Browse Items (25 total)
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Evening gown
Magenta rayon matte jersey evening gown; low neckline and back; spaghetti straps; two layers of shorter jersey on the right side with undulating hemline; asymmetric cut. Worn with evening coat (Object ID #2002.84.16.B) to form two piece evening ensemble. Worn by Hildegarde. -
Hostess gown
Pale gray silk satin and wool jersey hostess gown; roll collar; bodice and long sleeves of heathered wool jersey; rolled back satin cuffs; floor length silk satin skirt gathered at natural waist; center back zipper closure; belt loops at side seams, but belt is missing.
Worn by Audrey Ross. She was part of the Ross family who owned J. H. Collectibles. -
Gown
Magenta rayon crepe fit and flare gown; Bateau neckline; diagonal flange across bodice front; two-tone combination gives geometric appearance; drop shoulder sleeves, diagonal tucks at elbow; diagonal flange across wrists; normal waist; full length flare skirt with triangular inset. -
Gown
Navy blue and pink paisley silk chiffon gown; made of sari fabric; bodice constructed in criss-cross style; raglan sleeves flow from front and back panels that are attached at neck edge; back tie belt.
Designed and sewn by Lynn Fontanne in 1965 using fabric from an Indian sari purchased at a London antique store. Worn by Lynn during an interview on PBS in 1980, and in the photograph linked below, "Lynn Fontanne with Cole Leslie and Alfred Lunt." Donor was the niece of Lynn Fontanne and Alfred Lunt. -
Gown
Bright pink silk charmeuse gown; ruffle at neck; round front shoulder yoke; long sleeves; unlined; ankle length. Possibly a nightgown.
This gown was used by Sister Aloyse Hessburg and Charles Kleibacker for their couture class. -
Detail of gown with front belt undone
Bright pink silk charmeuse gown; ruffle at neck; round front shoulder yoke; long sleeves; unlined; ankle length. Possibly a nightgown.
This gown was used by Sister Aloyse Hessburg and Charles Kleibacker for their couture class. -
Detail of inside front of gown
Bright pink silk charmeuse gown; ruffle at neck; round front shoulder yoke; long sleeves; unlined; ankle length. Possibly a nightgown.
This gown was used by Sister Aloyse Hessburg and Charles Kleibacker for their couture class. -
Two piece ensemble
Blue banlon evening ensemble; horizontal wave pattern in multiple shades of blue. A. Gown; standing collar; long sleeves; column silhouette; center back zipper closure with covered buttons sewn to placket; ankle length. B. Cape; ties at neck; split in two sections. Performance ensemble worn by Hildegarde. -
Evening gown - front
Detail of front of evening gown; standing collar; long sleeves; column silhouette; center back zipper closure with covered buttons sewn to placket; ankle length. Worn with cape (Object ID #2002.84.25.B) to form two piece ensemble. Performance ensemble worn by Hildegarde. -
Evening gown - back
Detail of back of evening gown; standing collar; long sleeves; column silhouette; center back zipper closure with covered buttons sewn to placket; ankle length. Worn with cape (Object ID #2002.84.25.B) to form two piece ensemble. Part of performance ensemble worn by Hildegarde. -
Gown
Magenta wool crepe cocktail gown; bateau neckline at front; 45 covered buttons with loops running diagonally from right front shoulder to hip line; sleeveless; back has asymmetrical neckline and back detail; ankle length; white stains near hem.
Made by donor, Pam Sandoval, Mount Mary Fashion student Class of 1976. -
Evening gown
Off-white silk matelasse evening gown; princess style; blue beaded trim at neck and sleeve edges; floor length. Worn with evening cape (Object ID #1981.22). Performance ensemble worn by Hildegarde. -
Three piece ensemble
White floral silk chiffon evening ensemble; yellow, lavender, and pink flowers with green leaves. A. Gown; slip style; low V-neckline; beige spaghetti straps; two layers printed silk chiffon and three layers plain white silk chiffon; floor length. B. Poncho; seams at center front and back; open at sides; self-covered button closure at neck. C. Scarf; pieced to form shoulder yoke with flounce. Custom made for Hildegarde as a performance gown. -
Evening gown
Slip style; low V-neckline; beige spaghetti straps; two layers printed silk chiffon and three layers plain white silk chiffon; floor length. Worn with poncho (Object ID #2002.84.08.B) and scarf (Object ID #2002.84.08.C) to form three piece ensemble. Custom made for Hildegarde as a performance gown. -
Gown
Black wool flannel empire gown; narrow straps; ankle length straight skirt; hem trimmed in brown mink; small slits near side hems; center back zipper; lined in black taffeta. -
Gown
Silk chiffon Indian inspired paisley print gown; satin ribbon stripe woven in; warm toned; fit and flare silhouette; dropped waistline, follows line of paisley print; high neckline with trailing neck scarf; straight sleeves with zippers at wrists; gathered, full skirt; floor length; lined in nude silk chiffon. -
Evening gown
Black silk chiffon evening gown; large scale metallic gold floral brocade pattern; A-line; jewel neckline with petal ruffle; bishop sleeves with petal ruffle at wrist; A-line skirt; full evening length; lined with black chiffon. -
Three piece ensemble
Warp print white taffeta gown with pattern of bouquets of light blue roses with green leaves, rosebuds scattered about. A. Halter top bodice; jewel neckline with center front slit, low back with a long center back zipper. Lined in slubby silk plain weave. B. Long skirt; gathered into straight waistband, side inseam pockets, ankle length, unlined, hand finished. C. Stole; rectangular. Possibly this material was pleated and attached to the back of the halter top to form a bustle. Worn by Valentina.