Mount Mary University Digital Collections

Browse Items (337 total)

  • A. Black lace over satin cocktail dress; sheath; bateau neckline; batwing sleeves with gussets; camisole-type underbodice; natural waistline; A-line skirt with two tiered bustle back; knee length. B. Black lace-covered belt with flat bow.
  • Dark red four ply silk crepe evening gown; columnar silhouette; bateau neckline; thin straps; knot bow at back; bias cut in back; two bound buttonholes worked on the grain; floor length. Bill Blass for Maurice Rentner.

    The lower part of the gown has water stains on it.
  • Black net beret over black velvet outer frame; flat bow at center back.

    Worn by Florence Eiseman.
  • Beige straw hat; hand-wound in circular fashion with navy blue veiling in between.

    Worn by Florence Eiseman.
  • B. Pink cotton piqué blouse; sleeveless; princess seaming; mock placket with buttons; half-belt. C. Pink cotton piqué skirt; slim; front seaming with inseam pockets; 2 back zipper closures set into seaming.

    Worn with bolero jacket (Object ID #1988.52.a) to form three piece ensemble

    Worn by Florence Eiseman.
  • A. Pink cashmere bolero jacket; short sleeves; bound in pink satin with floral beaded trim. B. Pink cotton piqué blouse; sleeveless; princess seaming; mock placket with buttons; half-belt. C. Pink cotton piqué skirt; slim; front seaming with inseam pockets; 2 back zipper closures set into seaming.

    Worn by Florence Eiseman.
  • Black cocktail dress; silk jersey bodice; funnel neckline; gusset; tight sleeves with gathering at wrists; very full scalloped Chantilly lace skirt over taffeta lining.

    Worn by Florence Eiseman to receive the Neiman Marcus Award in 1955.
  • Orange floral print silk shantung dress; print of orange sunflowers with green foliage; scoop neckline; sleeveless; fitted bodice with modified princess seams; bow on right hip; full skirt with knife pleats; covered button closure down back; skirt backed in white marquisette; mid-calf length.
  • Black wool challis and silk chiffon late day dress; wool challis top and chiffon skirt; fitted bodice; deep V-neckline in front and in back; short placket under "V" with three buttons, one in seam and two with bound buttonholes; dolman sleeves; center back zipper closure; intricately pleated large black silk chiffon skirt over three layers of black silk chiffon and one layer of silk crepe; calf length skirt.
  • Pink, white, and black horizontally striped cotton dress; rolled collar; short kimono sleeves with gussets; bust darts; cuffs edged with black satin; appliquéd vertical black stripes on bodice front; one black plastic button closure; very full skirt; knife pleats at waist.
  • A. Black silk satin dress; pink roses with purple leaves in warp print; funnel neckline buttoning on left shoulder; long, narrow kimono sleeves; close-fitting bodice with bust darts; very full skirt gathered to natural waist; skirt lined in black satin. C. Black silk satin belt; pleated; fabric-covered square buckle.

    This dress can also be worn with a leather belt (Object ID #2002.84.27.b).
  • Black cotton piqué evening with black seed beading at hips; bias cut; one shoulder strap; side zipper closure; sleeveless; very fitted through hip, diagonal beaded hip panel; diagonal seams; full flared skirt; skirt has black organza petticoat and brown taffeta lining; mid-calf length.

    This dress was made when Charles Kleibacker was designing for Nettie Rosenstein, but was never put into production. Charles said Nettie told him that this would be too difficult to fit for ready-to-wear.
  • Green silk shantung A-line coat; shawl collar, small; one covered button and bound buttonhole closure; upper yoke, top of sleeve, and coat cut in one; roll-up sleeve with roll up cuff; 2 double inverted back pleats released at shoulder blade; poor boy length sleeves; lined with changeant green/brown silk taffeta; midcalf length. Worn by Valentina. Possibly not designed by Valentina due to the construction techniques used.
  • Purple velvet evening coat with machine-embroidered pink roses and metallic green leaves; small embroidered green leaves scattered throughout. A-line; winged collar; three fabric covered buttons and bound buttonhole center front closure; swing shape; drop shoulder sleeves with two diagonal darts at wrist; inseam pockets; midcalf length; lined in brownish red satin. Worn by Valentina. Possibly not designed by Valentina due to different construction techniques, but instead a costume built by Kerenskaya.
  • Off-white wool twill coat; fabric has vertical rows of floating threads, giving a textured surface; wide roll collar; center front opening with one pewter button at neck; 3/4 length kimono sleeves; large patch pockets; lined in wool flannel; knee length.

    Worn by Peg Bradley.
  • Off-white wool plaid jacket; plaid in off-white, brown, and yellow; roll collar; long set-in sleeves; front opening with snap closures; three trios of gold buttons at center front; two patch pockets on hips; hip length; lined in beige silk shantung.

    Worn by Peg Bradley.
  • Dark gray heathered herringbone wool suit. A. Jacket; roll collar; front and back princess seams; 3/4 length two-piece set-in sleeves; three circular button closures at center front; fully lined. Dark gray heathered herringbone wool suit jacket; roll collar; front and back princess seams; 3/4 length two-piece set-in sleeves; three circular button closures at center front; fully lined. B. Skirt; natural waistline; princess seams; zipper closure at back left princess seam; single welt pockets at hips, button detail on each welt; fully lined; knee length.

    Worn by Peg Bradley.
  • Cream textured wool peacoat; navy blue convertible collar; darts at waist and shoulders; double-breasted front with double welt button holes and gold circular buttons; double breast panel faced with navy blue wool; angled single welt pockets at hips with 1 inch wide welts; two-piece set-in sleeves; knee length; lined in navy blue silk tissue tafetta.

    Worn by Peg Bradley.
  • Black silk shantung ensemble. A. Jacket; roll collar; 4 domed fabric button opening at center front; 7/8 length set-in sleeves; polished silk black bow ribbon tie at neck; contour darts to hem at front and back; hip length; lined in bright fuschia china silk. B. A-line skirt; no waistband; front has 3 seams, back has 2 seams; zipper set into seam on back left side; lined in black china silk. "F" embroidered in white at inside front waist; knee length.

    Worn by Peg Bradley.
  • Black wool jersey blouse; shaped as fitted mini dress; square neckline; spaghetti straps with looped ends attach at front neckline with gold metal shank buttons; left side zipper closure.
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