Mount Mary University Digital Collections

Browse Items (1986 total)

  • Navy blue and white plaid wool suit. C. Slacks; raised waistline; tapered legs. Worn with jacket (Object ID #1999.276.a). With the skirt (Object ID #1999.276.b) these pieces form a three piece ensemble, though not all three pieces would be worn simultaneously.
  • A. Yellow paisley pattern silk chiffon evening dress; fit and flare; jewel neckline; natural waistline; sheer overbodice with camisole style underbodice of yellow silk crepe; center back zipper closure; row of tiny covered buttons as faux closure; long straight sleeves with tiny buttons at cuffs; inverted pleats on skirt; ballerina length; lined. B. Yellow paisley pattern silk chiffon belt; 1.5 inches wide.
  • A. Yellow paisley pattern silk chiffon evening dress; fit and flare; jewel neckline; natural waistline; sheer overbodice with camisole style underbodice of yellow silk crepe; center back zipper closure; row of tiny covered buttons as faux closure; long straight sleeves with tiny buttons at cuffs; inverted pleats on skirt; ballerina length; lined. Worn with belt (Object ID #1997.158.b).
  • A. Dark blue crepe shirtwaist dress; attached scarf at collar; 8 button center front closure; elasticized casing at waistline; cap sleeves; straight skirt; knee length; underlined. B. Dark blue snakeskin belt; 2 inches wide; large goldtone flat ornament; hidden hook closure.
  • Black crepe sheath dress; 3 inch wide lace collar; collar attached to dress by ribbon; long gathered sleeves with lace cuffs; invisible zipper closure; shoulder pads; unlined; five inch lace hem; knee length; lace is machine-sewn in flower pattern.
  • Red wool crepe shift dress; rolled collar with attached tie; rectangular silver grommet openings threaded with self-fabric bias tubes down center front and sleeve seams; straight sleeves; A-line skirt; knee length; underlined.
  • Blue and white plain weave linen day dress; V-shaped neckline; short bell sleeves; high waistline; white midriff trimmed with black buttons; skirt gathered into waistband; back kick pleat.
  • Black velvet and satin dress; left side of bodice is velvet, right side is satin; skirt is reversed; jewel neckline; long set-in sleeves; natural waistline with ribbon belt; bow at center front; straight skirt, slightly tucked at waist; center back zipper closure; knee length. "After 5" dress.
  • Deep purple silk jacquard evening ensemble. A. Blouse; bateau neckline; puffed sleeves with interior heading; uneven hemline, pulled up and pleated at left side hip revealing left leg; lined with China silk. B. Skirt; inverted pleats at center front knee level to floor; full evening length; elastic waist; unlined.
  • Navy blue jersey and satin evening gown; fit and flare; mock turtleneck; long straight sleeves; jersey bodice; satin stripe skirt overprinted with roses; center back zipper closure; wrap-around skirt; accordion pleated ruffle down left side front opening and on bottom; navy blue satin attached ribbon belt with fabric rose at left side front; full length.
  • Black and ivory plisse evening gown; fit and flare; v-shaped neckline; bishop sleeves, cut on the bias, elastic cuff; natural waistline; center back zipper closure; bodice cut on the bias; gathered skirt; full length; missing belt. Bill Blass for Maurice Rentner.
  • A. Brown and taupe panné velvet fit and flare evening gown; natural waistline; standing collar; straight sleeves; gathered skirt with satin and velvet band at bottom. B. Brown and taupe panné velvet belt; 4 inches wide.

    Worn by donor, Beatrice Haggerty.
  • A. Black polyester evening dress; camisole bodice with spaghetti straps; natural waistline; accordion pleated skirt; floor length. B. Copper and black metallic floral print chiffon evening blouse; blouson; knit neckline, cuffs, and waistband.
  • A. Black polyester evening dress; camisole bodice with spaghetti straps; natural waistline; accordion pleated skirt; floor length.

    Worn with blouse (Object ID #1988.157.b) to form two piece ensemble.
  • Dark red four ply silk crepe evening gown; columnar silhouette; bateau neckline; thin straps; knot bow at back; bias cut in back; two bound buttonholes worked on the grain; floor length. Bill Blass for Maurice Rentner.

    The lower part of the gown has water stains on it.
  • Pale gray silk satin and wool jersey hostess gown; roll collar; bodice and long sleeves of heathered wool jersey; rolled back satin cuffs; floor length silk satin skirt gathered at natural waist; center back zipper closure; belt loops at side seams, but belt is missing.

    Worn by Audrey Ross. She was part of the Ross family who owned J. H. Collectibles.
  • Royal blue suede coat; Peter Pan collar; 7/8 length kimono sleeves; 4 large covered buttons at center front opening; two patch pockets on thighs; lined in black taffeta; knee length. Label missing.

    Based on the time period this was likely designed for Maurice Rentner Limited.

    Worn by the donor, Joan Urdan, who worked in the fashion industry in New York in the 1950s, 1960s, and 1970s.
  • Fuchsia Irish linen day dress; round neckline; short sleeves; neckline and pockets have white button and bound buttonhole details; top-stitched extended bib into open pockets, sewn into side seams; center back invisible zipper closure; unlined; short length.
  • White lace Chanel style jacket; jewel neckline; hidden snap center front closure with 5 black braid buttons; long straight sleeves with 2 braid buttons at cuffs; 2 mock pockets with flap/button at bust; 2 single welt pockets with flap/button at hip; scalloped lace edging on all edges and pocket flaps.
  • Man's white muslin tuxedo shirt; wing collar; 10 tucks on front; French cuffs. A couple of buttons are missing.
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