Mount Mary University Digital Collections

Browse Items (73 total)

  • Black silk chiffon shawl; diamond-shaped; black lace border; quarter-sized circles embroidered on chiffon.

    The date of this item is unknown.

    The back is the same as the front.
  • Off-white lace and tulle shawl with floral appliqué; 72 inches long.

    The images show different sides of the front. The back is the same as the front.
  • Ivory Chantilly lace shawl; triangular; scalloped edges; 53 inches by 110 inches.

    The images show the front, the left side, and the right side. The back is the same as the front.
  • Off-white lace shawl; triangular; floral border pattern highlighted with gold metallic thread; 52 inches by 74 inches.

    The first image shows the front and the second image the back.
  • Black Chantilly lace shawl; large triangle; 110 inches long by 52 inches deep.

    The images show the front, the left side, and the right side. The back is the same as the front.
  • Black machine made bobbin lace shawl; triangular; central oval contains wreath flanked by 2 ovals on each side: one with wreath, one with bouquet; wreaths and bouquet would appear upside down when worn; 180 inches long, 74 inches on two sides; 52 inches deep; possibly a mourning shawl.

    The images show the front, the left side, and the right side. The back is the same as the front.
  • Black machine lace capelet; bolero type back; bias front pieces hanging from shoulder seam; bound in black silk.

    The date of this item is unknown.
  • Black wool lace knit shawl with fringe; 50 inches by 50 inches.

    The back is the same as the front.
  • Black and brown lace shawl; rectangular; scalloped edges; 98 inches by 23 inches.

    The images show different sides of the front. The back is the same as the front.
  • Beige lace and satin cocktail dress; deep scoop neckline with shaping; sleeveless; satin cummerbund-type midriff; large flat bow at left waist; very full skirt; stacked box pleats; net crinoline attached to inside; Battenberg-type lace over satin.
  • A. Multicolored silk georgette blouse; many different fabrics, primarily black printed with flakes of pale yellow, pink, pale lavender, and pale aqua; standing collar edged in black lace; black front tie with metallic gold stripes; long set-in sleeves button at wrists; seams covered with metallic gold striped fabric; upper part of sleeves is abstract print of stripes and curves in many colors; black fabric yoke with polka dots at back, yoke has ruffle edged in black lace; gathered at waist. B. Multicolored silk georgette pants; many different fabrics, primarily black printed with flakes of pale yellow, pink, pale lavender, and pale aqua; gathered at waist; slim to ankle.
  • A. Black polyester lace evening gown; jewel neckline, large black sequin flowers sewn to edge; deep V-neckline in back to waist; large bishop sleeves, cut in one with bodice; cuffs covered in large 4-petal black sequin flowers; bodice, sleeves, and skirt have floral motif of black sequins with rhinestone in center; full skirt gathered at waistline; fastens at waist in back; front bodice is lined in doubled black crepe; back bodice is unlined; skirt is lined. B. Black silk satin ribbon belt; snaps onto a bow with 2 long streamers.

    Information from donor: "[This dress] was owned by Constance Ross Wexler - she assisted Donald on numerous shows and this dress may have been a sample."
  • Black lace over pink crepe evening gown; ace motif of circles in modern style; Bateau neckline; long sleeves; bound in black satin with ball and loop closures at wrists and back neck; high waistline; A-line pink silk crepe underdress; center back zipper; not lined; floor length. The black lace has been cut to tunic level - this probably isn't original since there is no hem.
  • Black lace over pink crepe evening gown; ace motif of circles in modern style; Bateau neckline; long sleeves; bound in black satin with ball and loop closures at wrists and back neck; high waistline; A-line pink silk crepe underdress; center back zipper; not lined; floor length. The black lace has been cut to tunic level - this probably isn't original since there is no hem.
  • A. Green and white gingham cotton and tulle evening gown; decorated with appliqués; shirtwaist style; natural waistline; V-shaped neckline; bodice of tulle over cotton gingham bandeau; buttons down back with 13 ball buttons and loops to within 5 inches of waist; long shirt sleeves, gather to narrow cuffs; sleeves are a combination of gingham and tulle; gathered skirt; full length; overskirt of printed tulle. B. Pink, yellow, and green grosgrain ribbon belt; 5/8 inch wide.

    This garment is from Spring 1971.
  • B. Off-white wool jersey bouclé suit skirt with horizontal ribs; no waistband or closures; elastic at waistline; four godets of sequined off-white lace material; white sequin fabric inset; knee length.

    Worn with suit jacket and blouse to form three piece ensemble (Object ID #2009.11.21.abc).

    Worn by donor, Janet Falk.
  • B. Off-white wool jersey bouclé suit skirt with horizontal ribs; no waistband or closures; elastic at waistline; four godets of sequined off-white lace material; white sequin fabric inset; knee length. C. White lace blouse with lines of white iridescent sequins and gold metallic stitching; jewel neckline; sleeveless; waist darts; center back zipper closure; white satin ribbon attached at back waist; lined in white silk; hip length.

    Worn with suit jacket to form three piece ensemble (Object ID #2009.11.21.abc).

    Worn by donor, Janet Falk.
  • A. Off-white wool bouclé suit jacket with horizontal ribs; Chanel style; no collar; V-neckline; four button closure on front; two patch pockets; all edges finished with gold metallic crocheted thread and two ropes of white wool yarn; unlined. B. Off-white wool jersey bouclé suit skirt with horizontal ribs; no waistband or closures; elastic at waistline; four godets of sequined off-white lace material; white sequin fabric inset; knee length. C. White lace blouse with lines of white iridescent sequins and gold metallic stitching; jewel neckline; sleeveless; waist darts; center back zipper closure; white satin ribbon attached at back waist; lined in white silk; hip length.

    Worn by donor, Janet Falk.
  • Beige floral lace and pale blue silk organza late day dress; organza is pleated; square neckline front and back; sleeveless; seam at natural waistline; left side zipper closure; full flared skirt; beige lace is appliquéd to outline squares of organza; knee length.
  • Off-white cotton wedding dress with cotton lace trim; natural waistline; bateau neckline; short sleeves; pin tucking on sleeves, bust, and long vertical panels on skirt; very full skirt with deep pleats; linen bows down center back are attached over center back zipper with snaps; heavily embellished with cotton lace appliqué along neckline, at empire waist, around natural waistline, and down vertical panels on skirt; interior tulle crinoline. No label.

    Worn by donor Constance Busch (neé Coburn) for her first marriage to Gordon Stuart on June 11, 1960.
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