Browse Items (2349 total)
-
Two piece ensemble
A. Blue, purple, and pink floral print silk chiffon evening gown; bow tie neckline; short loose kimono sleeves; fitted waist; A-line skirt; long; center front placket on bodice with covered buttons. B. Blue, purple, and pink floral print silk chiffon evening jacket; tuxedo front with black binding; 3/4 length puffed sleeves; hip length; lined in black taffeta.
Worn by Julilly House Kohler.Tags black, blue, chiffon, evening gown, evening wear, floral, jacket, Julilly House Kohler, Kohler, pink, purple, silk -
Two piece ensemble
A. Off-white silk shantung dress in beige and brown geometric print; sleeveless; two bows at center front neckline; flat bow at center front waistline; pleated and draped skirt; underlined in white silk taffeta. B. Off-white silk shantung jacket in beige and brown geometric print; round Peter Pan collar with ties under collar to form bow; 3/4 length set-in cuffed sleeves; additional panel of white silk taffeta with 3 rows of horsehair in back; lined in silk taffeta; mink trim at bottom; short length. -
Two piece ensemble
A. Navy blue and white print brocade dress; large round collar with red knit trim; short sleeves; front panel skirt; 3 inch wide navy and red attached belt. B. Navy blue and white print brocade jacket; collarless; 3/4 length sleeves; hip length.
This item was created by Ronald Amey for Burke-Amey. -
Two piece ensemble
Taupe wool/rayon knit ensemble. A. Sheath dress; black knit geometric design; mandarin collar; 3 black knit I-cord frog closures at center front neckline; cap sleeves; peg skirt; maxi length. B. Jacket; cardigan style; V-shaped neckline; 2 black knit I-cord frog closures at center front waistline; straight sleeves with black patterned cuffs; black patterned neck edge and hemline. From Adolfo's Fall 1975 Ready-to-Wear collection. -
Two piece ensemble
Black and white large scale houndstooth check wool double knit ensemble. A. Suit jacket; Chanel style; V-shaped neckline with lace edging threaded black satin ribbon; 2 functioning and 2 mock pockets with lace and ribbon trim; 3 gold tone button closure; straight sleeves with lace, ribbon, and button cuffs. B. Suit skirt; wrap-around; lace and ribbon trim; knee length. Likely from Adolfo's Spring 1985 Ready to Wear Collection. -
Two piece ensemble
A. Burgundy wool bouclé yarn knitted coat; plaid created with white and gray horizontal and vertical threads; standing collar with black mink fur trim; mink trim down front and around cuffs at wrists; four patch pockets with yellow metal buttons; unlined; mid-calf length. B. Burgundy wool bouclé yarn knitted skirt; plaid created with white and gray horizontal and vertical threads; elastic waistband; knee length.
Worn by donor, Janet Falk. -
Two piece ensemble - coat reversed
Red orange and white double cloth ensemble; A. Coat; slim-fitted raglan sleeves; red orange and white houndstooth; reversible to solid color; solid color on cuffs. B. Houndstooth check double cloth skirt; A-line. -
Two piece evening ensemble
Dark navy blue silk tissue taffeta evening ensemble. A. Wrap-around blouse; V-neck; narrow shawl collar; long Dolman sleeves with unusual seaming; long wrap ties thread through opening in blouse; completely hand finished and over-cast. B. Skirt; stitched-down inverted pleats at center front and back; Triangular shaped back yoke has covered button/loop closure, one button is missing; Hand finished; Unlined; Full evening length. Worn by Valentina. -
Two piece evening ensemble
Mauve pink silk chiffon ensemble. A. Evening gown; long torso with bands of ostrich feathers on skirt; sleeveless; neckline dips to low V in back; trimmed with band of rhinestones and bugle beads. B. Silk organza capelet; banded with ostrich feathers; lined with silk chiffon; dirty. Performance ensemble worn by Hildegarde. -
Two piece evening ensemble
Off-white lurex velvet evening ensemble. A. Gown; A-line; sleeveless; French darts; floor length. B. Capelet; cocoon style; 3/4 length sleeves. Performance ensemble worn by Hildegarde. -
Two piece evening ensemble
