Mount Mary University Digital Collections

Browse Items (43 total)

  • B. Black underdress; straight silhouette; silk tank top attached to wool skirt with accordion pleats; knee length. C. Pale yellow silk crepe blouse; jewel neckline; sleeveless; darts into collar; covered buttons on shoulder. D. Pale yellow silk crepe tie; snaps onto back neckline of blouse; 76 inches by 2.5 inches.

    Worn with blazer (Object ID #1997.442.a) to form four piece ensemble.
  • A. Dark blue silk crepe dress; jewel neckline; long set-in sleeves with wide cuffs of black ottoman; padded shoulders; zipper closure at back neck; black ottoman midriff; side zipper closure; straight silhouette to knee. B. Dark blue silk taffeta coat; quilted in horizontal rows; jewel neckline; long set-in sleeves; padded shoulders; black ottoman panel down center front; snap closures at center front; black ottoman midriff; knee length.

    Worn by donor, Janet Falk.
  • A. Black wool jersey jumper; sleeveless; 5 shoulder darts front and back; center back zipper closure; 2 welt pockets; V-shaped neckline. B. Off-white silk crepe tailored blouse; joined to black silk petticoat; center front button closure; 4 self-covered half-dome buttons/bound buttonholes; Peter Pan collar with black grosgrain bow; straight sleeves.
  • A. Bright pink 4 ply silk crepe blouse; spread collar; 2 button front closure; long sleeves. B. Navy blue with white polka dots cotton jacquard skirt; gathered; knee length; attached kelly green silk grosgrain ribbon belt; shaped; 3 inches wide.
  • Off-white silk crepe ensemble with bright pink sequin and silver caviar bead trim. A. Boxy jacket; jewel neckline; hook and eye center front closure; long straight sleeves. B. Pants; no waistband; pink sequin and bead pin-stripe down the outside side seam; beaded border up side seams at hemline; ankle length.
  • A. Quilted raspberry red silk jacket; jewel neckline; center front opening with no closures; center section is longer than sides; long set-in sleeves; no facings, just silk bindings; unlined. B. Red silk crepe blouse; high turned-down collar; center back zipper closure; long set-in sleeves with zippers at wrists; organza shoulder pads; hip length. C. Red, dark green, beige, and dark blue challis skirt with leaf print; narrow waistband; side zipper closure; side slit at knee; lined in black silk; knee length; no label.

    Worn by donor, Janet Falk
  • A. Lavender wool jersey cardigan jacket; V-shaped neckline; 5 mauve button/bound buttonholes on center front closure; straight sleeves. B. Black wool jersey skirt; center back zipper closure; knee length. C. Black silk crepe tailored blouse; standing collar with attached tie; 5 covered buttons on center front closure; long straight sleeves with cuffs. This item was created by Gustave Tassell for Norman Norell fashion house.
  • A. White floral silk twill dress; printed with orange poppies with green and brown leaves; V-neckline with bias banding; narrow straps in front; empire waist; tucks on skirt at waistline; slim straight skirt; hook and eye closures at center back; zipper has possibly been removed; mid-calf length. B. White silk crepe slip; detached from dress. C. White floral silk twill cape; printed with orange poppies with green and brown leaves; slits at sides and center back; lined in white silk. Cape was likely attached to dress originally.
  • Light blue silk crepe scarf with yellow-green, blue, dark orange, and peach stripes; 71 inches long by 4 inches wide. Worn as an ensemble with blouse (Object ID #2009.11.57), skirt (Object ID #2009.11.58), and jacket (Object ID #2009.11.59).

    Worn by donor, Janet Falk.
  • White and navy blue silk crepe scarf; 30.5 inches square; border of navy blue with white circles; interior is white with navy circles; two lawn jockey figures and "21" in navy.

    Worn by Peg Bradley.
  • Seafoam green silk crepe ruana; square shape with slit in front; edges are hand-finished.

    This ruana was used by Sister Aloyse Hessburg and Charles Kleibacker for their couture class.
  • White 4-ply silk crepe wedding helmet; fits close to head; dips low in back; self-fabric band and bow in back; lined in white silk shantung.

    Custom made for Samantha Drake.
  • Off-white silk crepe and lace handkerchief; twenty-four inches square with 4.5 inch wide lace border. Owned by Hildegarde.
  • White linen muslin handkerchief with Hildegarde's signature embroidered in pink thread; eleven inches square. Owned by Hildegarde.
  • A. Ivory silk crepe tailored blouse; shirt collar; 4 button (missing)/hand-worked buttonhole center front closure; vertical tucks; straight sleeves with French cuffs. B. Black silk crepe skirt; knife pleats; 2 inch wide waistband; full length; silk crepe lining. C. Black satin-covered belt; 3 inches wide. D. Black satin neck bow.
  • A. Pale yellow and black wool plaid blazer; notched collar; 4 brown buttons/bound buttonholes at center front; double-breasted closure; long straight sleeves. B. Black underdress; straight silhouette; silk tank top attached to wool skirt with accordion pleats; knee length. C. Pale yellow silk crepe blouse; jewel neckline; sleeveless; darts into collar; covered buttons on shoulder. D. Pale yellow silk crepe tie; snaps onto back neckline of blouse; 76 inches by 2.5 inches.
  • Seafoam green silk crepe evening gown; slip style; spaghetti straps; A-line skirt; side back hand-picked zipper; very low back; unlined except for bodice; train; some stains.

    This gown was used by Sister Aloyse Hessburg and Charles Kleibacker for their couture class.
  • Black 4-ply silk crepe and chiffon evening gown; deep V-neckline in front; sleeveless; A-line silhouette in crepe; black silk chiffon capelet extends from front neckline to back, hanging freely to knees in back; shoulders lined in beige soufflé; center back zipper closure; ankle length.

    This gown was used by Sister Aloyse Hessburg and Charles Kleibacker for their couture class.
  • White and blue printed silk crepe evening gown; large stylized chrysanthemum print; slim silhouette; cap sleeves; broad shoulders; cut-out section in bodice, held together by beige marquisette; draped skirt with slit; silk at shoulders has been repaired and lined. Custom made for Hildegarde and used as a performance gown in the Persian Room of the Plaza Hotel, New York City.
  • Aubergine four-ply silk crepe evening gown; high exaggerated mandarin collar; one set-in sleeve, one batwing sleeve; draped from right shoulder; asymmetric bias cut; slim silhouette; deep released pleat on left side; asymmetric zipper closure on grain which creates drapery; yellow metal and purple glass antique brooch near throat; long. Custom made as a performance gown exclusively for Hildegarde.
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