Mount Mary University Digital Collections

Browse Items (2752 total)

  • White pleated silk crepe damask polka dot evening gown; high front neckline, plain column; deep V-neckline to waist at back; black velvet rose at back waist; long sleeves; side slit on skirt; ankle length.

    From Oscar de la Renta's Spring/Summer 1983 collection.
  • Light pink silk organza evening gown; fit and flare; pointed waistline; very deep Bertha collar; lantern sleeves with flat bows at shoulders; gathered skirt; underlining; taffeta lining with hemline flounce, nylon braid to stiffen hemline; internal bodysuit that closes between legs; full evening length.
  • A. Green and white gingham cotton and tulle evening gown; decorated with appliqués; shirtwaist style; natural waistline; V-shaped neckline; bodice of tulle over cotton gingham bandeau; buttons down back with 13 ball buttons and loops to within 5 inches of waist; long shirt sleeves, gather to narrow cuffs; sleeves are a combination of gingham and tulle; gathered skirt; full length; overskirt of printed tulle. B. Pink, yellow, and green grosgrain ribbon belt; 5/8 inch wide.

    This garment is from Spring 1971.
  • Grayish tan silk crepe evening gown; halter top; cowl neckline; high waistline in front; straight skirt to ankle; two 1 inch covered buttons at back neck; mid-back section is cutout to waist; two 1 inch covered buttons at waist above zipper closure; lined in self fabric.

    Worn by donor, Joan Urdan.
  • Black lace over pink crepe evening gown; ace motif of circles in modern style; Bateau neckline; long sleeves; bound in black satin with ball and loop closures at wrists and back neck; high waistline; A-line pink silk crepe underdress; center back zipper; not lined; floor length. The black lace has been cut to tunic level - this probably isn't original since there is no hem.
  • Silver and black double cloth and lamé evening gown; silver flowers outlined in black; strapless princess line bodice; center back zipper closure covered with buttons and loops; skirt gathered at scalloped waistline seam; ankle length; lined in black satin.

    From Donald Brooks's Fall 1986 collection.
  • A. Black polyester lace evening gown; jewel neckline, large black sequin flowers sewn to edge; deep V-neckline in back to waist; large bishop sleeves, cut in one with bodice; cuffs covered in large 4-petal black sequin flowers; bodice, sleeves, and skirt have floral motif of black sequins with rhinestone in center; full skirt gathered at waistline; fastens at waist in back; front bodice is lined in doubled black crepe; back bodice is unlined; skirt is lined. B. Black silk satin ribbon belt; snaps onto a bow with 2 long streamers.

    Information from donor: "[This dress] was owned by Constance Ross Wexler - she assisted Donald on numerous shows and this dress may have been a sample."
  • Pale taupe silk jersey t-shirt dress; jewel collar; half sun decoration on left shoulder with rays extending to waist and left elbow; sun and rays made of rhinestones and colorless tubular glass beads; ankle length; stains and abrasion.
  • A. Black silk satin evening gown; sweetheart neckline; princess seams; long set-in sleeves; skirt gathered to bodice; 10 inch band of clipped black feathers at hemline; center back zipper closure; underlined with silk organza; floor length. B. Black silk satin tie belt.
  • A. Dark pink lace evening gown; petals attached to lace motifs; sleeves; slim silhouette; long. Label: "Givenchy Couture Paris". B. Off-white silk crepe underdress. Label: "Givenchy Couture Paris". C. Pink silk crepe sash.
  • Black silk crepe evening gown completely covered in shiny black paillettes; jewel neckline; long set-in sleeves; straight silhouette to ankle; center back hook and eye hidden closure; detachable hot pink silk satin bow below bustline (bow is missing).
  • Orange silk taffeta ballgown; deep shoulder puff; diagonal shirring forms "V" from bodice to skirt hemline; pouff released along shirring, backed with additional ruffle; drawn up to bustle at center back; ankle length; very complicated patternmaking.
  • Multicolored lamé fit and flare evening gown; Rousseau-inspired tropical print with gold thread; natural waistline; scoop neckline; lantern sleeves; flare skirt with parabola hemline.

    Designer sample.
  • Fuchsia pink basketweave silk evening gown; square neckline front and back; long leg-o'-mutton sleeves; contour darts at waist; front bodice skirt is one piece; center back hand-picked zipper closure; bodice back is separate from skirt; ankle length; lined in fuchsia china silk.
  • Kelly green silk chiffon evening gown; sleeveless; matching silk overdress closes with 2 snaps at center of V-neckline; waistline rises to apex at center front; floor length; couture.
  • Black four ply silk crepe evening gown; square neckline; thick black satin ribbon straps; two extra strips of fabric placed horizontally across lower back bodice; princess seams; zipper closure on round part of side back; lined in black China silk; ankle length. Label: "Christian Dior New York".
  • 2002-84-25A_BACK.jpg

    Detail of back of evening gown; standing collar; long sleeves; column silhouette; center back zipper closure with covered buttons sewn to placket; ankle length. Worn with cape (Object ID #2002.84.25.B) to form two piece ensemble. Part of performance ensemble worn by Hildegarde.
  • 2002-84-25A_FRONT.jpg

    Detail of front of evening gown; standing collar; long sleeves; column silhouette; center back zipper closure with covered buttons sewn to placket; ankle length. Worn with cape (Object ID #2002.84.25.B) to form two piece ensemble. Performance ensemble worn by Hildegarde.
  • 1997-224A.jpg

    Gold metallic knit ensemble. A. Evening gown; A-line; jewel neckline; sleeveless; four 1.5 inch covered buttons accented with gold and silver studs/buttonholes at asymmetrical side back closure; A-line skirt; full evening length. B. Shawl; triangular.
  • 2004-03-28AB.jpg

    A. Gold lamé gown; wide round neckline, bound in wide bias-cut banding; sleeveless; bust darts; raised waistline; attached self-fabric belt dips down in back; long center concealed zipper; paneled bias-cut long skirt; underlined bodice; attached slip with lingerie straps in soft beige crepe. B. Long gold lamé shawl; long hand-knotted beige silk fringe bound in gold metallic thread.
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