Mount Mary University Digital Collections

Browse Items (34 total)

  • C. Light orange silk shantung blouse; standing collar with attached tie; double-breasted center front closure; elastic at waist with peplum; sleeveless.

    Worn with jacket (Object ID #1995.210.a), skirt (Object ID #1995.210.b), and belt (Object ID #1995.210.d) to form four piece ensemble.
  • Ivory silk shantung and wool underdress; camisole silk bodice attached to wool skirt; skirt is knife-pleated; knee length.

    Worn with overblouse (Object ID #1993.09.a) to form two piece ensemble.
  • Black silk shantung suit. A. Jacket; slightly shaped; V-neckline; flat rounded petal collar; set-in long sleeves with narrow cuffs; set-in scalloped style bodice- front, back and hem; five self-covered buttons down front with bound buttonholes; open center back vent; lined in gold silk. B. Slim straight skirt; eleven inch long center back slit; deep flap; zipper on left side; mid-calf length.
  • A. Red silk shantung suit jacket; long, fitted; notched collar; three-quarter length sleeves ending in slits; five enameled "heraldic shield" motif buttons with bound buttonholes; single welt pocket flaps on hip; five inch long center vent; single welt breast pocket; lined in off-white silk. B. White silk shantung suit skirt; bias-cut; four-gore; side zipper closure; mid-calf length; unlined. Large yellowish stains.
  • Black silk shantung ensemble. A. Jacket; roll collar; 4 domed fabric button opening at center front; 7/8 length set-in sleeves; polished silk black bow ribbon tie at neck; contour darts to hem at front and back; hip length; lined in bright fuschia china silk. B. A-line skirt; no waistband; front has 3 seams, back has 2 seams; zipper set into seam on back left side; lined in black china silk. "F" embroidered in white at inside front waist; knee length.

    Worn by Peg Bradley.
  • A. Ivory silk shantung overblouse; bateau neckline; ball and loop button closure over each shoulder; sleeveless; 2 single welt pockets; hip length. B. Ivory silk shantung and wool underdress; camisole silk bodice attached to wool skirt; skirt is knife-pleated; knee length.
  • Light beige silk shantung ensemble. A. Dress; slim pencil skirt; slit in center back seam for ease of movement; skirt attached to a tan silk lingerie top with spaghetti straps; fifteen inch long center zipper closure; skirt underlined with ivory silk. B. Overblouse; sleeveless; wide band of horizontal and vertical faggoting; concealed center back zipper closure; twenty-two and 1/2 inches long.

    This item is attributed to Irene.
  • A. Light aqua polka dot silk shantung jacket; box shaped; shawl collar; set-in long sleeves with plain turned-back cuffs; three large self-covered buttons and bound buttonholes (fabric matched to create plain center panel and collar); pocket flaps; cuffs and collar are solid aqua; lined in white silk. B. Light aqua polka dot silk shantung over-blouse; boat neckline; short sleeves; 4 inch cutout vents in front with bias banding continuing around the back hem; neckline is bound to match; under arm zipper on left side. C. Light aqua polka dot silk shantung skirt; slim, straight silhouette; unpressed side pleat on either side; "hand-stitched" down center pleat; fabric is matched to create plain center panel; zipper on left side.
  • Black silk shantung 3 piece ensemble. A. Suit jacket; tuxedo collar; triple top-stitching; princess seaming from shoulder; patch pockets; gold button and chain closure. B. Blouse; sleeveless; 5 gold button closure; banded self-fabric trim with triple top-stitching at neck edge, center front opening, and armscye; 2 patch pockets. C. Suit pants; double pleats; high-rise shaped waistband with belt loops; front fly closure.

    Worn by Florence Eiseman.
  • A. Brown wool tweed suit jacket; collarless; bias cut; shallow V-neckline; long dolman sleeves; double-breasted with gold metal dome buttons/slanted buttonholes. B. Brown wool tweed suit skirt; straightline; horizontal buttonhole pockets. C. Orange silk shantung blouse; brass ball button closure; convertible collar; self-fabric tie stitched along front shoulder; long straight sleeves on slanted armhole.
  • Apple green silk shantung skirt; straight waistband; center back hand-picked zipper; seams in front and back; slash pockets; unlined; knee length.

    This skirt was used by Sister Aloyse Hessburg and Charles Kleibacker for their couture class.
  • C. Orange silk shantung blouse; brass ball button closure; convertible collar; self-fabric tie stitched along front shoulder; long straight sleeves on slanted armhole.
  • A. Pink silk shantung dress; overlaid with very heavy, elaborate, 3-dimensional cream cotton machine lace; bateau neckline; fitted bodice; sleeveless; natural waistline; gathered skirt; knee length. B. Pink silk taffeta half-slip; white grosgrain ribbon waistband; center back zipper closure; knee length. C. Pink silk shantung stole; 17 inches by 63 inches. D. Pink silk shantung tie belt; 66 inches long.
  • A. Black and white check wool bolero jacket; notched collar; two black 1.25 inch buttons/bound buttonhole center front closure; straight sleeves; lined with light orange silk shantung. B. Black and white check wool skirt; dirndl style; knee length. C. Light orange silk shantung blouse; standing collar with attached tie; double-breasted center front closure; elastic at waist with peplum; sleeveless. D. Black patent leather belt; 1.75 inches wide.
  • A. Blush pink floral print silk shantung evening dress; black Alencon lace bodice and sleeves; natural waistline; scoop neckline; 3/4 length straight sleeves; gathered skirt; full evening length; skirt printed with roses; red silk satin cummerbund with bow in back; small covered buttons down back; underlined with silk organza. B. Blush pink silk slip; strapless. This item was created by Norman Norell for Traina-Norell fashion house.
  • Pale gold silk shantung evening coat; square set 3/4 length sleeves; Hong Kong seam finishes; floor length. Worn with evening gown (Object ID #1983.254).

    Worn by Lynn Fontanne to receive a special Tony Award for Lifetime Achievement in 1970, although the gown was created much earlier. This gown was possibly made by Valentina, but has been significantly altered. Purchased at the auction of Lynn Fontanne's estate using funds from Mount Mary alumnae.
  • A. Pink silk shantung dress; overlaid with very heavy, elaborate, 3-dimensional cream cotton machine lace; bateau neckline; fitted bodice; sleeveless; natural waistline; gathered skirt; knee length. B. Pink silk taffeta half-slip; white grosgrain ribbon waistband; center back zipper closure; knee length. D. Pink silk shantung tie belt; 66 inches long.

    Worn with stole (Object ID #1990.251.c) to form four piece ensemble.
  • A. Black silk shantung dress; wrap front; sleeveless; flared skirt. B. Black and white print silk scarf.

    Made by Mount Mary Fashion student Christee Wartman in 1970.
  • B. White floral silk screened day dress; pattern is squares with wide range of colored stemmed flowers; rounded neckline in front; sleeveless; twenty and one-half inch long hand-overcast center back concealed zipper; straight silhouette; double inverted pleats on either side from waistline; plain white silk panel down center front and back. C. Narrow green silk belt; backed in leather; leather is brittle and has broken into three pieces; buckle with matching keepers. Exclusively for Bullocks Wilshire. Worn with coat (Object ID #2004.03.48.A) to form three piece ensemble.
  • Orange floral print silk shantung dress; print of orange sunflowers with green foliage; scoop neckline; sleeveless; fitted bodice with modified princess seams; bow on right hip; full skirt with knife pleats; covered button closure down back; skirt backed in white marquisette; mid-calf length.
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