Mount Mary University Digital Collections

Browse Items (171 total)

  • Dark midnight blue pleated polyester evening gown; deep v-neckline; shoulder pads; long narrow sleeves; midriff ornamented in tiny orange, gold, magenta, and purple sequins with gold beads and threads; motifs are Indian or Javanese inspired; side zipper closure; bodice lined in midnight blue charmeuse; ankle length.

    Worn by donor, Janet Falk.
  • Dark midnight blue pleated polyester evening gown; deep v-neckline; shoulder pads; long narrow sleeves; midriff ornamented in tiny orange, gold, magenta, and purple sequins with gold beads and threads; motifs are Indian or Javanese inspired; side zipper closure; bodice lined in midnight blue charmeuse; ankle length.

    Worn by donor, Janet Falk.
  • Dark midnight blue pleated polyester evening gown; deep v-neckline; shoulder pads; long narrow sleeves; midriff ornamented in tiny orange, gold, magenta, and purple sequins with gold beads and threads; motifs are Indian or Javanese inspired; side zipper closure; bodice lined in midnight blue charmeuse; ankle length.

    Worn by donor, Janet Falk.
  • Black lace evening gown; square neckline; large 3/4 length silk taffeta puff sleeves; side zipper closure; columnar silhouette to ankle; backed in black silk organza.

    Worn by donor, Janet Falk.
  • Seafoam green silk crepe evening gown; slip style; spaghetti straps; A-line skirt; side back hand-picked zipper; very low back; unlined except for bodice; train; some stains.

    This gown was used by Sister Aloyse Hessburg and Charles Kleibacker for their couture class.
  • Aqua ombré silk chiffon evening gown; unfinished; gathered neckline edged in chiffon; long kimono sleeves with gussets; center front opening; ankle length.
  • Aqua ombré silk chiffon evening gown; unfinished; gathered neckline edged in chiffon; long kimono sleeves with gussets; center front opening; ankle length.
  • Yellow, navy blue, orange, and white plaid wool evening gown; hung on the bias; apron front with self-fabric neck strap; self belt attached on sides only; bodice has waist darts and is lined in muslin; center back metal zipper closure; asymmetrical train; skirt lined in navy blue satin.
  • Yellow, navy blue, orange, and white plaid wool evening gown; hung on the bias; apron front with self-fabric neck strap; self belt attached on sides only; bodice has waist darts and is lined in muslin; center back metal zipper closure; asymmetrical train; skirt lined in navy blue satin.
  • Yellow, navy blue, orange, and white plaid wool evening gown; hung on the bias; apron front with self-fabric neck strap; self belt attached on sides only; bodice has waist darts and is lined in muslin; center back metal zipper closure; asymmetrical train; skirt lined in navy blue satin.
  • Black cotton piqué evening with black seed beading at hips; bias cut; one shoulder strap; side zipper closure; sleeveless; very fitted through hip, diagonal beaded hip panel; diagonal seams; full flared skirt; skirt has black organza petticoat and brown taffeta lining; mid-calf length.

    This dress was made when Charles Kleibacker was designing for Nettie Rosenstein, but was never put into production. Charles said Nettie told him that this would be too difficult to fit for ready-to-wear.
  • Black 4-ply silk crepe and chiffon evening gown; deep V-neckline in front; sleeveless; A-line silhouette in crepe; black silk chiffon capelet extends from front neckline to back, hanging freely to knees in back; shoulders lined in beige soufflé; center back zipper closure; ankle length.

    This gown was used by Sister Aloyse Hessburg and Charles Kleibacker for their couture class.
  • Dark blue silk charmeuse evening gown; unfinished; deep V-neckline at front; shoulder yoke to V over bust; long set-in sleeves; flare skirt with center front seam; center back zipper closure; bias loops at center back tie; ankle length; basting still in place.

    This evening gown was used by Sister Aloyse Hessburg and Charles Kleibacker for their couture class.
  • Reproduction of Valentina white evening gown worn by Lynn Fontanne (Object ID #1983.185); white chiffon; low V-neckline; full, long bishop sleeves; attached waist ties wrap around the midriff; very large gored skirt; ankle length; lined.

    This was made for an exhibition. The maker Pam Rehberg was a professor of theatrical costume at the University of Wisconsin-Milwaukee.
  • Gray jersey evening gown; front yoke is V-shaped; high neckline; A-line bias-cut skirt; tiny cap sleeves; back yoke dips to waist in back; hand-picked zipper in back; unlined; ankle length.

    This gown was used by Sister Aloyse Hessburg and Charles Kleibacker for their couture class.
  • Burgundy crepe evening gown; straps are lattice-like construction created with grosgrain ribbon and crepe; midriff construction is same as straps; straight skirt with slit at center front; invisible side zipper closure; hook closures at bodice; skirt lined in acetate; bodice lined in self-fabric; ankle length.

    Designed by the donor, Jan Carter Osterholm, a Mount Mary alumna, while working for Andrea Polizzi.
  • Black silk faille evening gown; portrait roll collar; short kimono sleeves; stitched puckered faille bodice; plain faille full circle skirt; ankle length. Worn with matching belt. Belt is disintegrating.
  • Black silk faille evening gown; deep V-neckline front and back; 3/4 length kimono sleeves; French dart; waist line rises to point on center front seam; wide flare skirt; side zipper closure; ankle length.
  • A. Blue silk evening gown with black silk chiffon overlay; deep rounded yoke piece; ivory chiffon banded in orange; 3/4 length sleeves with orange bands; full skirt with train. B. Blue silk tie belt with black chiffon overlay.

    Worn by Lynn Fontanne. Purchased at the auction of Lynn Fontanne's estate using funds from Mount Mary alumnae.
  • A. Gold silk chiffon evening gown; strapless; draped bodice; full skirt; floor length. B. Gold silk chiffon belt; hook and eye closure.

    Worn by Lynn Fontanne. This is likely the gown Lynn wore with a mink collar on the November 19, 1951 cover of Life Magazine. Lynn likely also wore this dress when she was presented to Queen Elizabeth II in 1953. Purchased at the auction of Lynn Fontanne's estate using funds from Mount Mary alumnae.
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