared skirt; knee length; lined with china silk.
  • White plain weave ensemble with large-scale floral print; print is bright, child-like flowers in red, green, and blue. A. Dress; jewel neckline; sleeveless; covered button closures down center front; ankle length. Worn with shawl (Object ID #1993.07.B).
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