Mount Mary University Digital Collections

Browse Items (33 total)

  • A. Turquoise satin wrap evening gown; deep V-neckline to waist at both front and back; thin strap at base of neck at neck connects front and back; sleeveless; overlap that snaps in front at waist; 3 covered button closure at center back waistline; draped skirt open from waist to hem in both front and back; deep pleats over hips; ankle length. "Beginning Impressions" tag. B. Turquoise chiffon and satin striped cocoon style jacket; thin gold stripe fabric; fabric gathered into neck edge and wrist edges; edges bound with turquoise satin; button and loop closures at wrists; not lined; couture techniques throughout.

    Created by student designer Cheri Schamburek for 1979 Student Designer Fashion Show 'Creative Energy'.
  • A. Turquoise satin wrap evening gown; deep V-neckline to waist at both front and back; thin strap at base of neck at neck connects front and back; sleeveless; overlap that snaps in front at waist; 3 covered button closure at center back waistline; draped skirt open from waist to hem in both front and back; deep pleats over hips; ankle length. "Beginning Impressions" tag.

    Worn with jacket (Object ID #2012.07.03.b) to form two piece evening ensemble.

    Created by student designer Cheri Schamburek for 1979 Student Designer Fashion Show 'Creative Energy'.
  • A. Black polyester evening dress; camisole bodice with spaghetti straps; natural waistline; accordion pleated skirt; floor length. B. Copper and black metallic floral print chiffon evening blouse; blouson; knit neckline, cuffs, and waistband.
  • Hand-painted silk chiffon evening ensemble of black, green, and burnt orange. A. Evening gown; two layers of chiffon over silk underdress; long, floating sleeves; three box pleats at front of skirt; front closing with loops and covered buttons. B. Hand-rolled silk chiffon triangle scarf.
  • Bright blue chiffon evening dress and stole. A. Overdress for evening gown; straight silhouette, sleeveless, vertical strips of blue sequins and beads, blue tassels around the hips, blue ostrich feathers around the knees, zipper closure at center back, knee length, lined in blue crepe. B. Underdress for evening gown; straight silhouette, slip style, sleeveless, blue ostrich boa sewn in zig-zag around the hem, zipper closure at center back, floor length, lined in blue crepe. Worn with stole (Object ID #2013.04.12.C).
  • A. Gold silk blouse; horizontal rows of decorations of gold and silver embroidery, gold sequins, and gold beads. Wide scoop neckline, short cap sleeves, cropped top ends just below the bust, strands of gold beaded fringe at hem, back gold button closures, large single rhinestone, and loops. B. Sheer red printed silk chiffon bandeau bra; large floral design in yellow, green, blue, and white. Edged with red satin ribbon, unlined. C. Red chiffon miniskirt; fabric shot with gold threads printed in large floral motifs, no waistband, center back invisible zipper closure, lined in white taffeta.

    This item is from Spring/Summer 1998.
  • Red chiffon ensemble. A. Blouse; sheer sleeves cuffed with crystal buttons; rolled-over collar; center back zipper closure. B. Culotte pants; front zipper closure. C. Scarf. From Hildegarde's personal wardrobe.
  • Sheer red printed silk chiffon bandeau bra. Large floral design in yellow, green, blue, and white; Edged with red satin ribbon; Unlined.

    This item is from Spring/Summer 1998.
  • Natural straw picture hat; four inch wide brim; hatband of coral chiffon, covers vertical surface of crown; hot pink headsize band; no lining.
  • Floral print chiffon cocktail dress; floral print is green, black, and dark gray on light gray ground. Layer of black tulle over chiffon, tulle decorated with large black sequins, black beads, white pearls, and clear rhinestones in an asymmetrical cluster at right hip. Scoop neckline in front; deep V-neckline in back, straight silhouette, sleeveless, many layers of black organza rectangular ‘petals’ on each shoulder, line of beading extends from right princess line to the hem in both front and back and around the hip, above knee length, side zipper and buttons closure.

    This item is from Fall/Winter 2008-2009.
  • Black chiffon and lace handkerchief; center is chiffon (12 inch square); 6.5 inch lace borders; 25 inch square. Probably used by Hildegarde in performance.
  • Silk chiffon Indian inspired paisley print gown; satin ribbon stripe woven in; warm toned; fit and flare silhouette; dropped waistline, follows line of paisley print; high neckline with trailing neck scarf; straight sleeves with zippers at wrists; gathered, full skirt; floor length; lined in nude silk chiffon.
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    Printed chiffon sheath dress with standing collar, back zipper closure, and long set-in sleeves. Red silk lining, size 12.
  • Overblouse with rounded neckline, back zipper closure, and long set-in sleeves. Underlined with silk chiffon. Paired with quilted knee length pencil skirt with side zipper and hip panels. Front and back darts at waistline. Size 6.
  • Black spaghetti strap evening gown with bust shirring. Empire waist. Ruffle at knee and hem, back zipper closure, lined in black taffeta. Ankle length. Paired with red organza jacket with embroidered dots. Ruffle neck, opening, and hem. Three-quarter length sleeves, ruffle hem.
  • Sheer red printed silk chiffon bandeau bra. Large floral design in yellow, green, blue, and white; Edged with red satin ribbon; Unlined.

    This item is from Spring/Summer 1998.
  • Black 4-ply silk crepe and chiffon evening gown; deep V-neckline in front; sleeveless; A-line silhouette in crepe; black silk chiffon capelet extends from front neckline to back, hanging freely to knees in back; shoulders lined in beige soufflé; center back zipper closure; ankle length.

    This gown was used by Sister Aloyse Hessburg and Charles Kleibacker for their couture class.
  • Reproduction of Valentina white evening gown worn by Lynn Fontanne (Object ID #1983.185); white chiffon; low V-neckline; full, long bishop sleeves; attached waist ties wrap around the midriff; very large gored skirt; ankle length; lined.

    This was made for an exhibition. The maker Pam Rehberg was a professor of theatrical costume at the University of Wisconsin-Milwaukee.
  • Black crepe and chiffon evening gown; four inch wide bias strips of sequins on bodice and one sleeve; rounded neckline; sleeves and top are one piece with gussets under arm; one sleeve is sheer black chiffon; seven small covered button closures at each wrist; eleven covered button closures at center back; slightly padded bustline; black crepe skirt; side train with skirt gathered at side seams to form large scallop; brownish pink lining shows through chiffon between sequin strips. Worn by Hildegarde.
  • Off-white crepe and chiffon evening gown; plunging neckline; orange, turquoise, and silver beading along neckline and straps, coming to bow at front; smocking at shoulder straps and midriff; padded bust-line; low back with beaded braid following around; back zipper closure; skirt flares from right below midriff, gathered at bow; full skirt, lined in satin-back crepe. Worn with slip. Purchased in 1942. Worn by Hildegarde.
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