Browse Items (35 total)
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Gown
Magenta wool crepe cocktail gown; bateau neckline at front; 45 covered buttons with loops running diagonally from right front shoulder to hip line; sleeveless; back has asymmetrical neckline and back detail; ankle length; white stains near hem.
Made by donor, Pam Sandoval, Mount Mary Fashion student Class of 1976. -
Gown
Pale pink tulle and silk taffeta prom gown; pink tulle pink taffeta; pale pink feathers around bust; rhinestone straps; tulle decorated with embroidered pale pink flowers and rhinestones; fitted torso; flared skirt; covered buttons and loops in back; ankle length.
Made by the aunt of the donor, Gaetanina Balistreri, for Balistreri to wear to the 1943 Mount Mary College Junior Prom. The gown was originally made strapless, but Mount Mary College required straps, so rhinestone straps were added. -
Gown
Navy blue and pink paisley silk chiffon gown; made of sari fabric; bodice constructed in criss-cross style; raglan sleeves flow from front and back panels that are attached at neck edge; back tie belt.
Designed and sewn by Lynn Fontanne in 1965 using fabric from an Indian sari purchased at a London antique store. Worn by Lynn during an interview on PBS in 1980, and in the photograph linked below, "Lynn Fontanne with Cole Leslie and Alfred Lunt." Donor was the niece of Lynn Fontanne and Alfred Lunt. -
Gown
Bright pink silk charmeuse gown; ruffle at neck; round front shoulder yoke; long sleeves; unlined; ankle length. Possibly a nightgown.
This gown was used by Sister Aloyse Hessburg and Charles Kleibacker for their couture class. -
Gown
A. Red chiffon gown with black polka dots; gathered scoop neckline; no waist shaping; long sleeves; ankle length; dress is lined, sleeves are sheer; zipper closure in back lining; snaps at back in chiffon; dress is smocked onto binding at neckline. Missing belt. -
Gown without capelet
A. Black crepe and fringe evening gown; cowl neckline at front; deep V-neckline at back; thin straps wrapped with fringe; straight silhouette; fringe starts at hips and goes down to floor; applied on base in chevron pattern; floor length.
Worn with capelet (Object ID #2015.03.01.b) to form two piece evening ensemble.
This ensemble was given to the donor's mother by a wealthy lady she worked for in New York City in the 1920s and '30s. The woman's identity is unknown. A bolduc was found on back of tag with words "Mrs. Vreeland". This dress might have belonged to Diane Vreeland, although this is not confirmed. -
Hostess gown
Pale gray silk satin and wool jersey hostess gown; roll collar; bodice and long sleeves of heathered wool jersey; rolled back satin cuffs; floor length silk satin skirt gathered at natural waist; center back zipper closure; belt loops at side seams, but belt is missing.
Worn by Audrey Ross. She was part of the Ross family who owned J. H. Collectibles. -
Julilly House Kohler wearing wedding gown
Julilly House Kohler wearing her wedding gown. She married John Michael Kohler III in Evansville, Indiana on January 7, 1933. -
Three piece ensemble
Warp print white taffeta gown with pattern of bouquets of light blue roses with green leaves, rosebuds scattered about. A. Halter top bodice; jewel neckline with center front slit, low back with a long center back zipper. Lined in slubby silk plain weave. B. Long skirt; gathered into straight waistband, side inseam pockets, ankle length, unlined, hand finished. C. Stole; rectangular. Possibly this material was pleated and attached to the back of the halter top to form a bustle. Worn by Valentina. -
Three piece ensemble
White floral silk chiffon evening ensemble; yellow, lavender, and pink flowers with green leaves. A. Gown; slip style; low V-neckline; beige spaghetti straps; two layers printed silk chiffon and three layers plain white silk chiffon; floor length. B. Poncho; seams at center front and back; open at sides; self-covered button closure at neck. C. Scarf; pieced to form shoulder yoke with flounce. Custom made for Hildegarde as a performance gown. -
Two piece ensemble
Blue banlon evening ensemble; horizontal wave pattern in multiple shades of blue. A. Gown; standing collar; long sleeves; column silhouette; center back zipper closure with covered buttons sewn to placket; ankle length. B. Cape; ties at neck; split in two sections. Performance ensemble worn by Hildegarde. -
Two piece evening ensemble
A. Black crepe and fringe evening gown; cowl neckline at front; deep V-neckline at back; thin straps wrapped with fringe; straight silhouette; fringe starts at hips and goes down to floor; applied on base in chevron pattern; floor length. B. Black crepe and fringe capelet; fringe applied to base in chevron pattern; hem of capelet is also chevron shaped; center front opening with snap closure at neck; label: "Mainbocher, 12 Avenue George V a Paris"; twill tape bolduc on back of label: "21381- Mrs. Vreeland".
This ensemble was given to the donor's mother by a wealthy lady she worked for in New York City in the 1920s and '30s. The woman's identity is unknown. A bolduc was found on back of tag with words "Mrs. Vreeland". This dress might have belonged to Diane Vreeland, although this is not confirmed. -
Wedding gown
Ivory satin wedding gown; bias cut; empire waistline; long dolman sleeves, fitted at wrists; train; large Maltese silk lace collar made from family heirloom lace.
Worn by Julilly House Kohler at her wedding to John Michael Kohler III in Evansville, Indiana on January 7, 1933. -
Wedding gown from back with train pulled out
Ivory satin wedding gown; bias cut; empire waistline; long dolman sleeves, fitted at wrists; train; large Maltese silk lace collar made from family heirloom lace.
Worn by Julilly House Kohler at her wedding to John Michael Kohler III in Evansville, Indiana on January 7, 1933.