Mount Mary University Digital Collections

Browse Items (580 total)

  • A. Black and white print crepe cocktail dress; bubble dress; plunging neckline; natural waistline; long fitted sleeves; gathered split skirt; skirt, sleeve cuffs, and neckline edged and faced with black and white grosgrain; black and white grosgrain modesty piece; underlined with organza; above the knee length. B. Black and white grosgrain belt; hooks in front.
  • A. Ivory silk shantung suit jacket; cardigan style; notched collar of red and ivory check; long straight sleeves; 2 single welt pockets. B. Red and ivory check bias blouse; roll collar of ivory bias silk; sleeveless; side zipper closure. C. Ivory silk shantung suit skirt; inverted pleats; hung on silk camisole top; knee length.
  • A. Black worsted wool blouse; jewel neckline with 1.5 inch band; princess seaming ends with mock button closure and flared hem; 6 covered button and bound buttonhole center back closure; long sleeves; lined with china silk. B. Black worsted wool skirt; straight silhouette; double front trouser pleats; knee length; lined with china silk.
  • Tan wool A-line dress; scoop neckline; sleeveless; 6 inch wide black satin bias band across bustline; 2 vertical single welt pockets at hipline; one 5 inch deep inverted box pleat off-center on skirt; knee length; underlined.
  • A. Royal blue worsted plain weave wool suit jacket; notched collar with high stance; 3/4 length set-in sleeves; front opening; hook and eye closure under bow at waist; two single welt pockets; lined in white twill with royal blue polka dots; waist length. B. Royal blue worsted plain weave wool suit skirt; straight silhouette; straight waistband; two single welt pockets; center back vent. C. White silk twill blouse with royal blue polka dots; jewel neckline; sleeveless; gathered at waist; bow on left waist; buttons down back. Label: Nicole by Margaret Newman. Not original to the suit, but similar to original blouse. D. White silk twill blouse with royal blue polka dots; V-neckline; surplice front closure of hook and eye with snap at waist; kimono cap sleeves; darts at waist and bust; unlined; underarm stains. Original to suit.

    Worn by donor, Joan Urdan, as a going-away suit after her wedding.
  • A. Black silk organza and lace cocktail dress; sweetheart neckline; sleeveless; contour darts at waist; center back zipper closure; lace at bodice center front over shoulders to waist to mid-skirt; organza horizontally tucked to mid-skirt, untucked below lace at mid-skirt; lined in tan ninon; ballerina length. B. Beige silk taffeta slip; spaghetti straps; boned; center back zipper closure; ballerina length.
  • Pink chiffon dress with clusters of pink sequins; high square neckline edged with parallel rows of sequins; 3/4 length sleeves; straight silhouette; center back zipper closure; knee length; lined in pink crepe; no label.
  • Celadon green damask fit and flare cocktail dress; V-shaped neckline; sleeveless; bodice sprinkled with prong-set rhinestones which decrease in number to thigh; gored skirt; twisted bow at center front waistline formed from bodice piece.
  • Gold metallic damask cocktail dress; sheath silhouette; sweetheart neckline; beaded bodice; sleeveless; knee length.
  • Red silk one-piece dress; A-line; round neckline with 3.5 inch slit at center front, trimmed with 4 self-fabric bows; inverted pleat at center front, beginning at waistline; inset extending from bust point underarm to back; hand-picked zipper closure; long sleeves.
  • A. Black lace over satin cocktail dress; sheath; bateau neckline; batwing sleeves with gussets; camisole-type underbodice; natural waistline; A-line skirt with two tiered bustle back; knee length. B. Black lace-covered belt with flat bow.
  • Bright yellow linen ensemble. A. Over-blouse; low round neckline; white V-shaped insert at neckline banded with purple; full center back zipper closure. B. Suit jacket; semi-fitted; 1.5 inch mandarin collar; 3/4 length sleeves; mock flap pockets. C. Suit skirt; pleated; three 4 inch front inverted pleats; fully lined.

    Worn by donor Mrs. FitzSimmons to the horse races. The winning horse was called "Stupendous," and Mrs. FitzSimmons was wearing the jockey's colors of yellow and purple.
  • Royal blue suede coat; Peter Pan collar; 7/8 length kimono sleeves; 4 large covered buttons at center front opening; two patch pockets on thighs; lined in black taffeta; knee length. Label missing.

    Based on the time period this was likely designed for Maurice Rentner Limited.

    Worn by the donor, Joan Urdan, who worked in the fashion industry in New York in the 1950s, 1960s, and 1970s.
  • Dark red four ply silk crepe evening gown; columnar silhouette; bateau neckline; thin straps; knot bow at back; bias cut in back; two bound buttonholes worked on the grain; floor length. Bill Blass for Maurice Rentner.

    The lower part of the gown has water stains on it.
  • Black and ivory plisse evening gown; fit and flare; v-shaped neckline; bishop sleeves, cut on the bias, elastic cuff; natural waistline; center back zipper closure; bodice cut on the bias; gathered skirt; full length; missing belt. Bill Blass for Maurice Rentner.
  • Multicolored paisley wool jersey hat; turban like; sewn onto green jersey band; pulled to gather at center back with green flat bow.

    Worn by Florence Eiseman.
  • Black satin beret; grosgrain pom-pom at top.

    Worn by Florence Eiseman.
  • Black suede cap; 6 gores; applied band with red top-stitched trim; suede laced cluster with red wooden beads at right side front.

    Worn by Florence Eiseman.
  • Yellow fur felt beret; 5 gores; 7 rolled ornaments at top.

    Worn by Florence Eiseman.
  • Black net beret over black velvet outer frame; flat bow at center back.

    Worn by Florence Eiseman.
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