Mount Mary University Digital Collections

Browse Items (132 total)

  • Mustard yellow silk crepe evening gown; V-neckline; sleeveless; shoulder pads; draping in front; mustard yellow brocade ribbon criss-crosses in front; long. Worn by Hildegarde.
  • Cranberry red heavy fulled wool flannel swing evening coat; all-over rhinestones applied with rivets; standing collar; set-in sleeves widen at elbow; inseam pockets on modified princess line; cranberry red silk lining; most rhinestone have lost their red paint. Worn by Hildegarde.
  • B. Underdress; dark red and black striped wool straight skirt; attached to black silk bodice; sleeveless; nineteen inch long black zipper closure; attached petticoat. C. Dark red wool blouse; rounded neckline front and back; cap sleeves and godets; eighteen inch long hand-overcast center back zipper; slightly fitted with tucks; black silk underlining. Worn with jacket, Object ID #2004.03.136.A to form three piece suit.
  • A. Dark red and black striped wool jacket; straight; no closures; pointed collar; three-quarter set-in sleeves; split cuffs; long double row of self-fabric appliquéd scrolls on either side of front; underlined in red silk. B. Underdress; dark red and black striped wool straight skirt; attached to black silk bodice; sleeveless; nineteen inch long black zipper closure; attached petticoat. C. Dark red wool blouse; rounded neckline front and back; cap sleeves and godets; eighteen inch long hand-overcast center back zipper; slightly fitted with tucks; black silk underlining.
  • Long black silk crepe evening gown; cut-out front neckline; bias cut; fabric has been slashed to permit black plastic disks to be inserted in the circles; trains in back; hand-overcast. Some disks are broken or missing.
  • A. Brown crepe overblouse; v-shaped neckline; straight sleeves; two drapes at side; horizontal shirring at side seams; heavy black lace border at hemline and sleeves. B. Brown crepe skirt; shirred square-set yoke at center back; side zipper closure; mid-calf length. C. Brown Eugenie style hat; variegated ostrich plumes trim; brown velvet flat bows.
  • A. Long red and blue crepe dinner dress; Chinese-inspired print of geometric maze shape with organic vines and leafs; jewel neckline; short puff sleeves with pleated sleeve caps; bodice and sleeves are red printed with white; bust darts; waist pleats; long A-line skirt is blue-purple printed in lavender; side hook and eye closure. B. Self-fabric tie belt; one side is red print and other side is blue-purple print.
  • Light pink moire silk faille evening jacket; swing silhouette; no closures; 3/4 length sleeves, large puffs at shoulders; hip length.
  • A. Navy blue plain weave jacket. B. Navy and white vertical striped plain weave skirt; A-line; knee length.
  • Light brown silk marquisette evening gown; sweetheart neckline; long sleeves; fitted bodice decorated with rhinestones and clear beading; zippers on sleeve cuffs; long flared skirt; back zipper closure; bodice lined in brown jersey; skirt unlined; couture techniques.
  • Red silk lamé evening gown with gold and silver flecks; straight silhouette; square neckline; elbow-length sleeves; shoulder pads; left side zipper; ankle length; dress has stripe effect through the manipulation of the fabric, stripes appear vertical on bodice and horizontal on skirt.
  • Red tartan plaid wool twill A-line skirt; waistband in red, yellow and black. Front of skirt has two box pleats behind which are pockets, skirt closes at center back with a zipper which has been altered at a later date by adding an inset of fabric at the zipper to increase size of the waist and hips, calf length, unlined.
  • Black flannel overcoat; jewel neckline with purple fox fur collar, center front opening with two large black buttons at neck and waist, long set-in sleeves with purple fox fur cuffs, unlined.
  • Monastic style black silk velvet evening gown; jewel neckline edged with black cording, long dolman sleeves, empire waist, cording runs through thread carriers at waistline, extended with shirring at wrist, A-line skirt, full evening length. Hand over-cast & hand finished. Lots of small tears throughout, some of which have been patched or mended. Worn by Valentina.
  • Off-white silk charmeuse peignoir gown; bias cut, standing collar, drop shoulder long sleeves with gussets, pointed seaming into shoulder, dips to "v" at center back, high waist forms a point at center front and center back, full evening length flared skirt. All seaming is hand-faggoting, fabric over-printed with subtle brushy floral. Worn with ochre crepe cape (Object ID #1995.369). Worn by Valentina.
  • Black silk tulle surplice wrap overdress; jewel neckline, straight long sleeves, hook and eye closure at left side front. Gathered skirt with stabilized waistband, mid-calf length. Finished with tiny machine-sewn French seams. Worn over underdress (Object ID #1995.331). Worn by Valentina.
  • Pale pink silk taffeta skirt; flared, ankle length. Seam allowances are hand-overcast. There are many threadless stitching lines, suggesting the garment was remodeled from another garment. Probably by Valentina, to be worn under her overskirts. Originally no hem or waistband. To prepare the skirt for an exhibition, Sister Aloyse Hessburg put in a turned, machine-stitched hem and added a pink silk ribbon waistband.
  • Black silk tulle surplice wrap dress; v-shaped neckline, straight bracelet-length sleeves cut on the bias, natural waist seam, five button/loop closures at left side front of surplice wrap (two buttons missing), full length bell skirt. Finished with tiny machined French seams. Worn by Valentina.
  • Pale pink silk organza evening gown ensemble. A. Gown; v-neckline, long full bell sleeves, criss-cross bodice extending into tie belt at center front, very full flared skirt, ankle length. B. Neck sash; 120" long by 5.5" wide, doubled. C. Slip; one layer of organza and one layer of taffeta, V-neckline with 2" strap narrowing to 1" at shoulder, full length. Slight discoloration throughout, torn in several places near waist and bodice. Some patching has been done.

    Worn by Lynn Fontanne. Either this version or the white version (Object ID #1983.185) was worn to the 1941 Academy Awards ceremony. Donor was the niece of Lynn Fontanne and Alfred Lunt.
  • White silk organza evening gown; V-neckline, long full bell sleeves, full skirt, belt or waist tie made of the same fabric to accompany the gown. Several stains and discoloration throughout.

    Worn by Lynn Fontanne. Either this version or the pale pink version (Object ID #1983.184.ABC) was worn to the 1941 Academy Awards. Donor was the niece of Lynn Fontanne and Alfred Lunt.
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