Pale green silk chiffon evening ensemble; A. Gown; attached flowing back panel; bodice completely covered in silver bugle beads; spaghetti straps; sewn-in brassiere. B. Scarf. Performance ensemble worn by Hildegarde. Refurbished by Charles Kleibacker for September 25, 1982 show at Mount Mary. -
Two piece evening ensemble
A. Royal blue wool evening gown; small cowl collar; sleeveless; hand-picked zipper closure; straight skirt hanging from yoke bodice; long slit asymmetrically placed in skirt front. B. Royal blue and magenta wool cape; royal blue front, magenta back; small cap sleeves; very full. Performance ensemble worn by Hildegarde. -
Two piece evening ensemble
White silk chiffon evening ensemble. A. Gown; V-neckline front and back; fitted body flowing to full skirt. B. Cape; clear crystal droplet beading; buttons in front; very dirty. Worn by Hildegarde. -
Two piece evening ensemble
White and deep purple striped silk broadcloth evening ensemble. A. Gown; high collar neckline; long slim sleeves; cut on bias to create diagonal strip; straight silhouette ending in eleven inch flounce; back zipper closure; ankle length. B. Scarf; bias cut; 125 inches long. Custom made for Hildegarde as a performance gown. -
Two piece evening ensemble
Magenta rayon matte jersey evening ensemble. A. Gown; low neckline and back; spaghetti straps; two layers of shorter jersey on the right side with undulating hemline; asymmetric cut. B. Cloak; high neckline; open-style 3/4 length sleeves that widen, then are tacked up; shorter in front to waistline; cascades down to hemline; slight train. Worn by Hildegarde. -
Two piece evening ensemble
Lavender under burgundy silk chiffon evening ensemble. A. Gown; bias cut; beige spaghetti straps. B. Poncho; bias cut; deep V-neckline in front and back; open at sides. Worn with scarf (Object ID #2002.84.15.C) to from three piece evening ensemble. Worn by Hildegarde. -
Two piece evening ensemble
Peacock blue plush knit pile evening ensemble. A. Gown; V-neckline; long bishop sleeves; empire waistline; center front zipper closure; light blue silk crepe bodice, gathers into shoulder yoke; Peacock blue knit pile A-line skirt; floor length. B. Bolero jacket; jewel neckline; long bishop sleeves; center front hook and eye closure; lined in light blue silk crepe.
Note from Sister Aloyse Hessburg: "Blue knit pile fabric by Borg Textile Group, a Wisconsin industry. They challenged the senior class in 1970 to create garments 'for a winter evening' using their fabric. Christee selected this fabric (at that time the most flexible of their line) and used the silk fabric bodice and lining of silk crepe. The fur closure hooks were the only available on short notice. (Industry would have had time to get correct size and color.) In a way - industry and Mount Mary College were promoting the possibility fo using Borg Textiles to the Wisconsin public."Tags blue, bolero, Borg Textile Group, Christee Wartman, evening gown, Mount Mary, pile, plush, student -
Two piece evening ensemble
A. Bronze wool crepe evening gown; camisole bodice with sequin band; bodice pleated to midriff band; skirt pleated to midriff band. B. Tan wool crepe evening bolero jacket; padded shoulders; gold sequin trim.
Worn by Julilly House Kohler. -
Two piece evening ensemble
A. Mint green lace gown; scoop neckline; sleeveless; dropped waistline; asymmetrical tiered skirt; has been altered. B. Mint green lace bolero jacket; center front tie; 3/4 length sleeves.
Worn by Julilly House Kohler. -
Two piece evening ensemble
A. Black crepe and fringe evening gown; cowl neckline at front; deep V-neckline at back; thin straps wrapped with fringe; straight silhouette; fringe starts at hips and goes down to floor; applied on base in chevron pattern; floor length. B. Black crepe and fringe capelet; fringe applied to base in chevron pattern; hem of capelet is also chevron shaped; center front opening with snap closure at neck; label: "Mainbocher, 12 Avenue George V a Paris"; twill tape bolduc on back of label: "21381- Mrs. Vreeland".
This ensemble was given to the donor's mother by a wealthy lady she worked for in New York City in the 1920s and '30s. The woman's identity is unknown. A bolduc was found on back of tag with words "Mrs. Vreeland". This dress might have belonged to Diane Vreeland, although this is not confirmed.