Mount Mary University Digital Collections

Browse Items (142 total)

  • Magenta taffeta evening gown; deep V-neckline in front; short kimono sleeves; pointed bodice; side zipper closure; full skirt, grabbed and stitched together in four small horizontal tucks throughout; ankle length; small train; couture techniques; pleated strip is unsewn on left front shoulder. Worn by Hildegarde.
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  • Pink sequined evening gown; empire style; standing collar; short sleeves; full evening length; attached wide pink satin belt under bust; "Mermaid", completely hand-sequined.
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  • Lace gown; bodice of gold lame lace, purple crinkled taffeta straps, bow at center front under bodice, empire waistline, skirt of brown floral lace with green and orange flower clusters, slim skirt has princess seaming and short train in back, invisible zipper at center back.

    This item is from Fall/Winter 1995-1996.
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  • White polyester crepe evening gown; jewel neckline; short kimono cap sleeves; draped in front to center of midriff; scalloped oval appliqué in center of midriff; center of appliqué decorated with clear and silver bugle beads and large rhinestone pin; waistline rises in front, falls in back; darting at back bodice; hand-picked zipper; straight skirt; slit at back hem; ankle length; lined in white polyester. Zipper teeth have given out.

    Made by Sister Aloyse Hessburg for her Master's project at Drexel University in 1965.
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  • A. Green and black silk satin evening gown; empire waistline; green silk satin bodice and half inch straps; button/loop with zipper closure at left side; black Peg skirt with right side seam slit; full length.

    Worn with jacket (Object ID #1997.287.B) to form two piece ensemble.
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  • A. Light pink silk chiffon evening gown; fit and flare; natural waistline; two belt loops; halter neckline with attached bias scarf; sleeveless; very full gathered skirt; full evening length. B. Light pink silk underdress; fit and flare skirt; strapless; camisole bodice; full evening length. This evening gown could be styled many ways. This item was created by Norman Norell for Traina-Norell fashion house.
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  • Pocket detail in front pleats, velvet appliqués at underside of bust flaps.
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  • Detail of back of evening gown to show where capelet can be attached. Off-white lurex velvet evening gown; worn with capelet (Object ID #1981.107.B) to form two piece evening ensemble. Performance gown worn by Hildegarde.
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  • Long off-white silk organdy evening gown with floral embroidery in shades of yellow-gold, bronze, and off-white. Empire style folded yellow-gold silk taffeta attached belt, ending in long and wide shaped floats at top of center back zipper; floats can be worn as train or tied as sash.
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  • Black floral silk matelasse ensemble. Fabric is black ground with pink roses and green stems in a warp print. A. Evening gown; strapless; interior bodice built over a strapless, longline bra; asymmetrical front; straight skirt; ankle length; multiple pleats at kick vent. Worn with wrap (Object ID #1997.237.B).
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  • C. Black silk evening coat; brown fur cuffs; red silk taffeta lining is made of the dress fabric; no closures; label: "Rosalie Macrini"; mid-calf length. Worn with dress (2003.03.11.a) and stole (2003.03.11.b) to form a three piece ensemble.

    Worn by donor Aileen Ryan. The fabric was designed by Sister Remy Revor based on a historic Milwaukee design. The ensemble was created on designer Rosalie Macrini's receipt of an award from Mount Mary College in the late 1960s.

    This ensemble was the first official donation to Mount Mary's Historic Costume Collection (now the Fashion Archive).
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  • A. Red silk taffeta evening gown with silk-screened palmetto frond design; motifs outlined in black beads on bodice; large circles on stem separated by 4 leaves on front skirt; square neckline; short sleeves; empire waistline; A-line skirt has inverted box pleat at center front, 2 pleats at back; black satin ribbon attached at waistline; center back zipper closure; internal corset; lined in red rayon. Worn with stole (2003.03.11.b) and coat (2003.03.11.c) to form a three piece ensemble.

    Worn by donor Aileen Ryan. The fabric was designed by Sister Remy Revor based on a historic Milwaukee design. The ensemble was created on designer Rosalie Macrini's receipt of an award from Mount Mary College in the late 1960s.

    This ensemble was the first official donation to Mount Mary's Historic Costume Collection (now the Fashion Archive).
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  • Yellow, navy blue, orange, and white plaid wool evening gown; hung on the bias; apron front with self-fabric neck strap; self belt attached on sides only; bodice has waist darts and is lined in muslin; center back metal zipper closure; asymmetrical train; skirt lined in navy blue satin.
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  • Dark midnight blue pleated polyester evening gown; deep v-neckline; shoulder pads; long narrow sleeves; midriff ornamented in tiny orange, gold, magenta, and purple sequins with gold beads and threads; motifs are Indian or Javanese inspired; side zipper closure; bodice lined in midnight blue charmeuse; ankle length.

    Worn by donor, Janet Falk.
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  • Dark midnight blue pleated polyester evening gown; deep v-neckline; shoulder pads; long narrow sleeves; midriff ornamented in tiny orange, gold, magenta, and purple sequins with gold beads and threads; motifs are Indian or Javanese inspired; side zipper closure; bodice lined in midnight blue charmeuse; ankle length.

    Worn by donor, Janet Falk.
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  • Burgundy crepe evening gown; straps are lattice-like construction created with grosgrain ribbon and crepe; midriff construction is same as straps; straight skirt with slit at center front; invisible side zipper closure; hook closures at bodice; skirt lined in acetate; bodice lined in self-fabric; ankle length.

    Designed by the donor, Jan Carter Osterholm, a Mount Mary alumna, while working for Andrea Polizzi.
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  • Aqua ombré silk chiffon evening gown; unfinished; gathered neckline edged in chiffon; long kimono sleeves with gussets; center front opening; ankle length.
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  • Yellow, navy blue, orange, and white plaid wool evening gown; hung on the bias; apron front with self-fabric neck strap; self belt attached on sides only; bodice has waist darts and is lined in muslin; center back metal zipper closure; asymmetrical train; skirt lined in navy blue satin.
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  • A. Red silk taffeta evening gown with silk-screened palmetto frond design; motifs outlined in black beads on bodice; large circles on stem separated by 4 leaves on front skirt; square neckline; short sleeves; empire waistline; A-line skirt has inverted box pleat at center front, 2 pleats at back; black satin ribbon attached at waistline; center back zipper closure; internal corset; lined in red rayon.

    Goes with stole (Object ID #2003.03.11.b) and coat (Object ID #2003.03.11.c) to form three piece set.

    Worn by donor Aileen Ryan. The fabric was designed by Sister Remy Revor based on a historic Milwaukee design. The ensemble was created on designer Rosalie Macrini's receipt of an award from Mount Mary College in the late 1960s.

    This ensemble was the first official donation to Mount Mary's Historic Costume Collection (now the Fashion Archive).
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  • Black silk faille evening gown; deep V-neckline front and back; 3/4 length kimono sleeves; French dart; waist line rises to point on center front seam; wide flare skirt; side zipper closure; ankle length.
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