Mount Mary University Digital Collections

Browse Items (1977 total)

  • A. Lavender wool jersey cardigan jacket; V-shaped neckline; 5 mauve button/bound buttonholes on center front closure; straight sleeves. B. Black wool jersey skirt; center back zipper closure; knee length. C. Black silk crepe tailored blouse; standing collar with attached tie; 5 covered buttons on center front closure; long straight sleeves with cuffs. This item was created by Gustave Tassell for Norman Norell fashion house.
  • Black wool crepe ensemble. A. Fit and flare dress; natural waistline; bateau neckline; sleeveless; princess seaming; gathered skirt; full length. B. Box jacket; convertible collar; 4 black buttons/bound buttonholes on center front closure; straight sleeves with 3 button cuffs; lined in silk taffeta. C. Black satin-covered belt; 2.5 inches wide. This item was created by Gustave Tassell for Norman Norell fashion house.
  • A. Heathered gray double knit pique jersey jacket; roll collar; center front opening with 4 plastic buttons and bound buttonholes; single welt pockets on hips; Princess seams; long set-in sleeves, dark green faux under-cuff; lined in gray silk broadcloth. Coffee stains on the left front and sleeve cuff. B. Dark green double knit pique jersey blouse; standing collar; sleeveless; separating zipper at center back; hip length; lined in dark green china silk. C. Heathered gray underdress; skirt with attached bodice; bodice of gray china silk; jewel neckline; sleeveless; modified princess line; skirt of heathered gray double knit jersey with multiple darts at waistline; straight silhouette; knee length.

    Worn by Peg Bradley.
  • A. Gray wool flannel A-line jumper; jewel neckline; 4 covered button/bound buttonhole closures at each shoulder seam; sleeveless; cut on bias; straight skirt; mid-calf length. B. Ivory batiste tailored blouse; double Pan collar with bias binding; balloon sleeves, very full with 5 pearl button/hand-worked buttonhole closures at cuffs. C. Gray wool flannel tie belt; 1.5 inches wide. This item was created by Norman Norell for Traina-Norell fashion house.
  • Tan wool tweed suit with flecks of blue, burgundy, and green. A. Jacket; wing collar; front opening with no closures; 3/4 length set-in sleeves; patch pockets on chest; waist length; front opening, collar, and sleeve edges are finished with self-fabric binding; lined in beige taffeta. B. Skirt; wide straight waistband; gathers into waistband; side seam pockets; knee length; lined in beige taffeta. C. Off-white silk twill blouse; self-bow at neck; sleeveless; center front opening with 4 covered button closure; gathers at waist; underarm stains.

    Worn by donor, Joan Urdan. This item was created by Norman Norell for Traina-Norell fashion house.
  • Black crepe ensemble. A. Blouse; jewel neckline edged with marquis and round prong-set rhinestones; sleeveless; princess seaming; bolero length with rhinestones at hem. B. Skirt; gathered; rhinestones encircle hemline; above the knee length. C. Black peau de soie belt; 2 inches wide.
  • Black crepe ensemble. A. Bolero jacket; notched collar; 2 black buttons/bound buttonholes at center front closure; double princess seaming in front; parabola hemline dips to center back; straight sleeves with 1 button at wrists. B. Dirndl skirt; knee length. C. Belt; 1.75 inches wide; top-stitched detail.
  • A. Red wool jacket; sleeveless; double-breasted with three bound buttonhold closure; princess seaming from front neckline. B. Navy blue silk surah blouse; tie neckline; front button closure; silk gathered onto red wool waistband with double button closure. C. Red wool skirt; gathered waistline; two inseam pockets in side front seams; fully lined.
  • Pale yellow wool double knit ensemble. A. Dress; A-line; mock turtleneck; cut-out halter type sleeveless armholes; fully lined. B. Cardigan jacket; no closures; long sleeves. C. Belt.
  • Black wool ensemble. A. Blouse; bateau neckline; cap sleeves; 2 waist darts; back yoke; 4 button center back closure. B. Skirt; slightly gathered; side zipper closure; knee length. C. Belt; shaped; 2 buttons center back closure; 3.5 inches wide.
  • A. Red, white, and navy blue wool knit sheath style coat; diagonal pattern; navy trim at center fronts; 2 navy patch pockets; attached self-fabric hood with navy trim; long sleeves with cuffs; no buttons; lined in polyester knit. B. Red, white, and navy blue wool knit tank top; diagonal pattern; scoop neckline trimmed in 1.5 inch navy band; sleeveless. C. Navy blue wool slacks; straight legs; lined in cotton.

