Mount Mary University Digital Collections

Browse Items (2752 total)

  • Deep purple silk jacquard evening ensemble. A. Blouse; bateau neckline; puffed sleeves with interior heading; uneven hemline, pulled up and pleated at left side hip revealing left leg; lined with China silk. B. Skirt; inverted pleats at center front knee level to floor; full evening length; elastic waist; unlined.
  • Navy blue jersey and satin evening gown; fit and flare; mock turtleneck; long straight sleeves; jersey bodice; satin stripe skirt overprinted with roses; center back zipper closure; wrap-around skirt; accordion pleated ruffle down left side front opening and on bottom; navy blue satin attached ribbon belt with fabric rose at left side front; full length.
  • Black and ivory plisse evening gown; fit and flare; v-shaped neckline; bishop sleeves, cut on the bias, elastic cuff; natural waistline; center back zipper closure; bodice cut on the bias; gathered skirt; full length; missing belt. Bill Blass for Maurice Rentner.
  • A. Brown and taupe panné velvet fit and flare evening gown; natural waistline; standing collar; straight sleeves; gathered skirt with satin and velvet band at bottom. B. Brown and taupe panné velvet belt; 4 inches wide.

    Worn by donor, Beatrice Haggerty.
  • A. Black polyester evening dress; camisole bodice with spaghetti straps; natural waistline; accordion pleated skirt; floor length. B. Copper and black metallic floral print chiffon evening blouse; blouson; knit neckline, cuffs, and waistband.
  • 1988.157.a.jpg

    A. Black polyester evening dress; camisole bodice with spaghetti straps; natural waistline; accordion pleated skirt; floor length.

    Worn with blouse (Object ID #1988.157.b) to form two piece ensemble.
  • Dark red four ply silk crepe evening gown; columnar silhouette; bateau neckline; thin straps; knot bow at back; bias cut in back; two bound buttonholes worked on the grain; floor length. Bill Blass for Maurice Rentner.

    The lower part of the gown has water stains on it.
  • Pale gray silk satin and wool jersey hostess gown; roll collar; bodice and long sleeves of heathered wool jersey; rolled back satin cuffs; floor length silk satin skirt gathered at natural waist; center back zipper closure; belt loops at side seams, but belt is missing.

    Worn by Audrey Ross. She was part of the Ross family who owned J. H. Collectibles.
  • Royal blue suede coat; Peter Pan collar; 7/8 length kimono sleeves; 4 large covered buttons at center front opening; two patch pockets on thighs; lined in black taffeta; knee length. Label missing.

    Based on the time period this was likely designed for Maurice Rentner Limited.

    Worn by the donor, Joan Urdan, who worked in the fashion industry in New York in the 1950s, 1960s, and 1970s.
  • Fuchsia Irish linen day dress; round neckline; short sleeves; neckline and pockets have white button and bound buttonhole details; top-stitched extended bib into open pockets, sewn into side seams; center back invisible zipper closure; unlined; short length.
  • White lace Chanel style jacket; jewel neckline; hidden snap center front closure with 5 black braid buttons; long straight sleeves with 2 braid buttons at cuffs; 2 mock pockets with flap/button at bust; 2 single welt pockets with flap/button at hip; scalloped lace edging on all edges and pocket flaps.
  • Man's white muslin tuxedo shirt; wing collar; 10 tucks on front; French cuffs. A couple of buttons are missing.
  • Light steel blue double knit ensemble. A. Dress; jewel collar; plain short sleeves; raglan-style yoke at front and back of bodice; insets below each sleeve, extending through waist seam and into straight, fitted skirt; mandarin-style closure at left front yoke seam with four carved wooden buttons, self-fabric loops, and snap at neck; zipper closure in left front inset seam; side seam pockets; fully lined; knee length. B. Cape; funnel collar; mandarin-style closure at left front with four carved wooden buttons; front and back have matching center insets, front is open along these seams below chest level; fully lined; just past elbow length.

    Made by Mount Mary Fashion student Donna Boehm.
  • Light steel blue double knit ensemble. A. Dress; jewel collar; plain short sleeves; raglan-style yoke at front and back of bodice; insets below each sleeve, extending through waist seam and into straight, fitted skirt; mandarin-style closure at left front yoke seam with four carved wooden buttons, self-fabric loops, and snap at neck; zipper closure in left front inset seam; side seam pockets; fully lined; knee length.

    Worn with cape (Object ID #2006.01.14.b) to form two piece ensemble.

    Made by Mount Mary Fashion student Donna Boehm.
  • Chartreuse silk taffeta mini dress; princess style; square neckline; long smocked sleeves.

    Made by Mount Mary Fashion student Kay Richter Bogust in the early 1970s.
  • Brown crepe dress; standing collar; dropped waistband; short gathered skirt; long raglan bishop sleeves with cuffs; center back covered ball button with faggotted strip closure over hand-picked zipper; lined in beige silk.

    Created by Sister Aloyse Hessburg's student, Kay Richter Bogust, for the 1970 couture class.
  • A. Blue wool crepe dress; cowl collar; short kimono sleeves; modified princess seams; six gored skirt; mini length. B. Blue wool crepe belt.

    Made by Mount Mary Fashion student Kay Richter Bogust.
  • 2000.22ab_detail.jpg

    A. Blue wool crepe dress; cowl collar; short kimono sleeves; modified princess seams; six gored skirt; mini length.

    Worn with belt (Object ID #2000.22.b).

    Made by Mount Mary Fashion student Kay Richter Bogust.
  • 2012.07.02_detail.jpg

    Detail of brown crepe dress to show double bodice in back.
  • Navy blue and white wool box jacket; large pointed convertible collar; long sleeves with cuffs. B. Navy blue and white wool skirt; gored; 2 panels front and back.

    Worn by Mona von Bismarck. From Dior's Spring/Summer 1975 Collection, designed by Marc Bohan.
Output Formats

atom, csv, dc-rdf, dcmes-xml, json, omeka-xml, rss2