Mount Mary University Digital Collections

Browse Items (53 total)

  • Pink floral silk satin brocade dinner dress; print of large dark pink and gray peonies with sprays of grasses; deep V-neckline outlined with small self-covered buttons and fabric loops down front; long dolman sleeves with gussets; high waist; tie belt; princess style; bias-cut full skirt; mid-calf length.
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  • Pink floral silk satin brocade dinner dress; print of large dark pink and gray peonies with sprays of grasses; deep V-neckline outlined with small self-covered buttons and fabric loops down front; long dolman sleeves with gussets; high waist; tie belt; princess style; bias-cut full skirt; mid-calf length.
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  • Gray British worsted wool suit. A. Jacket; long and fitted; notched collar; long revers; set-in long sleeves, self-button closure at cuffs; set-in pointed front lapels; three graduated-size self-covered buttons; center front hem has seven inch long cut-away to reveal vest underneath; seven inch long center back vent; lined in beige silk crepe. Inspired by an eighteenth century gentleman's frock coat. B. Skirt; very slim; bias bound slash pockets and slim skirt with bias bound slash pockets; zipper on left side. C. Putty colored silk jacquard vest; pattern of gray, beige, and brown leaves; shawl collar; seven self-covered buttons and bound buttonholes; fitted; pointed center front; watch pocket on right side; back is plain putty colored silk, underlined in matching silk; half belt with pewter colored metal buckle.
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  • B. Skirt; very slim; bias bound slash pockets and slim skirt with bias bound slash pockets; zipper on left side. C. Putty colored silk jacquard vest; pattern of gray, beige, and brown leaves; shawl collar; seven self-covered buttons and bound buttonholes; fitted; pointed center front; watch pocket on right side; back is plain putty colored silk, underlined in matching silk; half belt with pewter colored metal buckle. Worn with coat (Object ID #2004.03.368.A) to form three piece suit.
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  • B. White floral silk screened day dress; pattern is squares with wide range of colored stemmed flowers; rounded neckline in front; sleeveless; twenty and one-half inch long hand-overcast center back concealed zipper; straight silhouette; double inverted pleats on either side from waistline; plain white silk panel down center front and back. C. Narrow green silk belt; backed in leather; leather is brittle and has broken into three pieces; buckle with matching keepers. Exclusively for Bullocks Wilshire. Worn with coat (Object ID #2004.03.48.A) to form three piece ensemble.
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  • Navy silk chiffon evening gown; large red flowers, tie-dye or batiked fabric; very full sleeves; straight skirt; attached scarf at neckline that flows down back; underdress of navy crepe with beige yoke. Worn by Hildegarde.
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  • Ivory satin evening gown; design of cut velvet flowers; sleeveless; mandarin collar. Performance evening gown worn by Hildegarde.
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  • White floral silk chiffon evening ensemble; yellow, lavender, and pink flowers with green leaves. A. Gown; slip style; low V-neckline; beige spaghetti straps; two layers printed silk chiffon and three layers plain white silk chiffon; floor length. B. Poncho; seams at center front and back; open at sides; self-covered button closure at neck. C. Scarf; pieced to form shoulder yoke with flounce. Custom made for Hildegarde as a performance gown.
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  • Slip style; low V-neckline; beige spaghetti straps; two layers printed silk chiffon and three layers plain white silk chiffon; floor length. Worn with poncho (Object ID #2002.84.08.B) and scarf (Object ID #2002.84.08.C) to form three piece ensemble. Custom made for Hildegarde as a performance gown.
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  • Gold lamé evening gown; rose motifs outlined in pearls, bugle beads and diamontes; sleeveless; slight scoop front neckline, dipping to lower scoop in back; long panel attached at back shoulders. Worn with blue stole (Object ID #1981.111.B) to form two piece ensemble. Worn by Hildegarde.
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  • A. Gold lamé evening gown; rose motifs outlined in pearls, bugle beads and diamontes; sleeveless; slight scoop front neckline, dipping to lower scoop in back; long panel attached at back shoulders. B. Royal blue velvet stole; 18 x 118 inches. Gown and stole form performance ensemble worn by Hildegarde.
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  • White and blue printed silk crepe evening gown; large stylized chrysanthemum print; slim silhouette; cap sleeves; broad shoulders; cut-out section in bodice, held together by beige marquisette; draped skirt with slit; silk at shoulders has been repaired and lined. Custom made for Hildegarde and used as a performance gown in the Persian Room of the Plaza Hotel, New York City.
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  • Dark green tulle hat; silk net veiling pulled over frame; pink rose buds, roses, and green leaves on the high rise front. Worn by Hildegarde.
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  • A. Blush pink floral print silk shantung evening dress; black Alencon lace bodice and sleeves; natural waistline; scoop neckline; 3/4 length straight sleeves; gathered skirt; full evening length; skirt printed with roses; red silk satin cummerbund with bow in back; small covered buttons down back; underlined with silk organza. B. Blush pink silk slip; strapless. This item was created by Norman Norell for Traina-Norell fashion house.
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  • White and pink floral print silk tissue taffeta cocktail dress; shirtwaist style; natural waistline; short sleeves composed of diagonal tucks at corner of one-piece gussets; pink roses are hand-appliqued on bodice to match print; full skirt, many knife pleats into waist seam; mid-calf length; attached interior crinoline. Two belt loops with no belt. This item was created by Norman Norell for Traina-Norell fashion house.
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  • Ivory floral print silk dress; print is sprays of pink cut panne velvet flowers; open notched collar; 3/4 length cuffed sleeves; cummerbund waistline; very full skirt with tiny pleats at waistline. This item was created by Norman Norell for Traina-Norell fashion house.
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  • Red silk chiffon floral striped dress; Peter Pan collar; placket front; long sleeves with covered buttons over snaps; yoke; small tear on lower left sleeve. Label: Jane and Jane, London.

    Worn by Lynn Fontanne. Purchased at the auction of Lynn Fontanne's estate using funds from Mount Mary alumnae.
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  • Off-white silk chiffon over silk evening gown with blue rose print; V-neckline in front, square neckline in back; square set-in sleeves. Worn with evening coat (Object ID #1983.239).

    Worn by Lynn Fontanne to receive a special Tony Award for Lifetime Achievement in 1970, although the gown was created much earlier. This gown was possibly made by Valentina, but has been significantly altered. Purchased at the auction of Lynn Fontanne's estate using funds from Mount Mary alumnae.
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  • Royal blue silk shantung stole with flocked black linear daisy pattern; Pelerine type; shaped triangle with black silk taffeta linging used as binding; double snap closure. Possibly not designed by Valentina due to different construction techniques. Worn by Valentina.
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  • A. Blue floral print cotton dress; fabric pattern of abstracted white and yellow flowers and a floating man playing a green violin; jewel neckline; short kimono sleeves; fitted bodice; side zipper closure; full skirt has been shortened, hem is now released; it is likely the dress was originally mid-calf length and has been shortened to knee length. B. Blue floral print cotton belt; fabric pattern of abstracted white and yellow flowers; 5/8 inches wide; covered buckle.

    Fabric designed by Marc Chagall. Worn as a "going away" dress on May 5, 1956 for wedding at St. Sebastian's church.
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