    Made by donor, Pam Sandoval, Mount Mary Fashion student, Class of 1976.
  • A. Aqua leather tunic; small standing collar; raglan sleeves, wrist length; three yellow metal leash clasps at opening, sewn shut to hem; mid-thigh length; lined in light blue silk; lining is stained; leather has creases and dirt from wear. B. Aqua cashmere sweater; funnel neck. C. Aqua wool jersey slip; spaghetti straps; knee length.

    From Bonnie Cashin's personal wardrobe.
  • A. Pink, blue, and brown wool tweed jacket; boxy; no armscye; notched collar with brown suede binding; two patch pockets with suede binding. B. Brown wool jersey overblouse; suede binding; center back closure. C. Pink, blue, and brown wool tweed A-line skirt; knee length; lined in brown silk.
  • A. Pea green leather tabard; pilgrim buckle closure under each arm; lined in wool jersey. B. Pea green leather skirt; four gores. C. Light green cashmere sweater; funnel neck.

    From Bonnie Cashin's personal wardrobe.
  • White floral silk chiffon evening ensemble; yellow, lavender, and pink flowers with green leaves. A. Gown; slip style; low V-neckline; beige spaghetti straps; two layers printed silk chiffon and three layers plain white silk chiffon; floor length. B. Poncho; seams at center front and back; open at sides; self-covered button closure at neck. C. Scarf; pieced to form shoulder yoke with flounce. Custom made for Hildegarde as a performance gown.
  • Red chiffon ensemble. A. Blouse; sheer sleeves cuffed with crystal buttons; rolled-over collar; center back zipper closure. B. Culotte pants; front zipper closure. C. Scarf. From Hildegarde's personal wardrobe.
  • A. White floral silk twill dress; printed with orange poppies with green and brown leaves; V-neckline with bias banding; narrow straps in front; empire waist; tucks on skirt at waistline; slim straight skirt; hook and eye closures at center back; zipper has possibly been removed; mid-calf length. B. White silk crepe slip; detached from dress. C. White floral silk twill cape; printed with orange poppies with green and brown leaves; slits at sides and center back; lined in white silk. Cape was likely attached to dress originally.
  • A. Brown crepe overblouse; v-shaped neckline; straight sleeves; two drapes at side; horizontal shirring at side seams; heavy black lace border at hemline and sleeves. B. Brown crepe skirt; shirred square-set yoke at center back; side zipper closure; mid-calf length. C. Brown Eugenie style hat; variegated ostrich plumes trim; brown velvet flat bows.
  • Printed cotton piqué ensemble; A. Jacket; fabric is large-scale floral bouquets of red and yellow flowers with green sprays on a black ground; abstract watercolor effect; motif woven on a waffle ground; sleeves of jacket have design of red and yellow dots; high points at neckline front; six covered buttons and loops over the waist; fitted at the front and back waist with three darts on each side; 3/4 length leg-o-mutton sleeves; lined in black china silk. B. Skirt; design of red and yellow dots; straight skirt; straight waistband; knee length; lined. C. Hair comb; deep pink ostrich feather and orange fabric flower attached to plastic comb.
  • Black heavy wool crepe ensemble, decorated with rhinestone circle cutouts surrounded by diaper pattern; A. Skirt; A-line; no waistband; center back zipper closure; knee length. B. Vest; deep "U" neckline; buttoned front. C. Black wool shaped shawl; rhinestone cut-outs. From the personal wardrobe of Pauline Trigere.
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