Browse Items (38 total)
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Jacket
Dark brown wool crepe swing jacket; Chelsea collar with multiple rows of topstitching, drop shoulder sleeves with double gusset, buttonhole opening through collar with bias tube tie closure, two tiny slash pockets, inverted pleat at center back. Multiple rows of topstitching down center front, hemline, and at back yoke. Reversible. Worn by Valentina. -
Dress
Light green crepe dress; turtleneck collar that ties in back; front of sleeve is kimono style, back is raglan; bust darts; empire waist that drops to natural waistline in back; center back seam with zipper; calf length with fallen hem; lining is a champagne color. Hem is unfinished. -
Dress
Floral crepe A-line dress; funnel at neck; long sleeves; fabric is bright floral print of turquoise, red, royal blue, and brown on black ground; back of skirt is softly gathered at waistline. -
Dress
A. Black crepe shift dress; mock turtle collar with taupe and dark brown braid trim; straight sleeve with three rows of braids and zippers at the wrist; knee length; back button closure with wooden buttons; three rows of braid down center front; lined in black silk. B. Black crepe belt with taupe and dark brown braid trim; velcro closure. -
Dress
Black crepe dress; jewel neckline with tie; short sleeves; pleated front inserts from hip to hem at front and back. -
Dress
Black crepe dress; V-neckline; four gore A-line body; slim, long sleeves with zipper at wrist. Originally worn with a patent leather belt. -
Two piece ensemble
A. Black crepe dress; A-line; sleeveless; asymmetrical; rhinestone buttons. B. Black crepe jacket; stand-up collar. -
Dress without jacket
A. Black crepe dress; A-line; sleeveless; asymmetrical; rhinestone buttons.
Worn with jacket (Object ID #1986.16.B) to form two piece ensemble. -
Evening gown
Heavy beige lace over white satin back crepe and white chiffon evening gown; strapless; wide band of lined white-beige mutation mink around top; long, straight, very slim skirt; concealed center back zipper with hook, eye, and snap closure; attached off-white boned inner bodice. Made exclusively for L. S. Ayres & Co., Indianapolis. -
Dress
Black crepe dress; trapeze silhouette; cut on the bias; Bateau neckline; sleeveless; diagonal bias cut across front of dress; inseam pocket; shoulder drape falls off left shoulder; underlined with silk chiffon; lined with china silk. -
Dinner dress
A. Long red and blue crepe dinner dress; Chinese-inspired print of geometric maze shape with organic vines and leafs; jewel neckline; short puff sleeves with pleated sleeve caps; bodice and sleeves are red printed with white; bust darts; waist pleats; long A-line skirt is blue-purple printed in lavender; side hook and eye closure. B. Self-fabric tie belt; one side is red print and other side is blue-purple print. -
Three piece ensemble
A. Brown crepe overblouse; v-shaped neckline; straight sleeves; two drapes at side; horizontal shirring at side seams; heavy black lace border at hemline and sleeves. B. Brown crepe skirt; shirred square-set yoke at center back; side zipper closure; mid-calf length. C. Brown Eugenie style hat; variegated ostrich plumes trim; brown velvet flat bows. -
Evening gown
Black lace evening gown; lace over black chiffon and beige crepe; flowing lace sleeves; attached chiffon neck scarf. Worn by Hildegarde. -
Evening gown
Off-white crepe and chiffon evening gown; plunging neckline; orange, turquoise, and silver beading along neckline and straps, coming to bow at front; smocking at shoulder straps and midriff; padded bust-line; low back with beaded braid following around; back zipper closure; skirt flares from right below midriff, gathered at bow; full skirt, lined in satin-back crepe. Worn with slip. Purchased in 1942. Worn by Hildegarde. -
Evening gown
Black crepe and chiffon evening gown; four inch wide bias strips of sequins on bodice and one sleeve; rounded neckline; sleeves and top are one piece with gussets under arm; one sleeve is sheer black chiffon; seven small covered button closures at each wrist; eleven covered button closures at center back; slightly padded bustline; black crepe skirt; side train with skirt gathered at side seams to form large scallop; brownish pink lining shows through chiffon between sequin strips. Worn by Hildegarde. -
Evening gown
Sage green crepe A-line evening gown; center front seam; long set-in sleeves trimmed in matching fox fur; attached scarf at neckline, acting as draped collar at front and flowing down back of dress; hand-picked zipper closure; fully lined; small yoke at upper back; ten inch flounce at hemline; full length. -
Evening gown
Black crepe evening gown; slip style; "Brancusi" inset with black velvet zig-zag down body; left breast covered in velvet; slit at center back skirt; invisible zipper closure at center side.
Designed by the donor, Jan Carter Osterholm, a Mount Mary alumna, while working for Andrea Polizzi. -
Evening gown
Burgundy crepe evening gown; straps are lattice-like construction created with grosgrain ribbon and crepe; midriff construction is same as straps; straight skirt with slit at center front; invisible side zipper closure; hook closures at bodice; skirt lined in acetate; bodice lined in self-fabric; ankle length.
Designed by the donor, Jan Carter Osterholm, a Mount Mary alumna, while working for Andrea Polizzi.